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The love life of an aging architect used to love affairs with call girls, who in the end settles down with a girl of his class but still longs for the life he has led so far, which ends in disillusion.

Amore e sangue (released in the U.S. as "City of Violence"), the 1951 Marino Girolami (billed as "John Wolff") West German/Italian romantic action adventure war thriller.

A man wants to leave his wife for another woman, but this other woman decides not to live with him.

Momi Tamberlan, Bortolo Cioci and Piero Scavezza are the last three old survivors of a club founded at the time of their student life by their partner Giuseppe Bardonazzi. The rules of the Club establish that who cannot be a member of the Club he has no reputation as a pleasure-loving, gluttonous.

The life of Wolfgang Amadeus Mozart

Fontamara is a village in the Marsica, forgotten by all but God and its inhabitants are called 'cafoni' (boors). Berardo Viola wants to marry Elvira but only after gaining enough money to buy some land and in order to reach his aim he has the idea of going to a great city. When Maria Grazia is raped by the fascists, Berardo and Antonio decide to leave Fontamara and go to Rome. Here they are swindled by a lawyer and afterwards they are invited by an antifascist to a restaurant where they are arrested by the police because of some subversive papers they had.

James Levine leads a remarkable cast in one of Verdi’s most enduringly popular operas and brings fresh insights to this beloved score. Ileana Cotrubas is poignant and touching as Violetta, the consumptive courtesan who finds true love with Alfredo, sung with style and passion by the great Plácido Domingo. Cornell MacNeil is Germont, Alfredo’s father, who forces the two apart, setting in motion events that lead to a shattering and tragic conclusion. Colin Graham’s production features design by Tanya Moiseiwitsch and choreography by Zachary Solov.

Samuele and Marzio, as teenagers, make a promise to be friends forever, but adulthood, women and everyday problems sneak into their lives.

As a child, Sicilian Placido Rizzotto saw his father imprisoned for a crime he didn't commit, and as a young man he fought in World War II, first as a soldier and then as an anti-fascist partisan. These events have left Placido with little taste for petty tyranny and with a desire to promote social justice. Upon his return home, he becomes increasingly aware that the Mafia has taken hold of his village, witnessing angry and frustrated as gangsters control local politics and take whatever they want from the people. Placido helps to form a trade union as a challenge to the Mafia's authority, and attempts to organize the villagers into a collective to grow crops in the fields taken by the Mafia.

A Telepiemonte journalist, Giulio Guala, is awakened one morning by a phone call from a "deep throat" warning him to rush to the airport for the arrival of Celeste Cucchi, a famous pasta industrialist.

A testimony of the force of love that binds two people, a present-day betrothed couple. The narration proceeds as a thriller in which the two protagonists conceal a mystery: visible traces, scars on an arm, details that worm their way into the story until the enigma is revealed. He had previously been a she. A contemporary metamorphosis made possible by their love.

The lives of three young people in their teens are linked through their experiences in this drama from director Gian Franco Mingozzi. A girl wins a pop singing contest and begins a successful career, at the same time taking on various lovers, discarding them at whim with no regard to their feelings. A curious teenage boy spies on the lonely bachelor who lives across the street and observes that he always has a handful of bills, so the boy decides to rob him. When the boy can't go through with the crime, he seeks out the bachelor to teach him something about life that the teen feels he is missing.

On the day of the apocalypse, a group of friends gathers in a house to party with drugs, alcohol, and love as they wait for the end.

Paola, a double bass player at the last concert of her band's tour, discovers she's pregnant. But that's not the only problem she's forced to face. The relationship with her parents is problematic: his father is lost in alcohol and the future grandmother is becoming a mother for the second time. To complicate things further, the friends who play with her have just signed a contract for a series of concerts in Europe.

The protagonist grapples with the void left by an important person, discovering that the pain does not fade away, but transforms into something she must learn to live with. Suspended between dream and reality, she feels the weight of an absence that, though invisible, is intense and palpable.

Vittoria lives in the suburbs with her son Salvatore, a great fan of superheroes. Salvatore shape the harsh reality that surrounds him by imagining himself as the protagonist of the adventures of Astroman, the idol of his favorite web series.

When an Afghani asylum seeker brings his beloved pet goat on his months-long journey into Italy, immigration authorities are confronted with the task of processing the two as a pair.

