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Behind the red gates

Behind the red gates lies Dyrehaven with the green beeches and the famous zoo hill - the motley world of clowns. Professor Labardi is behind the popular singer pavilion, where his young daughter, Gulnare, performs. After a rainy summer, there is an economic low tide on Bakken, and the family is tempted to seek help from Gulnare's enterprising suitor, Carlo Petersen. But Professor Labardi carries a secret: the clown family has family ties to the fine legal world outside the gates. There is conflict, money transactions, love, hypocrisy and villainous streaks when the fine world and the hill folk meet. Behind the Red Gates is a terrific folk comedy that takes us behind the attractions at the traditional amusement park in Klampenborg.

Behind the red gates

7.6 1951
Kalpaklılar

The people are divided into two groups: supporters of the Sultan and supporters of Mustafa Kemal. In addition to those who have crossed over to Anatolia, there are also many secret supporters of the National Forces in Istanbul. Müjgan is the daughter of Süleyman Sırrı Pasha. Talip is one of the volunteers of the Kuva-yi Milliye movement in Istanbul. Talip befriends Müjgan in order to access information through her father. However, Müjgan realizes Talip's true identity and intentions. Upon this realization, Müjgan voluntarily helps Talip. However, this help leads to the beginning of a love affair between the two.

Kalpaklılar

9.0 1959
Rajuan Alam

This film, produced in Indonesia and based on the old Japanese folk saying that "a man's happiness depends upon a knife, house, horse, wife, and singing bird," tells the story of the restoration of a young man to his rightful place in his society and nation, and depicts basic Indonesian traditions while outlining Indonesia's successful fight against malaria (with U.S. cooperation). The film follows Amin, a village youth who attempts to earn a living in the city. However, he is unsuccessful, and so he returns to his village to live with his wife-to-be, Marlina. Before the couple can marry, Marlina falls ill with malaria, and only after she is cured are they able to wed. The film was directed by Miriam Bucher and is a joint production of the U.S. Information Service (USIS) and Produksi Film Negara (PFN).

Rajuan Alam

NR 1956
Modern ‘Red Chamber Dream’

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

Modern ‘Red Chamber Dream’

NR 1952
Window to America

A New York City businessman meets a window washer hoping to commit suicide and decides to market his grief to the highest bidder in this acidic satire on American capitalism, one made even more memorable by the fact that the entire “American” cast are Chinese actors in whiteface. The greedy Mr. Butler (Shi Hui) convinces the suicidal “Charley” that he might as well endorse some cigarettes as he jumps out of his office window, and maybe wear a particular suit too. A true cinematic oddity, this Korean War–era propaganda piece is a satire that Frank Tashlin could envy.

Window to America

NR 1952
The Summer Wind Blows

Claus, an unhappy 28 year old Norwegian insurance company employee quits his job in Oslo and heads for Sweden in order to figure out who he really is. In his travels he meets and falls in love with Liss, a liberated small town woman, but they both have trouble considering a long-term commitment which will curtail their treasured freedom. After separating, Claus heads north and joins a surveying team, where he finds himself attracted to a country girl. Will the big city boy settle down in the rugged wilds of the Northlands, or will he return to the south and negotiate a commitment to Liss.

The Summer Wind Blows

8.0 1955
The Rising of the Moon

Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest an old-fashioned, traditional fellow for assault. The man's principles have the policeman and the whole village, including the man he slugged, sympathizing with him. "One Minute's Wait" is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, "1921," is about a condemned Irish nationalist and his daring escape.

The Rising of the Moon

6.8 1957
Bridge of Japan

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

Bridge of Japan

7.8 1956
The Faithful City

The Israeli-made Faithful City stars Jamie Smith as an American in Tel Aviv just after World War II. Smith makes the acquaintance of a group of orphans, Jewish refugees of the concentration camps. It takes some doing, but Smith wins the love and trust of these displaced youngsters. Like most government-funded Israeli productions of the early 1950s, Faithful City is designed more to instruct and inform than entertain. That it happens to be entertaining in the bargain is all the more reason to seek out this extremely rare film.

The Faithful City

10.0 1952