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For years, he has neglected his family in Hong Kong to tend his business in Mainland China. Back in Hong Kong after his father's death, the man discovers his son's childhood diary. As he reads about his son's life with his father, the man realizes that he has let his son's childhood pass by him. Filled with regret for both his father and his son, the man decides to make an effort to mend his relationship with his son. However, is it already too little, too late?

Secondary school student Joy's estranged family and her desire for independence have led her to work in a cafe during the summer break. Wah, a retired old man who has returned from Japan comes into Joy's life by chance and has a profound influence on her.

Comedy directed by Fung Fung

The film is set in a future when the central government attempts to replace every citizen’s name with numbers. In such a social upheaval, Ma Yi cares nothing but cancels an auto-masturbating machine. While Ma Yi doesn’t violate the law, he is however arrested and interrogated by the police.

Yue is a focus puller who suffers from eye floaters. On set, he sees his ex-girlfriend Ting Yu through the monitor. She leads him on a search for a meteor shower that will never appear. In the end, Yue begins to see the reality beyond the frame.

A lonely traffic warden falls in love with a mysterious delivery boy and found out they are sharing the unusualness of synesthesia. The mysterious delivery boy believes that all the five senses are intimately connected in one pattern, if he could find a person who shares the same pattern with him, he could fall into the other side of the reality. The traffic warden has to choose if she is going to take a leap of faith or staying comfortably in this lonely boring reality.

"This is a story of fall: of falling into traps and for lies and scams, of falling in love and falling out of love, and of falling for your own lies and falling back into the old ways, spectacularly. Michelle enrols in a self-help course in the hope that she will make her married lover come to his senses and treats her right. When the chanting of positive self-affirmations – Peace! Friendship! Love! – descends into uncontrollable screaming and wailing, will the newly converted be able to see things in a new light or will she wrapped herself up in the shining armour of self-victimisation to keep her from hurting?"

Clad in white and wielding the deadly Ringing Sword, the beautiful Yeh Chiu Lu wanders the countryside righting the wrongs perpetrated by the White-Haired Warlord, Tsao Tan (Law Bun, "King Of Kings"). Determined to wipe out the Chiang Clan, Tsao Tan sets his swordsman to capture Master Chiang (Kong Ban, "Shaolin Kung Fu Mystagogue"), the last of the clan. Only the Ringing Sword and a mysterious ninja, with his own vendetta against Tsao Tan, stand in his way.

Facing the demolition of their worlds, 24 year-old musician Jack roams his city for one final look as he prepares for their inevitable farewell, seeking an answer and meaning to his departure from this world.

Ching’s mother asks Ching to take her grandmother in until she is sent to a nursing home and that makes her ponder over her relationship with her mother. Three generations of women, each has their own share of pain.

Since his release from prison, Sweet Potato has been content to run a little business with a meager income by the sea, disregarding the advice of others to the contrary.

The film depicts the star, Ayumi Hamasaki, as herself on a tour in Hong Kong with local actor Shawn Yue as her bodyguard, whom Hamasaki later falls in love with as the film progresses. It depicts the fame aspect of her love life and the inevitable heartbreak towards the end.

For photographer Zou Qiao, Golfville and the behemoth-like golf course nearby are bizarre and unforgettable. He never expects that the hotel owner’s daughter is so pretty. Neither does he expect that he will be involved in a murder case. He is going everywhere with his camera, shooting birds, women, hands washing golf balls, and glitter of broken glass. Yet he grows more and more confused.

The city is overwhelmed by consumerism and information. The constant barrage of information starts to glide past all of us. We are neither here nor there. We try to distinguish fact from fabrication—but we do not always succeed. We ponder on our existence and whether we are in control of our lives. Some people dedicate their lives to the Creator although the presence of a higher power is debatable. We wander from emptiness to emptiness, and realise that life is emptiness in itself. A societal revolution is in order but how should it be carried out? With no success in sight, would the revolution be rendered meaningless? The melancholic musings and rants of the young gloomy leftists are rarely answerable.

The true story of an American doctor in China during the Communist takeover

Fong Yim-fun puts on a tour de force as an ill-fated woman, separated from her lover through an arranged marriage to the terminally ill and impotent son of a warlord. The power struggle within the family led to an inevitable murderous consequence. Seven years later, the heroine's ex-lover, now an ambitious detective, is keen to solve this almost forgotten case, only to discover that he is also part of the enigma.

After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.

An adaptation of Heinrich Mann's novel Professor Unrat.

Drama from Hong Kong directed by Mok Hong-See.

China's biggest and bloodiest battle comes to the screen in it's epic glory! The year is 1645, and the Chinese patriots are fighting for their very existence. Traitors are everywhere, so they can only trust one thing: their Martial Art Skills. Carter Wong and Polly Shan Kwan, the cast of the epic 18 Bronzemen series reunite in a major motion picture that dwarfs the rest! They fight in the thousands and die by the hundreds. Based on historical fact, Iron Phoenix takes heroism to new heights, and action to a new level!

