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The Camp on Blood Island

Set in a Japanese prisoner of war camp during World War II, the film focuses on the brutality and horror that the allied prisoners were exposed to as the Japanese metered out subjugation and punishment to a disgraced and defeated enemy. This harrowing drama concentrates on the deviations of legal and moral definitions when two opposing cultures clash. Although fictional, this was one of the earliest films to deal realistically with life and death in a Japanese prisoner-of-war camp during the Second War.

The Camp on Blood Island

6.7 1958
The Naked Heart

At the beginning of the 20th century, in the North of the Province of Quebec. After five years spent in a boarding school, Maria Chapdelaine comes back to the family farm. Robert Gagnon, a villager and childhood friend, loves her secretly but Maria is wooed by Lorenzo Surprenant, a man who has fled his home town to escape the police. The one she is really in love with is François Paradis, a handsome trapper. The latter promises to marry her in the spring, as soon as he is back from the Far North. Robert, who is aware of how miserable Maria is, writes a letter to François , asking him to come back at once. Unfortunately, the young trapper is buried under the snow during a storm. As for Lorenzo he gets gunned down by the police. Finally understanding that Robert has sacrificed himself out of love for her, Maria accepts to become his wife.

The Naked Heart

7.0 1950
Boris Godunov

Russian filmmaker Vera Stroyeva specialized in cinematic adaptations of famous operas. One of the most successful of these was her 1955 film version of Mussorgsky and Pushkin's Boris Godunov. Stroyeva's adaptation deftly streamlines the story of a Russian czar whose life is placed in jeopardy by a pretender to his throne. A. Pirogov sings the title role, while G. Nellep provides vocal and visual menace as the "False Dmitri". The use of a color process known as Magicolor adds just the right touch of theatrical artificiality to the pomp-and-splendor proceedings.

Boris Godunov

3.0 1954
We Are From Semirechye

Near the city of Verny, surrounded by Cossack patrols, the paths of three friends diverge. Instead of his native aul, Nartai finds only ruins. The death of his mother, the disappearance of his fiancée, and the oppression from the stanitsa ataman — all this forces Nartai to join the revolutionary struggle. Hunger and poverty, and pleas for bread greet the blacksmith Azim in his native Zhetysu. A Cossack horse kills Azim’s little son with a kick of its hoof when the boy reaches for scattered grains of bread. Grief turns the blacksmith into the leader of a starving, rebellious crowd. The fate of the third soldier is not easy either. Pavel Zernov, pausing only briefly at the bedside of his dying little son, hastens to rejoin his comrades who have gone underground.

We Are From Semirechye

NR 1959
Mado Kara Tobidase

The movie "Jump Out of the Window" is a heartwarming work that depicts the interaction between two families. Shusuke Tokuyama (Den Obinata) runs an agricultural and livestock industry, and has his father Ritaro (Hiroshi Shiomi), younger brother Yuji (Keiju Kobayashi), wife Fujiko (Kiko Todoroki), and four children (three of whom are Obinata's sons). They lived in a large family of 8 people, including 2 children and 2 daughters. The Fujieda family next door is Chieko (Ayako Okamura), whose husband, a captain, died in a shipwreck at sea, her daughter Mariko (Kyoko Kagawa), and her son Michio (Oohinata's son), who has a leg disability and is undergoing rehabilitation. ) We were a family of three. Through the interaction between the Tokuyama family and the Fujieda family, the importance of family and the kindness of people are reflected on the screen.

Mado Kara Tobidase

NR 1950
Ehesache Lorenz

Trude and Willi Lorenz have had an exemplary marriage for 24 years. Their daughter Gitta takes them as a role model for herself and her fiancé Peter. But appearances are deceptive. Willi cheats on his wife with the young secretary Helga. He is a department manager in a heavy engineering company and travels a lot on business. Trude also has a busy working day as a divorce judge. Obviously, family life has been neglected as a result, and now Trude herself is facing a problem that is very familiar to her from her job. An alderwoman has drawn her attention to her husband's infidelity, and a visit from Helga, who demands that she give up her husband, forces her to make a decision. Willi Lorenz has cheated on both women. In a discussion, he finally confesses to Trude and their life together. The fact that it doesn't come to the "Lorenz divorce case" is also thanks to the sincere, compassionate driver Schliffke, who tactfully opens the eyes of his boss Lorenz and the young Helga.

Ehesache Lorenz

8.0 1959