When a robbery goes wrong the only survivor tries to smuggle himself across the border by hiding in a coffin. When he gets out of the coffin he finds himself locked in a morgue freezer with three dead bodies. While trying to escape the morgue and his isolation he slowly starts going mad and hallucinating. Throughout the film he is haunted or menaced by a woman who may or may not be real. Unique and strange film that gets more and more weird as it goes along.

A woman with an hurted face sits in the half-light of a room. The incoming of a second character brokes the stasis in which she’s trapped.

11-years-old Blanka survives alone in Manila begging and stealing from tourists. One day, an absurd idea pops up: if she could buy a mother, she could have a good life. But she has to make countless efforts in order to collect enough money. An opportunity arises when she meets Peter, a 55 years old blind street musician, who teaches Blanka how to sing, a skill out of which she can make money. However, concerned about Blanka’s future, Peter decides to take Blanka to an orphanage. When she finds out, she runs away and the nightmare starts again.

Francesco is a street boy who lives by his wits in Palermo. One day he accompanies a friend to the casting of an important film that will be shot in the city and so, almost by chance, he too finds himself taking part in the selections. In this circumstance, Francesco finds himself having to retrace the salient events of his life that made him the boy he is. The early loss of innocence due to a difficult childhood, marked by the drama of his mother's premature death and the harassment of an excessively authoritarian father, plunged him into the degraded context of street life. The subsequent encounters dragged him towards an impetuous and unruly adolescence, which led him first under the protection of social services and then to correctional institutions. Thanks to cinema, Francesco finds himself faced with the opportunity to completely change his life. Will he be able to seize it and redeem himself from an inexorable destiny, which seems to have already been written?

Django returns home to find out that his father has been killed, by local bandits, in a business deal gone wrong . He swears revenge and a mixture of lone gun men, gang members and bandits get involved with the search for a pouch of money, missing from the ill-fated deal.

The film tells episodes in the life of seventeen-old Gongia in 1920s Albany that lead her to the decision of becoming a nun under the name of sister Teresa.

An office employee, pretending to be weak and crippled, reveals himself as a ruthless criminal.

Chico Buarque and Maria Pia De Vito’s reinterpretation tells the story of Zuzu Angel’s grief, a mother who defied the Brazilian dictatorship following the death of her son.

A photographer makes a journey to East Europe to document traces of the past, birth of the new, recovery of long forgotten traditions.

Cagliari. It is the day before Christmas Eve in 1985 when the owner of a wine shop is killed with three gunshots for a few hundred thousand lire. The judiciary needs a culprit, the city needs illusory security. A few days after the murder, Aldo is arrested. His crime is his past as a heroin addict, which is well known to the police, who accuse him on the basis of flimsy and specious evidence. Aldo, who is innocent, spends six months in solitary confinement before taking his own life.

A coming-of-age tale centered on Modigliani's youth. Amedeo moves to Paris in his early 20s, dies while still young, and all his artist friends, immersed in Bohemian madness, are his contemporaries. "Telling the story of Modigliani also means celebrating the culture of a united Europe," Longoni explains, "Paris, in the years around World War I, brought together the leading artists of the century. The French capital was a place where borders and barriers were not built but where people reflected on the future and on art beyond conflict."

A young woman tells a friend about the rupture with her brother, whom she hasn’t spoken to in years. Meanwhile, elsewhere, he faces a painful confrontation with himself after a devastating loss. Two parallel paths, leading to a single point of arrival.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

Don Vincenzo is a well respected boss from Naples, but he protects people from other criminals, like gypsies, loan sharks and Don Bufalo...but as they say in Naples, a Mammasantissima either ends in jail or inside a grave.

Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.

Nina, a sommelier and wife of Massimo, a successful wine entrepreneur, has always endured humiliation and suspicion. On a tense night in the family cellar, Massimo pushes her to confess betrayals and secrets, setting off a cruel game of power. Between deceit, desire, and revenge, the line between victim and executioner blurs, leading to an inevitable climax.

Luca is a lonely boy. He likes to go swimming in a pool at night when no one is there except silence. Everything goes fine and quiet until one Monday an unknown swimmer named Mia breaks into his own little world.

