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Antigone

With fierce originality, this powerful adaptation of the Sophocles tragedy presents a world of honor, treachery and fateful consequences. Acclaimed actress Genevieve Bujold skillfully combines elements of zealotry and idealism in her affecting portrait of Antigone. Jean Anouilh's retelling of "Antigone" stages the inescapably wrenching central confrontation between Antigone and Creon by presenting Bujold and Fritz Weaver seated at a long, executive-suite table--a hallmark of Anouilh's play.

Antigone

9.0 1974
The Inhuman Woman

A famous singer Claire Lescot, who lives on the outskirts of Paris, is courted by many men, including a maharajah, Djorah de Nopur, and a young Swedish scientist, Einar Norsen. At her lavish parties she enjoys their amorous attentions but she remains emotionally aloof and heartlessly taunts them. When she is told that Norsen has killed himself because of her, she shows no feelings. At her next concert she is booed by an audience outraged at her coldness and she decides to visit the vault in which Norsen's body lies.

The Inhuman Woman

6.9 1924
Secret Document: Vienna

During the Great War, in Austria, an officer was shot on the orders of his superior von Pennwitz. Out of revenge, his widow becomes a spy in the pay of France, preoccupied with removing the person responsible for her husband's death. In charge of a mission to von Pennwitz, she suddenly finds herself face to face with her husband, who is still alive. It was a ruse of war to deceive the enemy. It is only at the armistice that the couple will be able to live in peace.

Secret Document: Vienna

8.0 1950
The Awakening of Annie

The lovely orphan Annie is wandering St Tropez when she meets a mysterious photo-journalist, who convinces her to pose nude for him on the luscious beaches. Proud of her work as the photographer’s muse, Annie agrees to travel to Brazil with him to model nude. After her swarthy companion tries to force himself upon her, Annie flees into the arms of Hugo: another photographer, but one with a more gentle spirit. Hugo takes Annie on a fateful trip into the heart of the Amazon, where the danger and the passion heat up.

The Awakening of Annie

4.1 1976
The Bamboo Incident

A young Vietnamese boy's life is thrown into turmoil by the war raging in his country. The ten year old remains with his mother and baby sister as his father goes off to fight for the Viet Cong. During his father's absence, his mother dies from overwork and the inability to find proper medical care for her illness. He cares for his baby sister and struggles to earn a living by shining shoes and doing other odd jobs before his father returns. Both an American soldier and a Viet Cong regular are shown defending their country's political agenda. Also shown are guerilla tactics and bombings in this feature directed by veteran combat photographer Raoul Coutard.

The Bamboo Incident

6.9 1970
Cookies

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions.

Cookies

6.3 1975
Park Benches

As she does every morning, Lucie takes advantage of her journey to work to lose herself for a while in the pages of a good book. And as she does every morning, she joins her colleagues at the office with a smile. It's a working day just like any other. Then suddenly all activity in the office stops. All attention is turned towards the window of the opposite building opposite and abanner reading: Man Alone. Is it a hoax? A cry for help? Everyone has his own interpretation, and will try, by any means possible, to discover what lies behind this mysterious message.

Park Benches

5.5 2009
Entrusted

Hoping to entrap Maria von Gall, who runs a courageous underground railroad for Jews in France, the Nazis kidnap her son Thomas, a brilliant 11-year-old chess master. An exchange arrangement goes awry and he sees her die in a hail of bullets; but he is rescued by his American father, whom he has never met before, and who plans to flee with him to Spain. However, Queen Maria had solemnly entrusted her little pawn Thomas with a precious secret and a terrifying mission, and it was time for him to move. A pawn may become an important piece by slowly, quietly advancing all the way through the enemy's ranks. Or a pawn may die trying. Retreat is what a pawn can never do.

Entrusted

6.8 2003
We Are All Murderers

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

We Are All Murderers

6.7 1952
Terrorist's Remorse

French film produced and distributed by Gaumont (catalogue number 1590) originally named "La Terroriste" (as registered in the BnF (Bibliothèque nationale de France) in 1907 and as published in Gaumont's catalogue of January 1908), the film was known in the U.S. by the title "Terrorist's Remorse" (according to the "Revised List of High-Class Original Films Made by Gaumont, Urban-Eclipse, Théophile Pathé, Carlo Rossi, Ambrosio and Other Foreign and American Companies", 1908, available in the Internet Archive website) and eventually changed to "Les Terroristes en Russie" in France (per Gaumont's catalogue of July 1909). Max Charlier and Mlle Loisier star in the film, but its director is still unknown, although Francis Lacassin attributed it to Louis Feuillade in 1995.

