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His Name (The Clown)

They met in the summer, in the rain. A film of carnival and silence. His Name (The Clown) is a surface film – based on newspaper news and daily life in large Brazilian cities, but without any direct link to any real event. Violence, joy and silence are worked on in the film in order to build a space where characters are as real as they are intangible – in a narrative of short marked sequences, in which a whirlwind of events mixes with a stitching of fragments and gaps: He is a quiet man and divides his time between his violent work in downtown Rio de Janeiro and his boarding house in Catumbi. She is the girl who appears in his life, on a rainy afternoon – and soon things start to go by very quickly. A film of carnival and silence, of love and anger – of apathy and will. A chronicle of the conflicts and festivities of a city sewn between hills, forests and cement. A tribute to Rio, perhaps?

His Name (The Clown)

NR 2004
Resistance

Brazil, 1961. In the underground of the Piratini Palace, the governor of Rio Grande do Sul, Leonel Brizola, awaits a bombing by the Brazilian armed forces. The country is on the verge of a civil war, following the resignation of president Jânio Quadros and the movement to keep vice-president João Goulart from taking office. Using the radio transmitter from his improvised bunker, Brizola sets up the Legality movement, to ensure Goulart's right to the presidential chair. Caught in the crossfire, two brothers who are in love with the same woman unite to fight alongside Brizola.

Resistance

6.3 2019
Sermões

Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.

Sermões

6.3 1989
Where Has Time Gone?

A short film omnibus featuring the work of five directors representing five countries involved in the 2017 BRICS summit, an annual international relations conference held between Brazil, Russia, India, China and South Africa. The collection—taking the concept of time as a unifying theme—depicts the economic, political, and social alienations and contradictions that create, compound, and structure issues as wide-ranging as poverty, class stratification, and homeless; familial distress; spousal abuse; and natural disaster.

Where Has Time Gone?

5.5 2017