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The Lamb

Anita is sixteen and she’s facing a difficult situation: her mother died of leukemia and now Jacopo, her father, is also sick: his need for a bone-marrow transplant is increasingly urgent, but the average waiting period for a donor is many months. Anita isn’t compatible, and neither is Tonino, her grandfather shepherd who lives in the nearby tableland, close to a military base which affect the area since the Sixties. There is uncle Gaetano: being Jacopo’s brother the probability that he is compatible is higher, but Gaetano is a hothead and he and Jacopo haven’t had any relationship at all: an old grudge, which they don’t want to forget, is keeping them apart.

The Lamb

7.5 2020
The Lobby

A character simply named Old White Male holds court in the lobbies of various apartment buildings in Buenos Aires and expounds with measured disgust on death, consciousness, and the state of contemporary human relations. The man’s mostly unsolicited remarks form an unsparing, stitched-together modern-day monologue that alternates between absurd and chilling, reasonable and grotesque. Filmed in Buenos Aires in October 2019, Heinz Emigholz’s spare continuation—and sardonic distillation—of certain themes explored in The Last City is morbid, confrontational, and hilarious.

The Lobby

NR 2020