Terrorist's Remorse

5.9 1907
Goha

As far as can be determined, Goha was Tunisia's first entry in the Cannes Film Festival. Omar Sharif stars as a naïve young man who is taken for granted by friends and family. Little do they know that he has more intelligence, tenacity and imagination than all of them put together. The story takes an unexpectedly dramatic turn when the man falls in love with the young wife of his village's elderly "wise man". Based on an ancient Tunisian folk tale, Goha boasts impressive production values and sure-handed direction (by Jacques Baratier).

Goha

5.6 1959
Jacquou the Rebel

In 1815, young Jacquou lives an idyllic peasant life with his parents in the Périgord region of France. But one day, his childhood happiness is cruelly ended when his father is arrested, after a dispute with the arrogant Count de Nansac. With both his parents dead, Jacquou is adopted by Bonal, a kind priest, under whose influence he grows into an assured, morally upright young man. Now an adult, Jacquou has one desire. To repay the Count de Nansac for the evil he once inflicted on his parents...

Jacquou the Rebel

6.5 2007
Queen Margot

Marguerite de Valois, daughter of Catherine de Médicis, celebrates her wedding with Henri de Navarre. Officially, it's a rapprochement between the League and the Huguenots. In fact, it was an opportunity to bring all the Huguenots to Paris and kill them all at once. King Charles IX fails in his attempt on Coligny's life. Queen Margot tries to save her husband from the St. Bartholomew's Day massacre by preventing the annulment of his marriage, forcing Henri to share her bed. Two knights from opposing camps are wounded and, saved în extremis, are hidden together by the queen and her cousin. Margot falls in love with one of them, but has to run to warn her husband of a new attack...

Queen Margot

7.1 1954
La vengeance sans visage

Marie is an executive in an airport. During a rafting trip, she meets Maxime, a parachuting and wingsuit enthusiast. However, she is unaware that Maxime and his gang are looting airport cash-in-transit vehicles and planning a robbery. To ensure Marie's silence, Sofia - leader of the gang - sabotages her parachute during an initiation. Marie falls 2,000 meters but miraculously survives. A year later, handicapped, she took refuge in her parents' house in Gap, her hometown. Until the day Marie meets Sofia, who thinks she is dead and does not recognize her. Marie decides to take revenge by luring them into a new robbery. But Luc Ferraz, a BRI officer looking for the source of the gang's information, is not to be trusted. Marie has the ideal profile. So Luc pretends to be an assistant to her in order to trace the robbers.

La vengeance sans visage

5.9 2023
My Polish Honeymoon

Anna and Adam, a young couple from Paris with Polish Jewish origins, leave for the first time of their lives in Poland. They were invited to commemorate the seventy-fifth anniversary of the destruction of the birth village community of Adam's grandfather. If Adam is not very excited about this trip, Anna is excited to discover the land that is also her grandmother's. Finally - from what little she knows. Here they are, looking for their origins in a journey full of surprises, during which they will not find exactly what they came for.

My Polish Honeymoon

5.2 2019
Avanti

What does ‘normal’ actually mean? And what is ‘crazy’? Everybody attempts to convince Léa that her mother, Suzanne, is mentally ill. Her father wants to see her returned to the psychiatric clinic, but Léa refuses to see her mother in the same light: Suzanne is happy – even if she doesn’t act like others expect her to. She appears to live a joyfully infantile existence after calmly letting go of life’s pressures. Léa captures her mother’s life on film and focuses her attention on examining the old super-8 films from the family archives. When she is left to drive her mother back to the clinic after a weekend at home, Léa grabs her opportunity: She turns the car around and whisks Suzanne off on a journey; a road trip without the judgements of others. AVANTI follows a mother-daughter relationship with an ease and depth that highlights the complexity of the emotional ties within a family.

Avanti

4.5 2012