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It's Not About Love

Raoul Peck directed this French-German-Haitian drama set in Manhattan where medical examiner Chase Dellal (Geno Lechner) isn't happy with the diminishing aspects of her life: Not only does she face political pressures to soft-pedal her testimony, her marriage to a judge (Bob Meyer) is collapsing. Suddenly, new options appear after deposed Haitian politician Dimitri (Jean-Michel Martial) re-enters her life. Playwright Israel Horowitz has a role in this film as morgue cop Timothy.

It's Not About Love

10.0 1998
The Critic

Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

The Critic

5.8 2024
A Man and Two Women

The film is a wonderfully accurate portrayal of the three stories: The stories are tied together with original dialogue and scenes by Martha / Anne / Freda / Judith (Valérie Stroh) and René Feret which follow a Golden Notebook/Anna Wulf theme: she is "writing" the stories and has a boyfriend named Paul who is a psychiatrist. A Man and Two Women: Anne, a young woman, a slightly bohemian painter: "in love" with her newborn, she abandons her husband while Isabelle, her best friend, attracted by to him and becomes little by little her rival. Each Other:Fréda finds her brother every morning in the secret of her bedroom,they leave themselves and incestuous effective becomes the only possible relationship for both. Our Friend Judith: Judith, a cold and warm intellectual, secret and complex - Beautiful, Judith is careful not to show it, she knows interment and that is enough. Intelligent, she does not bend to the rules of fashion nor seduction.

A Man and Two Women

4.7 1991
The Last Butterfly

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

The Last Butterfly

5.8 1991
The Secret

Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.

The Secret

7.2 2000