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Das Martyrium des Peter OHey

Poetic fable about the sophisticated rape of civil rights by a totalitarian power. The orderly existence of Peter O'Hey and his family is shaken one day by the announcement that a tiger has taken up residence in his bathroom. The state, represented by a civil servant, a tax collector and a protocol chief, as well as the private company, represented by a scientist, a circus director and an old hunter, take a keen interest in this news and try to exploit the unusual situation for their personal interests. They besiege the apartment of Peter O'Hey and finally also claim his life by abusing him as a decoy for the tiger.

Das Martyrium des Peter OHey

8.0 1964
I Am the Keeper

Goalie has just been released from prison after spending a year inside for keeping his mouth shut for his best buddy Ueli. He heads for his hometown of Schummertal, a small town where everyone knows you. He's going to start over, without drugs. Meanwhile, Ueli has gotten ever deeper into drugs, can't understand why Goalie suddenly wants to be a square. Although they've been friends since childhood, everything is different now. Goalie wants a new life but finds his past.

I Am the Keeper

6.4 2014
Confessions of Thomas Mann, Confidence Man

A feature film that traces the 50-year journey behind Confessions of Felix Krull, revealing the writer’s hidden struggle with his homosexuality. Though a literary superstar with a polished, upper-class façade and a married life with six children, Mann’s diaries expose an insecure man suppressing deep desires. The film follows Mann’s creative and personal exile—from Eltville to Paris and Lisbon—using archival letters and diary entries alongside dramatized scenes. It blurs the lines between Mann and his seductive alter ego Felix Krull, both masters of deception navigating identity, longing, and survival amid exile and political upheaval. This hybrid documentary unveils the fragile, often hidden man behind the myth.

Confessions of Thomas Mann, Confidence Man

7.0 2024
Haus der Frauen

Six women from three generations of one family live in an old villa on the outskirts of a provincial Polish town. All of them have lost their husbands; one is divorced, the others are widows. The women live on their memories, raving about the old days or looking back bitterly on a lost life. The doted center of this isolated women's world is the old grandmother, whose wise kindness determines the atmosphere of the house. Joanna Nielewicz returned to the family circle just a few months ago, after the death of her husband, who was respected by all for his particularly high moral standards. Since his death, Joanna has been tormented by a guilt that she finally confesses to her grandmother: once during her marriage, she was unfaithful to her husband. One day, the surprise visit of a young girl brings unrest to the villa. Despite the women's resistance, she manages to get through to Joanna and reveal that she is the illegitimate daughter of her late husband.

Haus der Frauen

9.0 1978
Marianne and Juliane

Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.

Marianne and Juliane

7.0 1981
The Last Performance

The impressive cast is headed by the great Heinrich George as Boris Stroganoff, an opera composer and conductor who’s also a notorious lothario. Albani is ballet dancer Viola Suroff, who’s put her career aside to look after her partner Maxim Sadi, a baritone with unspecified health issues that have kept him off stage. Stroganoff sets his sights on Viola and offers her a job in the corps de ballet for his new opera The Boyar, which she accepts provided Maxim is also hired. However, dancer Margot (called Myrra in the French version) maintains a seething passion for Stroganoff, as does Countess Geschow (called Countess Ziska on this print), both of whom are resentful when watching his interactions with Viola. Jealousies run high on opening night between all the characters and Stroganoff is shot mid-performance, but who is the killer: Maxim, Margot, or Geschow?I

The Last Performance

8.0 1928
Verdunkelung

Berlin in the Second World War. A certain S-Bahn line is repeatedly the scene of brutal attacks on women. The police are in the dark. As the attacks become more brutal and the first women's bodies are found, the population becomes restless. The authorities put pressure on the police, demanding a quick investigation, but at the same time obstructing the investigation so as not to tarnish the current propaganda. So the police can only move from one crime scene to the next and wait for the perpetrator to make a mistake. And he continues to murder diligently...

Verdunkelung

NR 1976
Salon Spitz

Berlin, 1923: It is the first time that Minna enters a women's literary salon, invited by her friend who's already part of the scene, Edith. She aspires to become part of the salon and its circle of intellectual, empowered women. Intimidated by the self-confidence of the others, she doesn’t have the courage to step on stage. To make matters worse, Lars, a self-proclaimed poet, intrudes the intimacy of the evening. He takes over the stage without invitation to speak out against women’s right to vote and shamelessly flirts with Minna. The culmination of pressure leads Minna to the stage, to vocalize her defiance against Lars and show everyone what she is really made of.

Salon Spitz

NR 2023
The Gambler

A gambling-drama based on Dostoevsky’s works: The retired General Kirileff is addicted to gambling and also has a costly affair. He takes out a loan from the greedy imposter Vincent, for which he is to pay an exorbitant interest rate. Vincent, for his part, wants to get closer to Kirileff’s daughter Nina, who is to inherit her grandmother’s fortune one day. Nina tries to help her father and goes to the gambling tables, only to lose a lot of money. She asks Alexej, her father’s secretary, to play for her. Alexej is in love with Nina and would do anything for her. He plays; at first loses; then asks Nina to get Vincent out of there. Once that happens, he wins a large amount of money, becomes overbearing and treats Nina like a prostitute.

The Gambler

8.0 1938