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Kalin The Eagle

Constantinople, 1883. During an outing to the Black Island Edith, the adopted daughter of the French ambassador, is saved by Kalin the Eagle. She learns that he is a Bulgarian revolutionary from the April Uprising of 1876. With her help Kalin the Eagle escapes and returns to the liberated Bulgaria, where he is drawn to the socialist movement. Edith finds out that Kalin is in fact her father, and sets out in search of him. Kalin the Eagle is notable as the first movie made by the nationalized film industry after World War II in the newly formed People's Republic of Bulgaria.

Kalin The Eagle

8.0 1950
May Stars

May 1945. On the outskirts of Prague, ordinary people meet Soviet soldiers-liberators with tears of joy in their eyes. In the early days of the lull, someone sadly recalls a pre-war life; someone unexpectedly meets his love; someone is returning from enemy dungeons looking hopefully into the future; and someone, having moved from a tank into a Czech tram, warmly recalls his craft as a car driver... These days, all those who survived the Great War fire swear an oath to keep peace on Earth forever, honoring the memory of those who gave their lives for simple human happiness.

May Stars

3.8 1959
Minamoto Yoshitsune

A historical scroll depicting the story of the tragic fate of the young samurai Minamoto Yoshitsune, based on the novel by Genzo Murakami. The action of the first part takes place in the late Heian period, when the Taira clan came to power, and Genji was oppressed. The great dream and ambitions of Genkuro Yoshitsune in his youth are depicted, he joins forces with his older brother Yoritomo to raise an army to defeat the Taira clan, and the second part depicts the fall of the clan, persecution and murder.

Minamoto Yoshitsune

NR 1955
Isabelle aux Dombes

Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Isabelle aux Dombes

5.4 1951