Lucio Gaudino directs this family drama about a pair of brothers grudgingly reunited after their parents are killed by Mafia extortionists. After learning of the murders, affluent yuppie Edo leaves his abode in northern Italy to visit his family's home in Sicily. There he and his resentful brother, wheelchair-bound Saro, argue, reminisce, and debate the pros and cons of living in a beautiful coastal area where Mafia executions are common.

A man is facing a dark situation he tried to escape a long time before.

Single mother, Clara, looks forward to dinner with her son Dario to give him a present she got for him. However, during dinner a terrible thing Dario did will come to light, and Clara will have to decide how to handle what her son has done.

An unauthorized / uncredited / unofficial adaptation "based on the diaries of Anaïs Nin," this was made to compete with the same year's big budget and critically acclaimed Henry & June.

La Sciantosa is part of a project created by writer/director Alfredo Gianetti for the Italian TV. The objective was to portrait a hundred years of Italian history through three movies, all of them with Anna Magnani. The other two are "1943: un incontro" and "L'autmobile". In this first movie, La Magnani is Flora Torres, a "sciantosa" (kind of a small stage diva) who is forgotten during the WWI, living only to remember her past glory. One day she receives a letter to present herself to the high command. There, Flora is called to go to the front and entertain the troops. Along with her maid Cristina, Flora goes to the front. There they are welcomed by the young private Tonino (Massimo Ranieri). Flora starts to act like a prima donna, making absurd demands to everyone. But when she is about to present herself, the vision of the wounded soldiers makes her change her way

When her sweetheart Bruno joins the Italian army, Gina, bored by her lack of social life, weds Tullio. She comes to regret her decision when Tullio proves to be a Nazi collaborationist. Casting her lot with the Resistance movement, Gina is forced into a difficult decision when the safety of ex-lover Bruno is endangered by the treachery of Tullio.

In the 90s, Isabella was eighteen and a star. 20 years later, she is still singing those same songs in small town bars with her son Bruno, playing guitar. It's because of him that her career stopped. At least it's what she tells herself.

What would happen today in a society which defines itself Catholic and Christian if Jesus really came back as announced in the Gospels? Who would take him seriously? And what difficulties would Jesus encounter today to be recognized?

Eli has four children, an unemployed husband and a job with an almost impossible commute. Vale is single and makes ends meet by working in clubs as a dancer. Tied by a profound emotional bond of true sisterhood, the two women's lives are two sides of the same coin, but their mutual solidarity isn’t always enough to lighten the load of their difficult circumstances.

After the death of his indepted father, young Massimo has to accept a post as administrator for the estate of a wealthy family, the daughter of which he soon becomes infatuated with.

Adele and Marcello, born at the same moment on April 16, 1927, were destined to be intertwined. Their friend Loris witnessed their childhood romance, playing bride-and-groom in an abandoned chapel. Separated by WWII, their lives ran parallel, occasionally crossing paths briefly.

1960. Vincenzo is an enterprising and determined young man who, at the age of just eleven, decides to run away from a small village in Basilicata, abandoning his family to take refuge in the capital with his shoemaker brother. Against the backdrop of an Italy in the midst of its economic boom, he begins working in a bar and graduates from elementary school. Everything seems to be going well, but a sad discovery turns his life upside down. Vincenzo seeks further redemption for himself and his brother by opening a business and thus consolidating his social standing in the capital, but always with the regret of not having his family of origin, especially his brother Giovanni, close by. He returns to his hometown as a grown man, to the bedside of his dying father, bringing with him the memories of a child, a man who was a winner for his people, but deeply defeated and a victim of regret for a life lived halfway.

Silent adventure film in which a horse riding woman has to save her husband from prison in a enemy country.

my first short film

The story of a newly married couple intersecting with three more stories.

A drama directed by Ugo Liberatore.

Castel Volturno, about thirty kilometers from Naples. It is September 18, 2008. A group of Camorra members burst into a tailor's shop run by African immigrants. They fire a hundred bullets indiscriminately, killing six young black men and seriously wounding another. Yussouf, a young immigrant, decided that same evening to settle the score with his uncle Moses. The man who convinced him to come to Italy. He had promised him a future as an honest craftsman but instead turned him into the cynical manager of a million-dollar cocaine ring. Entangled in their story are another African boy, Germain, who happened to be at the scene of the massacre; his girlfriend Asetù, who sings a Miriam Makeba song in public that same evening; and Suad, a prostitute whom Yussouf dreams of rescuing from her pimps.