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Beneath the Red Banner

As the Year of Gengzi arrives, drastic changes unfold one after another...Within the legacy of the Manchu banners, sheltered by their ancestors, they indulge day after day in bygone glories, helpless and resigned.At the foot of the imperial city, swept along in the torrent of history, they follow hesitantly, struggling to make choices that shape their lives.They embody the blood and tears of a nation’s past; they are the common folk immortalized in the writings of later generations.

Beneath the Red Banner

NR 2026
Aves de Corral

Juan plans to introduce his girlfriend Casilda during the weekend at the family home in the mountains. However, before arriving, Juan and his brother Santiago have to flee from a group of assassins who are chasing them by mistake. The killers belong to a criminal organization that includes Miki, who should never have been there, and Gus, a policeman infiltrated in the group who tries to take care of Miki. Meanwhile, Pinco, who should take Miki's place, enjoys the hospitality of the man in charge of the criminal organization, unaware of the problems that are coming their way.

Aves de Corral

NR 2026
Eugene Onegin

“Eugene Onegin tells a love story that doesn’t work”. This is how Ralph Fiennes sums up the plot of Pyotr Ilyich Tchaikovsky’s opera, inspired by Pushkin’s work. A jaded young dandy, Onegin sets shy Tatiana on fire at first sight. Overcoming her reticence, she writes him a passionate love letter. Alas, he brutally refuses, giving her a lecture on morality. However, years later, after a duel, he falls in love with the young woman who is now Prince Gremin’s wife. Will she yield to his advances? Fascinated by Russian culture and attuned to the dramatic intensity of Tchaikovsky’s music, Ralph Fiennes is directing his first opera. If he chooses to use pictorial simplicity to evoke the Russian countryside or a ballroom, it is all the better to emphasise the emotions of the characters, as complex as they are modern.

Eugene Onegin

NR 2026
Angel Pardalos

On new year’s Eve of covid, the protagonist has been left alone at home due to quarantine. So she decides to cheer herself up by writing a script about her life. As she humorously says, “Since no one wrote me a play-script, I write it myself! I am my muse.” She writes as the pictures come to her mind without following a linear, temporal narrative, in a simple way and simultaneously with moments of poetic realism. The audience watches how her thoughts come to life on the screen and how she imagines them. That is why in every scene, we see her in a different place, with other clothes, a different mood, and a different art. She imagines that she is acting in theater, in a studio, in the park, at her house, in Kavala, at sea, in the snow, singing and dancing. She transforms some memories into digital art, animation, and into poetry. This is how this multi-art spectacle is created and will make the audience smile and be moved.

Angel Pardalos

NR 2026
Strange Tales of Huangquan Village

Director Wang Jian visits a desolate village at night and learns from an old woman, who has been guarding the ancient village for decades, about a massacre caused by greed: After the villain Hu Rencheng struck a gold vein, poisoned his benefactors, sexually assaulted a young girl, and drowned the witnesses in the lake, he was eliminated by his senior, Uncle De, at the cost of Uncle De's life. Uncle De blocked the spring with his body, and the lake water became clear again. The old woman telling the story is Uncle De's young apprentice who swore to guard this place back then—what goes around comes around, and the guardianship never ceases.

Strange Tales of Huangquan Village

NR 2026