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Things aren’t going well for Esteban. His record shop on the outskirts of San Telmo has gone bust. Esteban has had enough. On the bicentennial of Argentina’s independence he decides to call it day and put an end to the shop – and his marriage to Elisabeth. He wants his freedom – for Esteban has fallen in love again.
Greta's parents have decided that the three of them are going back to their hometown. Greta has to tell them that she won't return with them.
Perrone switches back to color and chooses European painting as the space for his tale and as his land of experimentation. The stage: paintings by Manet, Monet, Renoir, among other chosen artists; still, open-air landscapes put together through their similarities. The characters who move there: two men, two women, two hunters, two ominous creatures (one of them a tiny creature of the night with two eyes and a brutish and wild human body). Divided in 18 acts, the narrative of this film is limited to showing brief episodes about desire and violence as the fuel of human endeavors, while its characters roam in the woods. With no words at all, Perrone wagers all on the juxtaposition of textures, on superimpositions, and on the power of face close-ups – these are his main arguments.
In Madrid, the family of Don Luis, his wife Dolores and their children, Manolita and Luisito, share the daily life of the Civil War with their maid and neighbours. Despite having failed his exams, Luisito wants his father to buy him a bicycle. However, the situation forces them to delay the purchase and the delay, like the war itself, is to last much longer than expected.
The life of the young Sergio and Iris revolves around a dangerous cult. Just like in the song "Planeta 5000", he dreams of entering, and she dreams of escaping.
After receiving bad news, Marta decides to willingly lock herself down at home. This confinement will not be easy to deal with though, considering that strange things start happening.
A taxi driver, who becomes the anonymous confidant of his passengers, witnesses the various stories they tell him. A famous actress, a child rescued from the underworld witness to the murder of her parents, and a woman victim of domestic violence are the characters that lead us to reflect on some of the realities that we live in our society.
The bullfight is about to begin. On the bill are announced the toreros Ricardo Puente, Juan Carmona and Rondeño II, who will take the alternative. Puente is an old bullfighter, famous in earlier times, who, now bitter and full of resentment, lives with Paloma, a woman who is not resigned to continue being the lover of a man who has fallen into oblivion. Carmona, the fashionable bullfighter, has an important contract to fight in America, but his wife Isabel wants him to reject the offer. Anamaría, Carmona's sister, hopes that her brother will approve her relationship with Rondeño II; but Carmona opposes because he considers him a bad bullfighter. In a fourth, hopeful and exciting plot, a young amateur bullfighter has a plan to sneak into the ring and fight a bull, hoping for public acclaim for his feat of bravery.
Gloria, a bourgeois widow living in Madrid, is about to lose everything. The last day of work of his driver and employee, they go shopping, but the driver runs over an old man, and they hide the body in Gloria's apartment. But the old man is not dead...
In this drama, a still-young grandmother has a suitor whose son is suffering from an incurable illness. The woman knows that the son has fallen in love with her granddaughter, but the granddaughter does not reciprocate his feelings. Convinced she should do something about that situation, grandmother talks her granddaughter into going on a trip to Paris with the young man -- intent on bringing the two together. But this simple plan, it turns out, has unforeseen consequences
All of us at some time in life have felt something wrong, but inevitable. "Love and death are the only two things that cannot be avoided." But this drama is not about death, it is about love. Love in its clumsiness, in its confusion and in its silence. Love as something that shouldn't feel wrong.
Deceived by her friend Naroa, Ane goes to Armata, a fencing tournament held by her club, to forget the most tragic day of her life. Unfortunately, there she meets the person who was with her on that day she wants to forget.
When his cross-dressing teenage son suffers a brutally violent attack, a mannequin-factory manager desperately seeks help and, when none can be found, is forced to take matters into his own hands.
Marta's pregnancy is the perfect opportunity to reconnect with her mother, who has many pending issues with her daughter.
The attractive, exuberant and beautiful Flor Tetis Soutien de Gambeta (Isabel Sarli), an ostentatious woman who kills men, has just been widowed for the eighth time. All her fortune was fading little by little and she now she is about to be ruined. But suddenly he sees her good luck reappear: A little canillita (newspaper seller), Pepe Mangiabróccoli (Pepe Marrone), with a good heart, who suddenly becomes a millionaire by earning the prode and falls in love with her.
El Regreso is a venezuelan movie written and directed by Patricia Ortega, which tells the story of a Wayuu girl that survived the slaughter of his people, in Bahía Portete from the Colombian Guajira, and therefore, she is forced to grow in a unknown world to her.
The Spanish family Gabarre-Mendoza is celebrating a birthday, when it is interrupted by a police inspection. In ‘La Cañada Real’, a shanty town just outside Madrid, the inhabitants are forced to leave their illegal homes. Each member of the family struggles in their own way with their unstable position.
Little Felipe has been sick for a long time. To hasten his recovery, his parents send him to spend the summer of 1958 in the villa of his grandparents, located in the wealthy quarter of Cadiz. The warm climate of southern Spain is good for the boy, but the inhabitants of the great home may be a different story as all the relatives within are a tad strange. There Felipe meets his great-grandmother and her tough nurse Adoracion who patiently listens to grandmama's reminiscence's of the bandoleros who died for her. Felipe is not allowed to leave his bed, but his hours pass pleasantly thanks to the ministrations of the sexy Mari, a virgin, who loves to tease her four strapping aspiring lovers. As the summer progresses, Felipe interacts with all of his relatives and from their strange behavior finds himself learning an awful lot about life and love.
