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Porträt eines Richters

This film is about the difference between law and justice. A national socialist is accused of having stirred up some people against foreigners. A judge has to decide whether he has done so or if his statement comes under the constitutional given freedom of speech. This is compared with a trial in the third Reich. A young woman is being accused of having a relationship with a jew. The film confronts two views of law: the judgement is only based on the current law or the judgement may be influenced by socio-political events and sense of justice.

Porträt eines Richters

9.0 1998
The Other Life

The film tells the story of a young Jewish woman who, during the Nazi era, is hidden by her friend, treated in a hospital using her identity papers, and dies there. As a result, her friend loses her official identity. For the first time, the question of the behavior of friends, neighbors, caretakers, and strangers during the persecution of Vienna's Jewish population is raised. Ostensibly, "The Other Life" is a gripping play on identity, but overall, it is an astonishing demonstration of the civil courage of Alexander Lernet-Holenia (1897-1976), who, shortly after the war, addressed the then-taboo subject of the persecution of the Jews in his literary work. The ambitious film studio of the Theater in der Josefstadt, which did not last long, took up the material and filmed it with the theater's actors.

The Other Life

10.0 1948
Laufen lernen

Reni Wirth is a woman in her "prime," in her late thirties, a housewife like millions of others and seemingly fulfilled by caring for her husband and two teenage daughters. Despite slight irritations about her mere existence as a housewife, she takes good care of her family. A preventive breast cancer screening completely disrupts the apparent family idyll. Although the worst fears are not confirmed, after days of terrible anxiety, Reni begins to understand the misery of her personal situation: her daughters will soon be on their own, and she can hardly return to the profession she once learned. What will be left for her? Reni takes a courageous but uncertain step toward somewhere where she suspects she will find "freedom."

Laufen lernen

10.0 1980
In der Mitte eines Lebens

Set in the present day, the story is full of dramatic twists and emotions, and the hero of the story is the talented composer Andreas Ambach, who is working on a new opera. His talent is believed in by everyone in his family and community, except his wife. Constanze loves someone else, but her insecurities and her young son make her reluctant to reveal her secret relationship. She only tells her father, who has never liked her son-in-law. A new opera star burns Andreas's heart and he knows that only she can be the real Sissi in the opera he is preparing, but for him there is no other woman but his wife...

In der Mitte eines Lebens

7.0 2003
Simply Nina

Born in the wrong body? A child rebels. 8-year old Nina is confident and fun-loving. She’s convinced that a mistake was made at her birth: she was born a Niklas. Nina plucks up her courage and informs her family that she has always felt like a girl and would like to live as one. Her grandpa Thilo supports her. But her parents Simone and Martin cannot agree and with her brother Ben need time to deal with the new situation. Old conflicts flare up. There are problems in Nina’s social environment and at school. Can the family stick together despite the problems? A fictional contribution to a very topical subject.

Simply Nina

5.0 2023
Der Fliegende Holländer

This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.

Der Fliegende Holländer

7.0 1975
Duped Till Doomsday

East Germany's contribution to the 1957 Cannes Film Festival was the wartime melodrama Betrogen bis zum Juengsten Tag. Had the film been released in the U.S., the title would probably have translated to Duped Till the Last. The film condemns the Nazi mindset by concentrating on a particularly odious cover-up. When his son is involved in the accidental killing of a girl, a Gestapo general pulls strings to save the boy from prosecution. The general manages to pin the blame for the killing on a group of Russians, whereupon he gives the men under his command carte blanche to round up and execute as many innocent Russians as they wish. This act of brutality is contrasted with the pangs of guilt suffered by the son and his co-conspirators.

Duped Till Doomsday

6.3 1957
The Brothers Noltenius

Wolf Noltenius is a real globetrotter. Early on, this talented young man travelled far and wide, where he earned fame as a construction planner. He moved to Brazil; but one day, homesickness got the best of him. He spontaneously travelled back to his hometown to visit his brother Werner and his family. Wolf and Werner, who both went into the same profession, couldn't be any more different: the one is worldly and an experienced man-about-town; the other a small bourgeois.

The Brothers Noltenius

7.0 1945
Ivo

Ivo works as a palliative home-care nurse. Every day, she visits families, couples and single people. They live in small flats and large houses. They all have different lives and deaths. They all have different ways of dealing with the time that remains. At home, Ivo’s teenage daughter has long since become independent. From morning to night, Ivo drives around in her old Skoda which she has made into her personal living space. Here, she eats her meals, works, sings, swears and dreams. One of her patients, Solveigh, has become a close friend. Ivo has also formed a relationship with Solveigh’s husband, Franz. Day after day, the two work together to care for Solveigh. And they sleep with each other. Solveigh’s strength is diminishing and she soon has to rely on support for the simplest tasks. She wants the final decision to be her own: she wants Ivo to help her die.

Ivo

6.2 2024