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Exploring the relationship between commerce, government, and the people, Chui places characters from different walks of life in a complex, intriguing web that reveals the state of post-Handover Hong Kong. Three Narrow Gates is a critically-acclaimed independent film that is truly made for Hong Kong people by Hong Kong people.

Fighting disabilities and cancer with their chins up, mother and son meander through the city against a tide of indifferent faces and distant eyes and arrive in a park, where blissful tranquility and a ray of sunshine await them.

Hong Kong drama.

A 23-year-old man looking to escape the burden of his alcoholic mother strikes up an illicit online relationship with a 15-year-old schoolgirl.

A driver who has ties with criminals follows certain principles and distinguishes himself from the “bad guys”. But just as the unanticipated carrots found in the usual “Today’s Special”, this night’s mission is made special when a young woman is seemingly in grave danger. Trying his best to avert the crisis through a night’s battle of car chases and fist fights, he arrives at the totally unexpected destination of futility. Appropriating the most popular elements of Hong Kong genre cinema: triads, street fights and car chases, Tiger YAU’s first drama short cooks up a visually rich bowl of “Today’s Special”.

Wai Kim-Fong stars in this ode to Chinese womanhood as a woman whose bravery and patriotism are equal to those of her male comrades.

Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.

Cao Cao is the intelligent, powerful and ambitious prime minister of Han Dynasty who controls the child emperor. However, he is teased by a civilian called Zuo Ci...

This is a Historical Drama that was written and directed by Doe Ching. It was produced by the Shaw Brothers Studio.

Jiang Lizhen's husband, Wang Gensheng, went to Nanyang to make a living. After ten years of separation, there was no news. Jane took her daughter to find her husband, but found out that she was born into a wealthy family.

Kun Yi died in the war, and raised her son He Zhiyuan with great difficulty. Yuan married a rich girl named Li Ting, who regarded Yi as a thorn in her side and wanted to drive her away with an excuse. Yi did not want to embarrass her son, so she left a letter and ran away, and she has been suffering ever since.

After his police pistol falls into the hands of a triad boss, a Hong Kong cop has seven days to recover it, caught between a trafficked woman linked to the gang and his own lover as he clumsily navigates both in a last bid to reclaim the gun.

With few other real options, when the young village woman in this story is offered an arranged marriage with a kindly but mildly retarded shopkeeper who lives in a nearby town, she readily accepts. Once she has settled into her new home, she becomes involved with her new husband’s patron, a man involved in some underworld trading activities.

Berlin, known for its freedom and inclusiveness of diverse subcultures, is a safe haven for many displaced people. But urban life may not provide the best living conditions. Idealistic traveller Moon struggles to find accommodation in Berlin but receives a helping hand from Anna, who is also a Hong Konger anxious about her unstable life. They temporarily stay at the 15-person co-living facility named Hausprojekt ‘K28’. However, this group of migrants—some have experienced social unrest back home and others just want to experience life in a foreign country—are facing eviction. Two women with very different personalities share what they have and face the hardships of life together. The Berlin-based director uses her perspective as an Asian woman to explore the clash between humanism and gentrification. Featuring Golden Horse nominee Elizabeth TANG and artist Sammi MAK in leading roles, the film deromanticises the situation of Hong Kongers living in a foreign land.

HK drama fantasy film.

A silent, monochromatic mutiny against the machinery of time. An 'ownerless' man navigates an urban purgatory, bearing forensic witness to the solitude of the discarded.

Drama from Hong Kong directed by Lee Tit.

Orphaned at a young age and widowed on her first day of marriage, Ah Chen comes to rely on no one but herself. As she begins living with her good friend, she falls in love with her friend’s moody brother, Chan Chi-chiu after a rocky start to their relationship. Initially supportive of the match, Chan’s overprotective and superstitious mother forces the couple to separate when she is led to believe that Ah Chen is a jinx to anyone she marries.

Set in Macao, the film finds Richard Jaeckel cast as a two-fisted, womanizing private detective. He has been assigned to track down an international crime ring, run by the sort of folks who have no qualms about knocking someone off just to keep in practice.

Part 1 ended with Jianbai and Su Yanan among the students fleeing the invading Japanese. Part 2 follows the efforts of all four characters to participate in the war effort. Su Yanan joins the army and fights. Jianbai enlists to be near her. A-Lan becomes a nurse at a battlefront hospital and Qiuming entertains the troops. (Grace Chang, Cathay's leading musical star at the time, performs some rousing patriotic numbers in these scenes.) Jianbai is reunited with Su in the battlefield, but...

Eddie Chan plays Fa, a psychotic loser, always between jobs, who never seems to have his prerogative s straight. His girlfriend at the time, Ah Hsia (Chiang Li Ping) even starts to think he is psycho and decides to call off their relationship. Fa, being a psycho that he is, is unable to take the word "no" for answer as he constantly hounds Ah Hsia and her family and practically stalks her. (Why doesn't Ah Hsia knee this guy in the nuts??) Worse comes to worst, as Ah Hsia cannot stand Fa any longer and practically disappears off the face of the earth and starts another life, albeit in Hong Kong, but far enough from the crazy Fa. Fa, still thinking of Ah Hsia, manages to get involved in a relationship with a PR girl named Hsing (Elaine Kam), to soothe over his desire for a female companion. Eventually, Fa spots Ah Hsia again, and this time he will not let her go. Man! This Fa is crazy.

