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Tomorrow's Joe 2: The Movie

It has been six months since the tragic accident in Joe and Rikiishi's fight. Joe believes he has overcome Rikiishi's death and decides to make a comeback. Joe does make a successful comeback by scoring 5 KO's by body blows. Joe is then given a shot at the national title as a means by the boxing commission to put him down. The champion, Tiger Ozaki makes use of Joe's habits and ends up making Joe's corner throw in the towel. Joe is afraid to throw punches at the face because of what happened to Rikiishi. Youko, Joe's love interest and the owner of the gym where Rikiishi trained at recruits a world ranked boxer from Venezuela, Carlos Rivera, to get Joe back on his feet and pursue his boxing career to the regional and world ranks.

Tomorrow's Joe 2: The Movie

7.6 1981
Childhood Sins

An adaptation of B. Prus's novella. The story takes place at the end of the 19th century, in a manor house falling into ruin. The protagonists are children: the steward's son, the countess's daughter, and a peasant child. The 1970s. The story of a twelve-year-old boy, Kazio, who is unruly but has a good heart. He stands up for the weak and oppressed and experiences romantic love for Countess Loni. However, this love forces him to reject friendship. Kazio is deeply affected by this and falls seriously ill.

Childhood Sins

7.5 1980
Laufen lernen

Reni Wirth is a woman in her "prime," in her late thirties, a housewife like millions of others and seemingly fulfilled by caring for her husband and two teenage daughters. Despite slight irritations about her mere existence as a housewife, she takes good care of her family. A preventive breast cancer screening completely disrupts the apparent family idyll. Although the worst fears are not confirmed, after days of terrible anxiety, Reni begins to understand the misery of her personal situation: her daughters will soon be on their own, and she can hardly return to the profession she once learned. What will be left for her? Reni takes a courageous but uncertain step toward somewhere where she suspects she will find "freedom."

Laufen lernen

10.0 1980
Gonza the Spearman

The tragic story of Gonza, a handsome ladies man, set in the Tokugawa Period, a time in which appearances are very important. Gonza competes with Bannojō for the honor to perform the tea ceremony to celebrate the birth of an heir to the lord of their clan. To see the sacred tea scrolls Gonza promises to marry the daughter of the family which possesses them, even though he is unofficially engaged to another. When studying the scrolls with Osai, the mother of the house, Bannojō sneaks into the house and steals their obis and runs through the town proclaiming the two as adulterers.

Gonza the Spearman

7.0 1986
Mi fantasma y yo

A family of three moves to a haunted house. The couple's 10-year-old son runs into the ghost of the house but isn't scared. He tells the ghost that since his father is a writer of horror novels he lost fear of horror stories. The ghost then confides in the boy that he is a lonely ghost on account of the modern world focused on so many material priorities. Child and ghost become best friends, playing together, telling stories and helping the ghost pay his rent by scaring people every month.

Mi fantasma y yo

5.2 1988
A Deadly Secret

A treasure hunt sparks the continuing violence in this Hong Kong action film, yet the film does not focus only on the violent nature of some of the characters. An enamored Ting Tien (Pai Piao) spends a cold winter's night waiting to spot the love of his life, Ling Shuang-hua (Szu Shih), when she makes her usual morning excursion onto her balcony. The theme of his love for her is treated with sensitivity, though his love does not affect the fate in store for both himself and the woman he worships. ~ Eleanor Mannikka, Rovi

A Deadly Secret

6.4 1980
The Third Eye

Tunç, who is a director, is looking for a location in a small town for his new film. He observes everything around him for his screenplay. However, he constantly changes what he writes because he doesn't like it. He tries to turn some of the events he sees into stories. But he can't seem to get it right. One night, Tunç visits his neighbor Seniha, an old actress. Some of the things Seniha says inspire him. He returns home and sits down to work on the screenplay. Tunç, who becomes deeply engrossed in the screenplay he has written, will fall into a state of mental breakdown.

The Third Eye

5.5 1988