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Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?

It's hard to know where fiction ends and reality begins.

We accompany different women, in their most diverse moments, while they, in their own way, summarize what BEING A WOMAN really IS.

An intimate and fictional tour through the cravings contained and corroded words of the writers Clarice Lispector and Maria Telles Ribeiro.

After an overdose, a fading musician travels with a young band through the Pantanal, finding in music hope amid the contradictions and cultural richness of Brazil.

Isolated at home, Jonas reflects on his relationship with his boyfriend and best friend, who are hospitalized during the pandemic.

After a restless night he is awoken by his doorbell insistently ringing. Through the peephole, he sees a stranger. He doesn't know why that man is there but is immediately certain of one thing: he represents a terrible threat. He quickly dresses and manages to sneak away, no doubt in his mind that the stranger is pursuing him, and that the nightmare has only just begun.

On the banks of São Paulo's Rio Tietê, a poignant tale unfolds, featuring a tapestry of characters existing on the fringes of society. Prostitutes, a pimp, a mentally disabled man, and others marginalized by fate lead lives mired in hopelessness, devoid of any prospect. Trapped in the relentless cycle of their ordinary yet despairing existence, they yearn for release, anticipating the embrace of death as their only salvation—a collective passage onto the harrowing vessel of damnation.

Adaptation of the series shown in 1986. Marcos and Lurdinha live in love in the 1950s. The young man is the son of separated parents and his mother, Glória, works as a cashier in a nightclub. The conservatism of the girl's family and the sexual repression of the time are factors that affect the couple's relationship.

Mina (Priscila Fantin) is arrested for defrauding the Social Security and beyond to defend the other inmates need to escape from the prison director of surveillance (Tuca Andrada). The crime involved a Senator (Antonio Calloni), trying in every way to prevent your participation to surface.

Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.

Experimental-poetic short film that portrays the director's mourning through a haiku film that has only three shots.

A group of friends gathers to celebrate their achievements and hires a bartender. What they don’t suspect is that she has a dark connection to all of them. A sinister secret from the past is about to surface, and she is determined to make them all face the consequences. As the party unfolds, the celebratory atmosphere takes a dark turn: no one is safe, and revenge is lurking in the shadows.

Boy finds it difficult to relate to his external

Encounters, re-encounters and mismatches. Joaquim is moved by a single feeling: nostalgia.

Two northeastern brothers live and work as waiters in Baixada Fluminense. The duo tries to balance themselves in an underworld permeated by financial difficulties, prostitution and urban violence. Antônio feels out of place.

After a few years, Mateus and Bruno meet again and a story without an end is about to resurface.

Liliam sustains her paraplegic mother working as a secretary for Daniel, which threatens to fire her if she doesn't submit to his desires. At night, she attracts lonely men at nightclubs and murders them violently, placing on the body a red rose and the inscription "Liliam, the dirty".

In a ghost town, a mother and daughter find an abandoned horse that may be the reincarnation of José, a man who went missing long ago.

One morning, Enzo is left alone at home by his mother, Regiane, who goes out to work. Upon waking up and realizing that the lights in his house were not working, Enzo finds himself alone and helpless, until he receives an unexpected visit from his grandmother, Marcélia.

A coroner reunites with a great love from the past, realizing that the memories are more vivid than ever.

Two hit men, a veteran and a beginner, chatter in a bar on Brazil-Paraguai border, while waiting for their victim to appear.

The history of the famous Brazilian bantam and featherweight world champion Eder Jofre, who tries to deal with his personal life and the obligations of a world class athlete, with the mentoring of his trainer and father Kid Jofre.

A woman recalls memories of a gone lover.

A young boy with a dream, a drum and blood try to be a exceptional drummer.

A man with blood on his hands records a tape while awaits for his fate.

Xavier decides to shoot with his cell phone his weekend with his best friend Miguel to tell the world and his father, Nicolas, that he might be in love with him. Xavier and Miguel is the sequel of the short film Xavier (2015).

The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.

A reflection on man's relationship and needs with the earth, with the self and with hope.

Zé is just another typical invisible working class man in a big city. He is a quiet, lonely and simple man who works as a janitor at a residential building and also fixes wicker chairs and baskets. Not even the unexpected visit of Jandira, a distant cousin and a woman full of life, seems to have an impact on his routine of silence. However, after suffering a heart attack, Zé is informed by his doctors he only has about six months of life left. Now, both Zé and Jandira will question their values of love, happiness, life and eternity.

Ernesto, a seventy-eight-year-old Uruguayan photographer living in Brazil, faces the limitations of old age. One day, Bia storms into his life. And Ernesto realizes that aging can be about rejuvenating with the company of a girl.

The story of José Abelardo Barbosa, narrated from the time of his youth, when he was at medical school, and dropped everything to become a radio announcer. After that, we follow the transformation of his life and the creation of his alter ego, Chacrinha.

The most mysterious object. The most concrete thing.

A project of the "Núcleo de Cinema", a group of professionasl actors and non-professionals, directors and cinematographers leader by a famous theater director Ivan Feijó and a brilliant actress Flavia Pucci. This one is the first work of the Núcleo de Cinema. "Espanca" is about when we say yes and the life say no. Two guys want to make a play about Florbela Espanca and call a actress who won't want to do the make it. So, they are trying to find another actress. Bizarre things happens and the work don't go on.

The youth of Anita Garibaldi, portrayed in her humanity, with the simple life of an ordinary and very poor citizen. From a young age, the girl already showed courage. Over the years, she becomes a brave and libertarian warrior who overthrew paradigms of her time.

Canceled short film.

In the country with most Japanese descendants outside Japan, Haruko, 94, finds herself on the edge of living. While her japanese-brazilian daughter sumiko takes care of her, they inhabit a house surrounded by memories, dreams and nature. faced with the approach of death, they confront ghosts from the past and wander through the narrow path between the terrain and the transcendental.

Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.