A young woman moves to rural Taiwan to live with her extended family during her parents' divorce. She and her two cousins navigate romantic complications and relations with the indigenous Taiwanese in this adaptation of a Chiung Yao novel.

The Lok's family disperses when Japanese occupied China. Mrs. Lok's company prospers in Hong Kong. Her son Tin-yam looks after her business. She misses her daughter. Another daughter Chui-yin dates Kuk-tat. Mrs. Lok hopes that Tin-yam will find a good partner. Wan Yuk-yin works in Mrs. Lok's company and meets Tin-yam. They fall in love. Mrs. Lok asks Yuk-yin to leave Tin-yam. Facing his mother's objection, Tin-yam falls ill. Mrs. Lok let them marry. The wedding guests despised the bride, which makes Mrs. Lok uncomfortable. The couple lives happily, but Mrs. Lok and Chui-yin make Yuk-yin embarrassed. Kuk-tat covets the Loks' fortune. He steals their jewels. Mrs. Lok thinks Yuk-yin did it. Yuk-yin is innocent, but she is expelled. Tin-yam returns. Yuk-yin's parents seek justice at the Loks. Mrs. Lok's saw the Yuk-yin's birthmark. She realizes Yuk-yin is her lost daughter. Mrs. Lok decides to be a dutiful mother. Tin-yam is an adopted son of the Loks so the couple lives happily.

A Shaw and Sons production

In high society there is a Madam Rose. Shum Chung-kei meets her and is enthralled. They begin dating. Kei knows very little about Rose. When Rose was little, her father Fok Wing-sum was betrayed by his business partner Shum Hung, who made him lose all his money. Hung was put in jail. Years later, when the Sino-Japanese war broke out, Hung reappeared as a spy. He arrested Sum. Although Sum escaped later, Hung caught his wife, who died later. Madam Rose wants to find Hung's offspring to take revenge. When she confirms that Kei is Hung's son, she approaches him. They are getting married. Kei invites his father to the wedding. Rose and Sum are anxious. However, Hung is alert and comes quietly. He discovers who Rose is and her motives. Rose and Sum go to Hung and they fight. Hung is guilty. He tries to jump off a cliff. Sum saves him. The enmity disappears. Kei and Rose stay together.

Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

A romance film by the Shaw Brothers studio.

Two ladies of the sword are transporting a valuable Dragon Pearl and everyone else wants it. They’re assisted by two heroes, one of whom is somewhat less heroic and more of a rascal, although both demonstrate strong fighting skills.

The chaotic story of a young mechanic who falls in love with no less than four women, ranging from a bar girl to an estranged housewife who wants to take her own life.

An anthology of tales from Hong Kong.

The two protagonists – an architect and a prisoner living in parallel realities in the present time and an ambiguous distanced past, respectively – conjure up imaginations and experiences of imprisonment. In their dialogue across space and time they debate the relations between humans, the world, and freedom. They talk of visible and invisible imprisonment, existentialism as a means of self-redemption, and at the same time question the relationship of humans to the space around them. An attempt at reconciliation with the world and human nature.

"A woman is born to give her body to men; her father or strangers should make no difference." Respectable Police Commissioner Josephine reinvestigates an insignificant murder case of a 11 years old girl. The murderer is the mother of the victim, Becky. Under intense interrogation, Becky refused to admit that she knew all along that her boyfriend was raping her little daughter at home. The harsh interrogation drives Becky into killing herself. What is the truth that the raging Commissioner is trying to find out? What is the seemingly defenseless mother hiding? Or is she acually telling the truth? Is the phrase, "A woman is born to give her body to men." the whole truth?

Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.

The blind Yip Man-chiu was abandoned at birth. Following the death of his foster parents, the boy is sold by his uncle Ah Sam to a blind Taoist priest, an abusive man. Running away from home, Yip is hit by a car and sent to a school for the blind by the social security workers. His talents impress the musician Siu Kwong and wins him a place in a music school for the blind. There he is joined by fellow students Lung Kwok-kei, a runaway child with an abusive stepmother, Chow Kuen, an abandoned child found on a train, and Cheung Kin-ching, an avid music lover sent to the school by her loving well-to-do father. The four children blossom into accomplished musicians under the tutelage of Siu and his wife and together with the less fortunate others, form an orchestra which earns a reputation for excellence.

A Shaw Brothers production

Ivy Ling Po was at the height of her fame in traditional Huangmei Opera films -- and chiefly as a male impersonator -- when she radically changed her image, taking on an ultra-contemporary semi-musical role in Song Of Tomorrow. Ivy plays a dance hostess and leading man Chiao Chuang is a jazz drummer, but with a difference. Chiao is a heroin addict, and Ivy learns that heroin is a far more lethal adversary than "the other woman" when trying to keep their marriage intact.