Two COVID-testing employees make out in hazmat suits. A blindfolded student sits on her bed, rhythmically reciting lines from a school textbook. Evocative scenes, rich in symbolism, are strung together to form this striking, wry portrait of Hong Kong’s current social turmoil. Arnold Tam commits to a daring visual style and doesn’t shy away from dashes of absurdity to get his message across.

A homeless man works as a bounty hunter of pets and missing persons on the side. Sleeping rough on the streets for eight years and counting, he is by no means a do-gooder bent on saving the helpless but is simply eking out a meagre existence in a society that turns a blind eye to individuals like him and renders them invisible. One day, the sighting of one such misper turns into a debacle, and the man hunter finds himself the unlikely saviour of the runaway. Yet beggars can’t be choosers and survivors should never be apologetic for putting their own well-being first. Still, it begs the question: As a society we are judged by how we treat the most vulnerable. And what does that make us, having failed so miserably collectively?

A lonely teenager hooks up with someone at the hotel, where they soon realise how their minds are both preoccupied during their encounter. Their bodily passion could hardly continue, and they have no other way but to tap into each other’s heart and soul.

In a society obsessed with economic development, the old and the young are often ignored. A young man from a rural area is hired to take care of an old man living on a farm. The old man stands firmly on keeping his home, while the young man works hard to make a life for him and his girlfriend. However, the two are met with the harshness of a society that's leaving them behind. In the end, they become victims to a fate they did not choose.

Lives light up, when the upset Spring meets the innocent Dolphin. Later, however, when Dolphin falls in love with the movies and becomes a director, the skies become dim again. Seeing movies, seeing art and seeing people, how can we really "see" it?

The conflicts between two generations, between the urban and the rural are intensively examined. When a grandfather and his grandchild experience loss concurrently, they realize the older generation’s protection of the ancestral land and the youth’s defense of the city are cut from the same cloth. Decades have passed, but the people of Hong Kong still do not have an answer for their rootlessness.

Drama from Hong Kong directed by Lee Tit.

Two people have a one-night stand.

A hidden gem produced at the height of the Hong Kong left-wing cinema. The Japanese army wants to force resistance leader Cheung (Bow Fong) to appear by capturing his family. Cheung's wife dies and, despite the protection by the nurse Yeung (Chu Hung) and other villagers, Cheung's daughter is captured. In the end Cheung's subordinate Lee Fu (Jiang Han) regroups with the resistance and saves the day, defeating the enemy and rescuing everyone. This film clearly references wartime productions in the mainland of China, with elements such as the Japanese taking hostages, resistance guerilla fighters, and the contrast between ‘heroes' and ‘villains' made obvious through camerawork and make-up designs. Street scenes shot in Macau merge seamlessly with studio scenes to recreate northern Chinese towns. War epics were not a strong suit of Hong Kong cinema. This film takes inspirations from Euro-American spy films and pays attention to character development and the mise-en-scène.

A documentary director, with Aunt Po Wah’s 70-year-old photo, searches Saigon but finds only memories. Her stories of family and longing shared in Teochew, China, intertwine with Vietnam’s present, casting him adrift in a dreamlike reality.

Nurse Lin is hired by a wealthy family to care for Mr. Kao, who has lost his mind since his daughter, Ling Kuan, died. As Lin resembles Ling Kuan, her nanny asks Lin to impersonate her to help Mr. Kao recover, which works well. Lin then uncovers a secret: Ling Kuan had loved a music teacher, Qiufan, but her cousin, Yiu Tong, envious of Mr. Kao’s wealth, slandered Qiufan. One night, Yiu Tong attacked Qiufan and attempted to assault Ling Kuan, accidentally killing her. To cover up the crime, he staged her death as a suicide. Later, Nurse Lin and Qiufan, pretending to be ghosts, trick Yiu Tong into confessing. In a panic, Yiu Tong escapes, but his mistress Huigu causes a fire that kills them both. Disheartened by the truth and his burning home, Mr. Kao walks into the flames.

A concubine and a cousin attempt to poison a rich man's son to gain the inheritance. But he survives and must fight back.

This documentary depicts the stories of four Chinese activists—Xie Wenfei, Zhang Shengyu, Chen Yunfei, and Liu Ping—who faced torture. It also invites Hong Kong participants Chan Ho-wun, Li On-yin, Chen Hung Sau, and Cheung Chiu-hung to experience and reflect on these situations through simulated installations. The film highlights that in the advancement of human civilization, "human rights", "rule of law", and "democracy" are mutually indispensable and interdependent. In countries ruled by authoritarian regimes, the rule of law cannot be upheld, let alone the protection of human rights.

About the arrest and enslavement of a crashed American airman by a backward tribe of the Yi people in central Sichuan during WWII.

This is a harmonious town without a single smile to be seen, as the authority restricts the act of smiling, claiming that it could initiate violence and cause social turmoil. Inspector Merit 64 complies with the command of the great bailiff ‘Father’ to safeguard residents' health, when one day he encounters P928, a young man who refuses to stay obedient and tries to act against the power. This rendezvous puts Inspector Merit 64’s loyalty into test, whether to uphold his loyalty to the authority or to put up a smile according to his own wish remains his own choice. A lifelong debate between freedom and stability of living.

