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The Way West

In the mid-19th century, Senator William J. Tadlock leads a group of settlers overland in a quest to start a new settlement in the Western US. Tadlock is a highly principled and demanding taskmaster who is as hard on himself as he is on those who have joined his wagon train. He clashes with one of the new settlers, Lije Evans, who doesn't quite appreciate Tadlock's ways. Along the way, the families must face death and heartbreak and a sampling of frontier justice when one of them accidentally kills a young Indian boy.

The Way West

6.1 1967
Dollar Down

Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

Dollar Down

7.0 1925
Spider-Man!

After being bitten by a radioactive spider, Peter Parker uses his new powers to locate and catch the killer of his beloved Uncle Ben. First of the three short films made by "The Trauma Group" (Naxo Fiol, Chema Ponze, Gabi Tintorer) on the Marvel character between 1993 and 1996. This is the first film made in Spain, shot without more budget than the spent in the costume of the hero (60,000 pesetas of 1993) and shot with a video-8 camera of the time, so the image and the sound, together with the passage of time make the quality of both very poor. Halfway between the experimental, psychotronic cinema and avant-garde cinema, it´s a very extravagant version of the character, softened in the second incursion of the Trauma Group in the character: "Peter Parker is Spider-Man" (1996), closer than this to the original comic.

Spider-Man!

10.0 1993
ENCIERRO

Encierro follows Julia, a young Latina woman who finds herself trapped by the expectations of her family and culture. As she attempts to meet the impossible standards of being the perfect daughter and woman, the boundaries between reality and nightmare begin to blur. Confinement takes on many forms—claustrophobic spaces, oppressive conversations, and eerie, surreal encounters—all of which push Julia deeper into a terrifying psychological spiral. As she struggles to break free from these pressures, she faces unsettling truths about her own identity and autonomy. At its heart, Encierro is a haunting exploration of the cost of living within the confines of cultural expectations.Will Julia escape?

ENCIERRO

10.0 N/A
Dark Mirror

After attorney Frank Girard is murdered, Detective Al Church suspects that Ms. Leigh Cullen is the perpetrator, as she was supposedly last seen with the man. However, after Leigh's alleged twin sister, Tracy, shows up at the police line-up with Leigh, Church is left puzzled and with no specific suspect to pinpoint. Therefore, Church asks Psychiatrist Dr. Jim Eiseley, an acquaintance of Leigh's, to evaluate the sisters and run tests on them in hopes of filtering out the murderer. However, Eiseley's increasing involvement with Leigh complicates things with Tracy in the picture.

Dark Mirror

5.0 1984
LOVE

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.

LOVE

NR 2026