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George Wallace

George Wallace is a 1997 television film starring Gary Sinise as George Wallace, the former Governor of Alabama. It was directed by John Frankenheimer, who won an Emmy award for it; Sinise and Mare Winningham also won Emmies for their performances. The film was based on the 1996 biography Wallace : The Classic Portrait of Alabama Governor George Wallace by Marshall Frady, who also co-wrote the teleplay. Frankenheimer's film was highly praised by critics: in addition to the Emmy awards, it received the Golden Globe for Best Miniseries/Motion Picture made for TV. Angelina Jolie also received a Golden Globe for her performance as Wallace's second wife, Cornelia.

George Wallace

6.8 1997
Badut-Badut Kota

Dedi (Dede Yusuf), who married Menul (Ayu Azhari), when they were very young, tries to make a living as a clown at an amusement park. This job does not pay enough for him to make ends meet, so he and a number of his friends try to find a way out of the poverty they are trapped in. The opportunity comes when they find a the wallet of a wealthy man, who is impressed when they return it to him, and provides them with the capital to open a food stall, which they use as a stepping stone toward opening a restaurant. Through this story, the director, Chairul Raya, attempts to depict the way of life of the poor, while using the subplot of the love story between the clown and his wife to display his disdain for the mainstream tendencies in the Indonesian film industry. This film is at once moving and humorous.

Badut-Badut Kota

NR 1993
The Dance

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

The Dance

6.2 1998
Rooster

Doo-chil, a 46 Year old small poultry farm owner, is the head of the family, yet with no authority rather intimidated by aggressive wife, mother-in-law, and three daughters. One day, Doo-chil makes delivery of chickens to a slaughter house and meets Ok-ja who works there as an accountant. Ok-ja prostitutes at night at motels and barbershops to support her family and pay for her brother's education. Doo-chil goes out for a drink with Duk-bae, the egg seller, who tries to persuade Doo-chil into marrying his daughter and later they end up at a high class barbershop where he runs into Ok-ja. He is disappointed, but since then, feeling compassion toward her, he approaches Ok-ja. Ok-ja's mind also gradually slants toward him, moved by his honesty and sincerity. One day, upon arrival at a beach about dawn, two of them witness the dazzling sunrise over the horizon and realize the beginning of their passionate relationship.

Rooster

8.0 1990
Jogho

Mamat is a native of Kelantan, Malaysia, but he had left Malaysia many years earlier to join his brother Lazim in South Thailand in order to continue making his living as a trainer of fighting bulls (a Jogho). The practice had been outlawed in Malaysia but continued in Thailand. Mamat lives with his wife and three daughters, three divorcees and one who has not yet married, but he has sent his only son to boarding school in Kelantan. Mamat and Lazim are the leaders in a small village that depends mostly on the money won from gambling in bullfights for its sustenance. The story begins when Lazim is killed by Isa at the bullfighting arena.

Jogho

10.0 1999
For a Lost Soldier

In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.

For a Lost Soldier

6.7 1992
Vertical Love

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love

Vertical Love

7.4 1997