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Afterpiece

Owen, a once prestigious and acclaimed stage director, has fallen into depression after more than a decade of creative drought. His ex-lover Su Manling comes back into his life leveraging their old romance, whereas his wife Tracy hovers on the verge of crossing the marital line. Eager to reclaim his dignity, he resolves to write, direct and perform in a brand-new play. However, while holding open auditions for the leading actress, he is powerfully drawn to amateur newcomer Hannah, slowly slipping into a dangerous grey area where stage drama intertwines with real life.

Afterpiece

NR 2026
Rouge Tears

This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.

Rouge Tears

NR 1938
Chinese Godfather

When two kung-fu brothers attempt to carry out a dying man's wish, they suddenly find themselves caught in a war between two rival gangs. Chow Yin and Si Fong were out for a walk when the spotted dying burglar Ting Chow Ming. Stumbling out from the bushes, Ting used his last breath to request that Chow and Si take the stolen jewels to his wife. Later, as Chow and Sii attempt to seek out Ting's wife and daughter, gangsters who have been charged with the task of recovering the stolen goods ambush them.

Chinese Godfather

5.0 1974
Lady Jade Locket

Love knows no limits in the grand period romance, Lady Jade Locket. A young fighter inadvertently falls for the spirit of a beautiful woman, who died years earlier avenging her own father's murder. The beautiful ghost is in fact the sister of his fiancee. Experienced as an actor in many such romances, director Yen Chuan keeps the tone perfect. Plus, with period specialist Li Li-hua in the lead and the attractive and acclaimed Li Ching playing the ghost girl, he really can do no wrong.

Lady Jade Locket

7.3 1967
Neighbours

Mainland student Yi Yao comes to study in this busy city. Before her roommate arrives, she is all alone staying in a rented apartment of an old tenement building. Unfamiliar with everything, she tries hard to explore around only finding that the neighbours are noisy, weird and unhelpful; especially after the man living opposite to her getting killed. Being hungry and helpless, she locks up herself in the flat and acts strangely. Can anyone help her? Through a series of mysteries, social issues like Mainland students flocking to Hong Kong, overcrowding living area and indifferent neighbours are covered in the short film.

Neighbours

2.0 2014
The Seventh Heaven

Chan Siu-hung is forced to become a prostitute, with the police following hot on her heels. Ching Chi-ko comes to her defence by claiming to be her husband. Chan is put up at Ching's roof hut named the 'Seventh Heaven' and the two gradually fall in love. Soon the war breaks out. Ching is drafted to do hard labour by the Japanese army. When the war is over, the crippled Ching returns and lies to Chan that he is already a married man, hoping to persvade Chan to marry someone else. Nonetheless, Chan's devotion overwhelms Ching.

The Seventh Heaven

7.0 1956
Midnight Whispers

Midnight Whisper is a radio talk show in which listeners call in to discuss their lives. One evening a gentleman calls in to say that he has been in love with a woman for a very long time – but that his love seems hopeless – she has become the mistress of another man for the love of her daughter. The daughter then calls in to say that the man is lying and that her mother is a terrible woman. Finally, the next day the distraught mother calls in to tell her story. Kung fu diva Moon Lee Choi-fung star in this rare melodramatic turn as Lee Siu-hong, a troubled Mainland Chinese lass who runs away from home to become a Hong Kong prostitute. As her desperate mother (Josephine Koo Mei-wah) scours the colony's pleasure quarters, we see flashbacks of the girl's unfortunate past.

Midnight Whispers

9.0 1988
The Daring Age

Fong, a fresh graduate and ardent teacher, starts her career in a secondary school. The school is full of problems: not only are students engaged in gambling and smoking, their vices are ignored by teachers who are too busily involved in stock market speculation to take any notice. In Fong's eyes, even the most enthusiastic teacher is no exception. Fong is disappointed but, against all the odds, she decides to remedy the situation. Hui Bun, who has been guilty of misbehaviour in school, tries to lure his girlfriend, Ng Ching-man, to work as a night club hostess. Another girl, Ho Ching-ching, who was originally a very good student, becomes desperate for money when she has to take up the responsibility of supporting her family. She must attend to urgent expenses, such as paying for a wheelchair for her handicapped sister, so she decides to work with Ng and another schoolgirl, Lo On-nay, as a night club hostess.

The Daring Age

6.3 1981
Yes, I Can See Dead People

Nam is not your typical teenager. Sure, he spends a little too much time on his computer, and tries a little too hard to meet the gorgeous stewardess who lives in his building. But recently three of Nam's friends have committed suicide, which isn't all bad since, as the title implies, he sees ghosts. However, these suicides only foreshadow weirder things to come. Soon his brother Tung, along with Chee, his stewardess crush, begin to act strangely, while his visions of ghostly children and other phantoms grow more frequent. With aid from his brother's girlfriend Charlie, Nam sets out to investigate his haunted building's past and help these malevolent spirits cross over.

Yes, I Can See Dead People

5.0 2008
Stealing the Beauty's Corpse at Night

It is a simple story with a deep meaning. When the beautiful chanteuse Hung (Law Yim-hing) is forced to marry Commander Lau (Lau Hark-suen), her brother (Cheng Wai-sum) interferes but is brutally beaten to death. Hung also falls to her death when she tries to escape. The siblings are only hastily buried in a coffin home, which is haunted soon afterwards. Hung's lover Wong (Wong Chiu-mo) later sneaks into the haunted house hoping to see her for one last time; Lau, meanwhile, insists on inspecting the coffin home and the corpses to prove that ghosts do not exist…The film creates an eerie and uncanny atmosphere with its well-designed camera angles, sound and editing. The haunting looks of the two ghost characters are a nod to Hong Kong's typically told horror stories.

Stealing the Beauty's Corpse at Night

NR 1955
Crossroads-Pocket Money

Decision: Ma Ji (Liu Dehua) and Zhu Nu (Liu Yijun) are good brothers who have sympathy for brotherhood. They have experienced all kinds of storms and waves together, and their feelings are very firm. However, in an accident, the two unintentionally set off a fire which caused heavy casualties. Ma Ji decided to make a good man from now on, but Zhu Nv still went her own way and gradually drifted away. "Pocket money": A Bang (Stephen Chow) is a son-in-law born with a golden spoon, but in an accident, he became addicted to drugs, and from then on he went deeper and deeper into extinction. Wrong Way: Arvin (Tony Leung) is a kind and filial boy who always takes care of his sick mother. One day, on the basketball court, Ah Wen was repeatedly harassed and provoked by gangsters. Untolerable, he clashed with the other side, resulting in a homicide. Ah Wen was immediately pursued by the police.

Crossroads-Pocket Money

6.5 1983
Our Husband

Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.

Our Husband

8.0 1949
Dream Again

What dreams and passions do we want to live out, and when did they slip away in the ordinariness of life? The immense popularity of mini4WD reaches across all generations including a primary school student, a middle-aged father nonchalant about everything in life, and a mini4WD superhero who refuses to reveal his true identity. The popularity may recede but the lesson learned never disappeared: it is chasing after the passion instead of winning that matters. Entertainer Bob Lam gives a winning performance as the kidult with the cherubic face who is scorned in various extents by his boss, wife and 5-year old daughter. Discovering his passion for mini4WD again, his life speeds up in more ways than one.

Dream Again

7.0 2015