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Video Kings

Flo und sein Kumpel Hotte arbeiten in der mies gehenden Neuköllner Videothek Video König. Kein Wunder, denn Hotte glänzt mit null Filmwissen, und Flo muss mit damit fertig werden, von seiner Freundin verlassen worden zu sein. Die beiden Unglücksvögel lassen sich vom Kiez-Gauner Bernhardt abzocken, von Schlägern die Fresse polieren und Inkasso-Unternehmen drangsalieren. Ein Glück, dass für Flo wenigstens wieder die Liebe in Form von Nachbarin Ramona lacht, auch wenn diese möglicherweise eine Prostituierte ist.

Video Kings

5.8 2007
Chikita

Brothel-owner Chikita Hausmann is forced to flee a South American revolution and sets up a new “house of pleasure” in a sleepy Swiss town, where the local bigwigs queue up so enthusiastically that she placates scandalized wives by dubbing it the “Circle for Expanding Cultural Relations” and wins the naive estate-manager Philip Sprüngli’s heart. When a nearby jazz club run by local youths threatens to expose her clientele, Chikita cleverly sells her establishment to the municipality—transforming it into a youth center—then whisks Sprüngli off on another adventure to a revolution-torn South America.

Chikita

7.0 1962
A Spectre Is Haunting Europe

Berlin, a summer in the age of neoliberalism: the spectre of the soviet avant-garde is haunting the city. A young Georgian contract-worker is surprised to find the ghost of the Russian revolutionary poet Vladimir Mayakovsky in his kitchen. At the same time, his friend Kasimir inherits a big fortune, but what shall he do with all this money? Framed by a travel through time leading to Flaubert's 19th Century und the shooting of a revisionist melodrama for German television, the film follows the adventures of these three characters in contemporary Berlin. A suprematist digital comedy about the transmission of emancipatory energies.

A Spectre Is Haunting Europe

5.0 2013
Mutter, Kutter, Kind

Heddi is a self-confident and battle-hardened coastal fisherwoman. She only has one weak point: her daughter Eva. Eva is an environmental activist and just as militant as her mother. But despite their resemblance, Eva doesn't want to know anything more about Heddi; there has been radio silence between the two for years. But now Eva and her ten-year-old son Jannis turn up unexpectedly in the small Baltic Sea village, ostensibly for a birthday visit to Grandma Lore, where Eva spent most of her childhood. In reality, however, Eva is in big trouble: She has to serve a prison sentence for resisting law enforcement - and a repeat offender at that! - she has to serve a prison sentence. But who will look after her little Jannis while she is away?

Mutter, Kutter, Kind

7.0 2022
Angry Harvest

In the winter of 1942-43, a Jewish family leaps from a train going through Silesia. They are separated in the woods, and Leon, a local peasant who's now a farmer of some wealth, discovers the woman, Rosa, and hides her in his cellar. Leon's a middle-aged Catholic bachelor, tormented by his sexual drive. He doesn't tell Rosa he's seen signs her husband is alive, and he begs her to love him. Rosa offers herself to Leon if he'll help a local Jew in hiding who needs money. Leon pays, and love between Rosa and him does develop, but then Leon's peasant subservience and his limited empathy lead to tragedy. At the war's end, a ray of sunshine comes from an unexpected place.

Angry Harvest

6.2 1985
Toulouse

A sophisticated hotel somewhere on the French coast. Silvia and Gustav meet here, they have recently split up after 19 years of marriage. But they know each other well, and a fight begins in which Silvia always seems one step ahead. So she quickly realizes that Gustav's new, younger girlfriend is already expecting a child from him. The secret meeting between Silvia and Gustav takes a new turn when Gustav suddenly finds out that the conference center in Toulouse, where he is allegedly staying, was blown up in a terrorist attack.

Toulouse

4.0 2018
Kati Kati

Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.

Kati Kati

7.5 2016