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The Temple of Wild Geese

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

The Temple of Wild Geese

6.5 1962
Ruf der Wälder

A young Italian worker is always having problems with his coworkers because he doesn't understand their language. His only friend is a dog that came up to him. After his coworkers kick the dog, he becomes angry and beats up the bully. He is then summoned to his boss, who wants to fire him. Standing beside him, however, is a man who wants to take him to Austria to work. There, he meets a beautiful woman and falls in love with her, but he isn't the only one. Someone else has a crush on the woman, and so a conflict erupts that escalates to a head-on.

Ruf der Wälder

4.7 1965
The Angry Breed

In Vietnam, aspiring actor Johnny Taylor is given a prize film script after saving the life of a Hollywood screenwriter. On his return, Johnny has trouble finding a studio that will let him play the lead until he saves producer Vance Patton's daughter Diane from a cycle-gang attack. The grateful father sends him to agent Mori Thompson, but Thompson wants the script for gang leader Deek Stacy. Deek and his agent feed Johnny LSD and drag him away to the dungeon during the producer's Halloween party.

The Angry Breed

5.2 1968
Kojiro

Sasaki Kojiro tells the story of the genius who staked his love, glory, and life on a duel with the supreme master of the sword, Miyamoto Musashi (Tatsuya Nakadai). Oscar winning Hiroshi Inagaki directs this epic motion picture based on Genzo Murakami’s fascinating story. Despite his humble birth, the orphan Sasaki Kojiro (Onoe Kikunosuke) is determined to become the foremost swordsman in all Japan, a title that traditionally belongs to a nobleman. At fencing school, young Kojiro receives the contempt of his classmates because of his superior swordsmanship. When rumors of the upcoming civil war between Toyotomi and Tokugawa clans spread, Kojiro leaves the school and sets out, seizing every opportunity to realize his dream.

Kojiro

8.0 1967
Hatifa

Hatifa is tired of her difficult fate and escapes from the place of her enslavement, a quarry in the desert. There she wanders around in freedom, but ultimately helpless, without water or food. Shortly before dying of thirst, she is saved by the sage Simsal, who is traveling with a caravan of the merchant Ganem. Hatifa quickly makes many friends, including the young servant Hodja. Only to him she confides her secret. The girl had to keep the fact that she was a slave to herself. After all, anyone who helps escaped slaves is mercilessly threatened with the death penalty. Out of consideration for the caravan, they both flee, but are soon picked up by Ganem. When he realizes that he can make a lot of money with Hatifa, he sells her again to a quarry.

Hatifa

8.0 1960
Sangam

Sangam is a Pakistani Urdu film released in 1964, directed by Zahir Raihan starring Rosy Samad, Khalil, Haroon Rashid and Sumita Devi. This is the first full-length colour movie made in entire Pakistan. This was the fourth film by Zahir Raihan (1935-1972) who later went on to direct more films in Urdu and Bengali during the 1960s. Zahir Raihan became one of the most important filmmakers of East Pakistan, which later became Bangladesh in 1971. Although Sangam was an Urdu film, but most of the cast, playback artistes and crew were from the Bengali-speaking Eastern province.

Sangam

6.5 1964