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Magnús

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

Magnús

6.8 1989
Murder Ordained

This is the story of a minister who's feeling unhappy in his marriage who then has an affair with a church employee, who is also married, and who also has affairs, and whose husband is unwilling to divorce her. One day the minister's wife is found dead, in what appears to be an auto accident, but the highway patrolman who investigated the accident doesn't think that it's an accident but doesn't have enough evidence to justify an investigation. Later, when the woman's husband is killed an investigation begins.

Murder Ordained

5.0 1987
Islak Mendil

Ümit, who lives in a poor neighborhood, makes a living by singing on the streets. One day, at his son's circumcision ceremony, he runs into his wife Necla, whom he separated from years ago. The couple separated years ago due to a misunderstanding. Ümit is still angry with his wife. Necla, however, decides to seek custody of their son, Murat. With her father's help, she wins the custody case. Murat takes the opportunity to run away to his father's side. However, Necla's fiancé sets a trap to put an end to the situation and has Ümit sent to prison.

Islak Mendil

7.0 1982
Scene of the Crime

In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ensues, and through happenstance, the murderer and the boy's mother form an alliance. All this takes place in four days during which the boy has his first communion, his separated parents face each other amidst grandmother's hopes they'll reunite, the grandfather just wants to go fishing, the school's chaplain complains about the boy's behavior, and the convicts' shared girlfriend comes, gun in hand, to help them escape to Tangier. The mother's surprising decisions complete the story.

Scene of the Crime

5.6 1986
Stranger

In the center of a small town there is a liquor store, every day a long line of people rubs impatiently by it. Thirteen-year-old Zigis sees his father here more and more often. The faces of many alcoholics have already been stamped by degradation, there is indifference in their eyes, they have lost interest in life. The boy realizes that such a terrible future also awaits the person closest to him. Not expecting to get help from anyone, Zigis decides on an unusual step: he goes to Marta, a popular healer, to save his father. On the way, the boy meets different people and experiences different attitudes towards himself, gets to know the contradictions of life.

Stranger

NR 1989
Before Your Eyes - Vietnam

An unconventional essay film that interrogates the visual and ideological legacy of the Vietnam War. Blending staged scenes, archival footage, photographs, and philosophical dialogue, the film follows various characters — including an American soldier captured by North Vietnamese villagers — as they reflect on violence, memory, and image-making. Set partly in West Berlin and partly in reconstructed spaces representing Vietnam, the film avoids traditional dramatic narrative in favor of a fragmented montage of voices, documents, and reenactments. Interweaving love stories, political debate, and historical commentary, Farocki creates a critical reflection on how war is represented, seen, and imagined, both in cinema and in public consciousness. The result is a complex meditation on images as weapons and instruments of perception.

Before Your Eyes - Vietnam

7.0 1982
Magdalena

Magdalena's dark drama spans a period of six weeks. In Berghofen, a village near Dachau, live the honorable, respected small farmers Thomas Mayr, known as Paulimann, and his wife Mariann. They have been married for 37 years ("Und hat mi'koan Tag net g'reut"), but now the woman is wasting away. This is not least due to their daughter Magdalena, who moved to the big city to work as a seamstress, where she went astray and got into trouble with the law. She is now brought home in disgrace, to the jeers of the villagers. Nevertheless, on his deathbed, he promises his wife that he will not chase Leni out of the house.

Magdalena

10.0 1983