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Paola, a Milan call girl, returns home to her village in the Abruzzi mountains in an attempt to go straight. Rejected by her father, blackmailed by a former lover, and lusted after by her brother-in-law, she turns to her beloved sister for support. Denied succor, like so many of Rossellini’s isolated figures, Paola awaits the arrival of her fiancé, who has offered her a new start, but instead decides that life is untenable.
Naples, 1942. To feed her family and respond to her husband Gennaro's inertia, Amalia is forced to enter the black market. To save his wife from prison, the man fakes his own death.
An helpless Italian accountant is dispatched to the U.S. to find a black player for his company's basketball team, mistakenly recruiting a Black Power radical. The odd couple becomes friends, but America's racism keeps rearing its ugly head.
At 39 years of age Mirko has just left prison. In the outskirts of Rome, a new future waits for him. When he is elected president of the homeowners’ committee, he realises that he can dream of a different kind of existence. Not only for himself and his family, but for the whole suburb where he lives. This film deals with a “bandit” who, with the help of his best friend Boccione, wants to turn the indifference of the suburb into solidarity and the roads into luxuriant fields of tomatoes, becoming the bearer of a happiness he does not know how to reach. It is the story of a fragile and irrational dream: offering a future to those who do not even believe they deserve a present.
In the absence of the biological mother, too busy pursuing her theatrical career, we see the glorification of the maternal surrogate, a woman who is a paragon of sacrifice and self-abnegation. La Fuggitiva is also a film in which a child actress takes a prominent role. In this sentimental drama, the little girl suffers for and rebels against the loneliness and neglect stemming from the lack of a mother and a loving family setting.
A classical pianist falls in love with a friend's young daughter.
A sculptor, in the company of a disciple, isolates himself in an underground room, no longer able to identify with a society without any value. His personal revolution is no longer to create anything, but simply to wait. However, he is forced to receive unwelcome visits that keep him in touch with the absurdities of the outside world. When he finally decides to go out to the surface, he will find a world worse than when he left it.
Eva opens her eyes, holds a rosary in her hands and prays. Nervous she opens the wardrobe, she takes a wedding dress and here she relives the day she met her man, Andreas
Five different episodes unfold against the backdrop of Italian historical and political events in 1922. In the first, in the aftermath of the March on Rome, two scoundrels speculate on the event. In the second, a punitive expedition enters the home of a socialist deputy. In the third, the fascists rob a countess. In the fourth, a disgraced marshal incriminates a fascist Camorra member. In the fifth, there is the story of an encounter at the seaside.
A few days after the arrival of the year 1000, bearer of great misfortune according to the Prophets, the cavalryman Fortunato and two soldiers, Pannocchia and Carestia, travel through Italy in the midst of numerous adventures: The prophetic year is marked only by the discovery on the part of the cavalryman of his wife's betrayal
Valerio is a lonely young boy who can't get on with the others of the same age. He just observes without been seen and tries to compare himself to them, especially with two tough guys from his swimming course. One day Valerio sees something that will change him forever.
In a moment captured in time, die-hard Italian fascists conduct reprisal executions of civilians in Lombardy during World War II.
In the top-floor apartment of a large building on the outskirts of Rome, the lives of three young roommates intertwine with that of Aurelio, a former punk singer trapped in his glorious past.
Sicilia, a chauffeur for a prominent figure in mafia circles, finds himself in the midst of a mafia war in which his boss and other friends are killed. He tries to understand who is behind all these crimes, risking his own life to discover the perpetrator of all these deaths.
A charismatic boss shuts himself up in a pokey little niche. His disciples go visit him and hang on his every complaint. The boss realises that the experts are all the same, they reason with their arse and never raise their eyes; despite this he adores them and urges them to spend time with him. A woman regularly keeps their meeting place clean and the disciples dislike her as they hate cleanliness. The charismatic boss doesn’t meet the needs of his “flock” which is getting bigger and bigger, a crowd gathering beneath the niche: a revolt breaks out……
A septuagenarian couple are attracted to each other in a retirement home but find the institution and their fellow patients frown on their relationship.
Antonio is a forty-five-year-old Calabrian charcoal burner who still lives with his father, a gruff and sometimes violent figure. In the background, there's a pervasive sense of job insecurity, highlighting absence as a universal condition
The city of Vukovar, covered during the 90’s with rubble and corpses crammed on the streets, today is a controversial place of memory and symbol of the sufferings for Croatia’s independence. The film reflects on the silence of history.
A drug addicted, middle-aged detective, beaten down by life and bureaucracy, investigates a series of murders of prostitutes in the slums of Mashhad.
Story of a man with a double personality, on one side his character is honest and sincere, which makes him appreciate reality and participates with sorrow in the tragedies of our times: his other side is that of a dreamer and he identifies himself with Swift's hero Gulliver.
Puccini’s evergreen paean to young love and the bohemian life has captivated generations of Met-goers through Franco Zeffirelli’s iconic production. Movie theater audiences for the high-definition transmission of this staging got to see it with fresh eyes in a touching performance starring Angela Gheorghiu and Ramón Vargas as the frail seamstress and her poetic lover.
The peaceful balance of a family living in seclusion on an island at the mouth of the Po River is shattered by the unexpected arrival of two fugitives on the run after a robbery. The idealistic family, determined to guide the bandits back to the right path, decides to hide them from the police. This forced coexistence, marked by suspicion, seduction, and subtle deceptions, sparks a clash between two opposing worlds: the utopian purity of the family and the ruthless cynicism of crime
A married couple, he a failed intellectual, she completely unsatisfied, try to solve their marital crisis by throwing themselves into the arms of two lovers; he a young Swede, she with a handsome Greek man.