Fang met his dream-girl Xia in the show for the Coming-of-age Ceremony. Xia is beautiful but carries a 'bad' name when it comes to affairs. He also realized that his buddy Han and the female class perfect Li has special feeling for himself. As if life is not complicated enough, pressure from College Entrance Examination push these four interrelated young souls further into diverse path of life…

Working as the lowest denominator of the society, wandering about in the streets, sleeping in the filthiest corner of the city – living people who look like they are dead make their living in the darkest places and fondle in wastelands with their half-awaken dreams.

This is a poetic, romantic, yet bittersweet journey about searching for one's presence in the digital age, where anyone has the capability to share their own stories of love and loneliness within it.

A Hong Kong girl went to Kaohsiung in agony to search for her friend who was supposedly kidnapped.

Yan Yan wishes to bring her girlfriend home during the Lunar New Year, causing shame and anger in her father. Rosario, a migrant from the Philippines, tries to intervene into the heated argument on the street. It turns out to be a performance by an invisible theatre troupe and Yan Yan invites Rosario to join their group. During the workshops, Rosario recalls past moments with Lila, her ex-lover back in the Philippines. That night she receives a package from Lila, and reconnects with feelings long suppressed. Director Jamie CHI draws from her own experience and brings back her teammates from the invisible theatre project in this short film.

Going through rubbish bins of neighbours for scrap metal to sell, putting food on the table for a dependent grandfather and no school, there’s not much of a life for an orphaned boy. Finders, keepers so when he makes a treasure find, he keeps it until its sentimental value is known and its rightful owner, a neighbour girl, located, whereupon stories of similar misfortunes are told, bonds are forged and pledges are made. Yet life can be cruel, even to a little soul who has borne witness to too much death.

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

1998 short film by Rita Hui

A Chinese screen opera

Mothers often go to extremes and make sacrifices for their children, including feigning madness. Fun-nei's mother has been kept in custody in a mental hospital for killing her husband, leaving daughters Fun-nei and Si-ling on their own. Fun-nei later achieves success by making her eventful life story into a documentary. One day the mother escapes from the hospital and returns home. Furious that Si-ling has not reported the escape, Fun-nei clashes with her sister and films the conflict, eventually unveiling the hidden truth.

It is tough for stray animals to survive in the highly populated Hong Kong, and it is even tougher for mongrels - a breed that is shunned and despised by most. Helen is a volunteer in a dog shelter. She is having a good relationship with the mongrel Cha Siu. One day, Cha Siu causes some troubles which change its life. The manager of the dog shelter has to make a life-or-death decision to maintain the service of the shelter. As unjust as it may seem, the decision is effortless and easy for the manager to make, but the consequence that follows is beyond her wildest dream.

In 2003, I came to Hong Kong and hung out at bars a lot. Soon I became obsessed with a beer girl Yun. On a whim, I decided to make a film to document our love. I asked Hengzhi to Play “me” in the film, as Yun’s boyfriend. Unexpectedly, what happened on screen became true. Yun and Hengzhi clung together. One day, Yun left a note and disappeared without a trace.

Special insurance investigator Nick Goldman and his partner Ken have been assigned to their toughest case yet: locate the missing “Star of India” diamond which was recently stolen from its owner Hector Bates in Paris. Not only does it transpire that Bates in on the heist, but the thieves plan to double cross him. Except that the stone is a fake, so the race is on to find out who actually has the original.

In a small town, the funeral of a matriarch brings about the reunion of family members, many returning to the village after leading new lives elsewhere, some no longer speaking the language of the native land. With the passage of time, the big clan becomes fragmented as members, like other modern Chinese in mainland China, face changes in lives, ideals, and family structures. The occasion becomes a hot ground for deals and negotiations that are inevitable amid the rapid development of China, where family members prosper while relationships become calculated. Still, a funeral procession amid an impending storm requires them, already down different paths, to walk together.

Su shot The Magnificent Levitation Act of Lauren O at Hong Kong’s Shaw Studios. She came up with the character after she came across American science fiction writer Octavia Butler’s Parable of the Sower, which followed protagonist Lauren Oya Olamina on a quest for freedom. Su’s character belongs to a fictional activist-anarchist group called Laden Raven which was founded in the 1930s. Composed of circus performers—often viewed as social outcasts—and other marginalised members of society, the group attempts to change the world as did the 60s counterculture movement.

Two young lovers marry despite their parents' objections.

This playful, expansive trilogy explores the artist’s evolving relationship with Hong Kong as the city undergoes its own upheavals. Reworking the visual language of Asian futurism, some scenes are shot on lush 16mm, immersing viewers in swoony Cantopop and late-night neon; other scenes move away from the nostalgic, stylised world of Wong Kar Wai. Working with actor Ching Ching Ho, Lam deconstructs the fictions of Hong Kong’s screen archive and her own attempts to capture memories of a disappearing homeland. This moving reflection on artmaking in the diaspora draws on collective memories to imagine possible futures.