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La 1907

In his debut work, filmmaker David Rodríguez Suárez constructs a fictional universe to deconstruct the raw realities of modern sport. LA 1907 is a stylistic tribute to Spanish football and its deep-rooted connection to daily life, while simultaneously serving as a sharp critique of the industry's darker corners. Blending "costumbrista" cultural markers with a refined artistic lens, the film explores how fanaticism can breed inappropriate behaviors, specifically focusing on sexism and political polarization

La 1907

NR N/A
The Well Digger's Daughter

It's the beginning of the WWII. South of France. Patricia, 18, is the oldest daughter of a well-digger, Pascal, who considers her a princess because of her moral qualities. She's kind, devoted. One day, she briefly meets a young man, Jacques, the son of Mazel, owner of the shop where her father buy his material. He's handsome and teasing. Her father's friend, Felipe, would love to marry her, and he invites her to an aviation show. She accepts his invitation only because she knows Jacques is a pilot and will be there. Soon, she'll carry his child, and he'll be gone, and the family will have to deal with this out-of-wedlock pregnancy...

The Well Digger's Daughter

6.8 2011
Le Viol

21 August 1974. In Marseille, two Belgian tourists, Nicole and Malia, are savagely attacked and raped by three men. Their attackers claim that the women consented and are allowed to remain free. Though their friends and family advise them to forget the ordeal, Nicole and Malia instead decide to fight. Helped by their lawyer, Gisèle Halimi, they request that the attackers be judged at the assize court. On 8 May 1978, after a long battle, they finally obtain justice. A trial which made history as until then rape had been considered simply as a misdemeanor, whereas now it became a crime.

Le Viol

6.2 2017
The Last Butterfly

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

The Last Butterfly

5.8 1991