Two sisters find themselves clashing on a chilling theme: understand what will become of the body of their dead mother. One would like to cremate her, the other would like to resort her to hibernation.
Giovanni Bertone a former colonel, is a fraudster who extorts money from the families of the Nazi-Fascist prisoners. He promises them their freedom. Discovered by Colonel Muller he is offered a pact: to save his life, he must go to Milan with a false identity to discover the members belonging to the Resistance.
Jack is a motorcyclist and Greta is a music student. They share a chemistry they cannot deny and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. But Greta is sick.
After a car accident in which his son Roberto miraculously remains unharmed, Don Francesco Aliprandi makes a vow to the Madonna.
Goubbiah is a Yugoslav sponge fisherman. He loves Trinida, but she is promised to Peppo, the village drunkard. Jao tries to keep Goubbiah away from his daughter.
Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline.
Back home after his wife's death, a migrant labourer faces a dilemma between a high-paying job overseas and one last chance at reconnecting with his son, who sees him only as a stranger because of all his years abroad.
At 18, the beautiful and intelligent Kira comes to Petersburg as the Communists consolidate power. She rebuffs a cousin who rises in the Party and may remember the slight. She falls in love with Leo, the son of an aristocrat, who gets into political trouble and never gets out.
Modà is one of the most famous Italian bands of all time, especially thanks to their amazing leader Francesco Silvestre, known as Kekko. This is their story, but most importantly, his story... A documetary approved by Kekko Silvestre himself
Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.
After a car accident, a professor, trapped and awaiting help, hears a student recount the life of Milarepa. The tale unfolds in three parts: dark vengeance, spiritual discipline, and ultimate transcendence, reflecting a journey of inner transformation.
A lesbian art film by the Swiss filmmaker Cleo Übelmann, released in 1986. In black and white, Mano Destra (Italian for "right hand") is a study of erotic objectification which depicts one woman tying up another woman in a lengthy act of consensual bondage.
Distressed by the uncertainties of a precarious job, Carlo falls prey to an ambiguous financier who, taking advantage of his naivety, offers him unexpected financial help. Carlo accepts, but it doesn't take him long to realize that he has fallen into the trap of an unscrupulous loan shark. It is useless to flee and try to disappear: the heavy threats and humiliations inflicted on his family will force him to commit an extreme act.
Georges Cazenave, a " politically committed" French TV reporter leads a good life. Besides having a regular mistress in the person of Hélène, he is a ladies man with "a girl in every port". But this comfortable situation is challenged the day he hires Céleste as his housemaid. A Portuguese immigrant, she soon appears to be a Marxist-Leninist activist, engaged in political groups working against the regime of Salazar, the dictator of Portugal. Geoges and Céleste fall in love with each other, which brings adventure in the reporter's hitherto superficial life, upset by a breakup with Hélène, the interference of the French Secret Service and a touch of terrorism.
At a farmhouse, a large family cooks mountains of food for the next day's engagement party for Silvia and her city fiancé, Angelo. Her parents feud about infidelity; an aging salesman who rents a cottage from them arrives with a young French woman; in Bologna, Angelo's mother frets that her son is marrying beneath him; his sisters are less critical. Early the next morning, the four of them go by train to the farmhouse, joined by Angelo's married, unpregnant sister. The day-long dinner is riotous, couples display affection and impatience, children chase angels. Angelo's family stays the night, and his sister Linda has a visitor. A silver elephant makes the perfect gift.
A Donatello award nominated short film about how being at the birth of a child decreases physical desire afterwards.
"Antonio" leaves his family to live a prosperous life with Cristina. Her family live in a slum where their lives are complicated by young love and jealousy. A letter from a local priest that implicates "Antonio" in the murder of an English nobleman comes to light and soon they are all before the King.
An aimless college graduate jumping from one job interview to another — killing time in between with his wisecracking and deadbeat room-mate — falls in love with an actress.
Ivonne is a vulgar, loose, promiscuous and a passionate danseuse at the tavern. Countess Edith is an angelic creature, exquisitely elegant, a finite and aristocratic heiress. Two sides of a woman with a split personality.
A man with a past gets married and it seems that he will be able to start a new life, but an unexpected inheritance gets in the way and deteriorates the relationship with his wife.
In 1867, with Garibaldi's forces close to bringing Rome into the Italian kingdom, Monsignor Colombo da Priverno, a world-weary judge on the papal court, wants to resign, disgusted by the violence to which the papacy resorts to hold secular power.
A marquis falls in love with an orphaned girl that he takes under his wing, but the girl is secretly in love with another man.
Trenque Lauquen's Ezequiel believes he is keeping on searching for Laura in the Argentine pampas, but the landscape confuses and disorients him, becoming increasingly jagged and disconnected: a radio that cannot definitively tune into a station. Editing cuts swallow up her world, bringing to the surface an archipelago of cinematic universes (from L’avventura to Stromboli and La terra trema), and they generate a fata morgana, capable of shortening distances between pampas and Mediterranean landscapes, between real and fictional vision, between the adult’s disorientation and the childhood’s innate and hilarious wisdom. Cinema as the art of disappearance that always leaves a trace, yet another indelible trace of one of the most important contemporary filmmakers.