Kristina, a beautiful young lady who sells fresh fruits at her province, only wants a simple life. And her father, Ronaldo, manages a large hectre of Mango farm. Every weekend, Her ambitious father wants Kristina to go to the nearest beach resort and to try to sell fresh fruits. He hopes that someday she would find a wealthy man who would take them away from hardship. When finally, Louie and his friends came to the beach resort and met Kristina. Unfortunately, Kristina is in love with someone else... Who will Kristina love? And will her father hope in life come true?

From a rat infestation in the slums, a fast-spreading virus grips Hong Kong, inducing panic when the government is slow to react. Inspired by Albert Camus’s The Plague.

One week in one of the most exotic and picturesque cities of the world. The day of changes comes when Amaya meets a charming Englishman, Paul and it dramatically changes Amaya's perception of her cultural and personal identity.

Filmmakers love making films about filmmaking, but not many of those films can truly explain where the passion comes from. Who are more qualified to answer this question than the new Master of Fine Arts graduates from the Hong Kong Academy for Performing Arts’ School of Film and Television? In their graduation thesis, award-winning director Man is sentenced to community service for drunken behavior. Assigned to a youth center, Man has to guide a group of eight-to-twelve-year-olds to make a short film. At first, Man feels he’s too good for such an assignment. However, the kids’ enthusiasm and unique perspective of life eventually inspire him to rediscover why he loved filmmaking in the first place.

Heavenly Tiger Security Escort owner Lui Tang-hung has received a suspicious gilded box addressed to 'Golden Whip Knight' Hon Shun. Giving chase to the deliverer, his son Lui Lun is abducted by the Twin Messengers of Ghost Palace. Their son believed dead, Tang-hung and wife One Madam of Western Gate undertake their assignment to deliver 'The Martial World Treasure' with a heavy heart.

ATM is a Hong Kong Comedy-Drama starring Stanley Fung.

The film follows a girl in Hong Kong between her uncle’s dressmaking shop and her studies; between young and youth. Based on a story by Wai Chan.

After ten years, Jae and Him reconnect at a wedding, rekindling old feelings during a long drive home. But is the distance between them enough to heal their past?

A Wuxia mystery adventure from Cathay films.

An early Brigitte Lin Romance.

This is a melodrama about a girl who has an affair with her brother-in-law.

Hong Kong remake of What's Eating Gilbert Grape.

Based on one particular storyline from The Water Margin, Three Sinners weaves an intriguing story of romance, treachery, and death, all within the context of the traditional Huangmei Opera. Yan Jun casts his real-life wife, the elegant Li Li Hua, star of such Shaw Brothers films as The Goddess of Mercy and Vermillion Door, as one of the title characters, a woman who finds herself in the middle of a stormy love triangle involving her controlling husband (director Yan Jun serving double duty in a starring role) and a passionate lover (Chen Yan Yan).

A young Chinese teacher, Wu Yu, searches for the hit-and-run driver responsible for her mother’s death. As she tries to understand her mother’s faith, Buddhist principles slowly grow in Wu Yu and start appeasing her pain. But her quest for justice soon isolates her from the rest of the world: her husband wants to negotiate a cash compensation, and Buddhist beliefs require her to let go of her demand since destiny should bring justice in the next life. All Wu Yu asks for is to meet the driver face to face. If only she could find him…

Tu Cheng Kang (Guan Shan) teaches at the Ta Tap Middle School where pupils are delinquent. Tu’s class is the worst. As the headmaster and his fellow teachers are unable to cope with the unruly students, Tu is determined to win them over with kindness. He fails initially but does not despair. Kao Te Sheng (Chuen Yuen), nicknamed the One Eyed Dragon, is the chief troublemaker and leader. When Kao’s father, a coolie, faints at the wharf from over work, Tu takes him to the hospital and befriends him. The old man does not realize Tu is his son’s teacher and neither does Te Sheng realize that his teacher had saved his father, he continues to oppose Tu.

THE SAGE HUNTER chronicles the real life adventures of the Taiwanese indigenous hero, Sakinu, a forest ranger who is determined to protect his family's and community's rich traditions. We take in the magnificent panorama of the lush forest in Eastern Taiwan with this motorcycle-clad hero as he was called upon by his tribe, to go to the city to halt the building of an expressway through their sacred land. Destiny plays its hand and the key official for the building project accepts, although begrudgingly, Sakinu's invitation to visit the tribal community. Sakinu hopes that once the officer experiences the beauty of nature and the bond his community shares, he will not pursue the plans for the freeway. THE SAGE HUNTER ensembles an exceptional cast of first-time Taiwanese indigenous actors, examines the importance of nature, spirituality and family, showing us simplicity and commitment to kin, which are often ignored in the fast-paced lives we live, are fundamental to our well-being.