When Esteban, Coral's boyfriend, is imprisoned for quarreling with a troublemaker who was trying to harass her, she decides to lock herself up in a Sevillian house to share his misfortune.
Antonio, a taxi driver, his wife, and two chidren arrive one fine afternoon at a solitary beach, looking for sea-shells. However, they will find more than expected: namely, Ombasi and Yambo, two illegal African immigrants, apparently thrown back to the ocean from where they came, in search of a better life in Spain. The sun sets, and the evening, night and morning which follow see other bizarre characters entering the scene, before the Africans' and the other characters' fates are finally decided.
The story of a family that is threatened by expropriation. The struggle of a woman becomes the struggle of the entire neighborhood.
Fran has a picture and a goal: to beat up the boy who appears in it.
Matador Ricardo wants to end his career. His manager and his mistress manage to dissuade him and get him to sign two contracts.
A couple decide their path by figuring out whether they would stop for a diamond or stick to their marbles. The two start a conversation in which honesty doesn't seem to be an option.
The story of three children who try to fly a kite, but lose it in a cemetery. There, they encounter Pedro Albizu Campos, who helps them in their quest, while analyzing the situation as a metaphor for the existing political division in the country.
It does not matter the sex of those who love each other, or so Gonzalo thinks. He is in love with Enrique and wants him to join his struggle to change the society that prevents them from living their love freely. Based in «El Público» of Lorca.
Sucs, 2017. Carmeta, Mari and Pilar are three old ladies who spend every afternoon sitting on a bench, next to the main street of their village. The arrival of a mysterious pair of girls turns into the main topic of discussion among the women. From their strategic location, they greet every passer-by while talking about the age, origin and life style of the two new arrivals.
In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.
The year is 1820, and trade between Cuba and Catalonia is a booming business, although the goods that arrive to Cuba are not always the products that were shipped, in some cases, they simply arrive "lumps" or "coal". As it appears in the logbooks of the ships. 'Havanera 1820' is a film that tells stories of love and adventure in a time when Cuba confronts the Spanish colonizers.
Kingdom of Hawaii, 1866. Fearful that leprosy would spread throughout the archipelago, the king banishes the sick to the island of Molokai. In 1873, the Belgian Catholic missionary Damien de Veuster arrives on the island to help improve the lives of its unfortunate inhabitants.
In this poignant period drama set in 1960s Argentina, a young woman, struggling to raise her twin daughters alone after the tragic death of her husband, accepts the courtship of a charming but mysterious older suitor.
Serena fights for the rights of others, but not for her own. When her best friend Marina confesses she's in love with her, Serena is forced to face her own fears, her mental health, and the prejudices of those around her.
Vincent is recovering from a nervous breakdown in a seaside village on the Costa Brava. He enters into an affair with nightclub owner Jenny, but their relationship changes when she falls for alcoholic author Pascal Regnier, who is struggling to resume his writing career. Vincent eventually returns home, leaving Jenny to stay on with Pascal and his young son Daniel.
Two twin sisters fall in love for the same man.
OTHELLO is a cinematographic essay about power, desire, jealousy and deceit; a thought on the boundaries between fiction and real life.
They hide in the woods and need us dead to continue their reign. Cris and Jose don’t know it yet, but they’re about to enter the dominions of The Reverend. Running won’t help at all.
A well-bred young woman who prizes the virtue of fidelity remains faithful to the doctor who deflowers her, even after he marries her invalid sister.
“El Papel” explores the tension between identity and representation, showing how a woman, in her eagerness to project security and fit into an idealized professional image, ends up trapped in the construction of a character that distances her from herself. The résumé, the paper she has to hand in, is not just a document, but the symbol of a version of herself that she must interpret, a mask that she strives to make believable; ultimately, a role.
In a seedy brothel, their frustrations parade: A poet who has never published, a revolutionary who came late to history, a provocative angel, a bureaucrat with delusions of a dancer, a greedy Chinese man and his timorous wife, Monica, a prostitute with low professional esteem, a group of prostitutes of dubious sensuality and, finally, a priest with a stench of holiness and another with redeeming instincts. But a stranger with the air of a princess appears, and upsets the balance of the establishment.
A gypsy who sells fish in a market, sings on weekends in a tablao. One day, a professor, exiled in Cádiz for her political ideas, offers the cantaora a job.
David never imagined Eva’s birthday gift could break up their couple stability neither his own beliefs.
A Catholic Easter ritual has been banned for 20 years in a Spanish village due to an incident. Now, the Archbishop has lift the ban on one condition: there will be no stoning during the enactment of "The Gold Nail".
History about hate and passion between two gypsy families.
Victor and Gloria entry workers form a relatively stable marriage. But one day Victor loses a leg due to an accident, granting him permanent disability. Consequently, his life changes and, among other things, the relationship with his wife deteriorates progressively.
José María "El Tempranillo" fleeing from justice, takes refuge in Sierra Morena. After a period of hard learning, he becomes the leader of a group of bandits.
A middle-age woman recovers from a serious car accident.