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Blind Date

Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacqueline Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van Rooyer as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened, and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case.

Blind Date

5.9 1959
Desire Under the Elms

Ephraim Cabot is an old man of amazing vitality who loves his New England farm with a greedy passion. Hating him, and sharing his greed, are the sons of two wives Cabot has overworked into early graves. Most bitter is Eben, whose mother had owned most of the farm, and who feels who should be sole heir. When the old man brings home a new wife, Anna, she becomes a fierce contender to inherit the farm. Two of the sons leave when Eben gives them the fare in return for their shares of the farm. Meanwhile, Anna tries to cause some sparks by rubbing up against Eben.

Desire Under the Elms

6.8 1958
Ferry to Hong Kong

Mark Conrad, a habitual drunk and troublemaker with a shady past, is expelled by Hong Kong police after one too many bar fights. He's sent to Macao on the Fa Tsan, a ferry owned by Captain Hart. Conrad's papers are out of order and Macao refuses him entry. Unable to go ashore, Conrad is a permanent passenger on the ferry with Hart, who detests him. It's all one long, lazy voyage for Conrad until one fateful trip when an encounter with a typhoon and pirates forces Conrad to choose between an aimless drifter's life and becoming a man again.

Ferry to Hong Kong

5.6 1959
Parivar

A joint family consisting of four brothers, their wives, and their respective children, living under one roof. Some of the brothers are professionls, one a lawyer, a doctor, and others businessmen. They are a happy family, living and sharing each other's joys and sorrows. Then one day, an arguement breaks out over a glass of milk, and the entire family is thrown into chaos, and the only resolution seems to be nothing but dividing the entire property amongst the brothers and their respective families.

Parivar

7.0 1956
Astero

This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.

Astero

3.2 1959
Ware für Katalonien

At the end of the 1950s, the production of optics in the German Democratic Republic has reached top quality and instigates interest in the West. When national demand rises strongly and at the same time the export to South America heavily decreases, the Volkspolizei - the GDR police force - starts to look into the case. Two seemingly unrelated cases are the starting point for the investigation by second lieutenant Schellenberg of the department for optics racketeering: An old woman who was arrested in the Berlin city railway for trying to smuggle a pair of binoculars to West Berlin, and a dead person in an area of allotments who was involved in obscure dealings with optical devices.

Ware für Katalonien

5.5 1959
Torawakamaru, the Koga Ninja

During the Age Of Wars (Sengoku Era), Tokugawa Ieyasu and Toyotomi Hideyoshi are vying for power and each uses their secret weapons in order to try and defeat the other. Momochi Sandayu of the Iga, along with his disciple Ishikawa Goemon are ordered by Ieyasu to assassinate Hideyoshi and get the blueprints for the hidden fortress within Osaka Castle. Meanwhile the Koga group organizes to try and defend the castle for the peace of the nation. Beating off every trick from Sandayu, Torawakamaru protects the drawing, and when Ieyasu figures out a way to hold a match between Koga and Iga the two masters fight the greatest ninja battle ever held. The effects are truly spectacular in this classic ninja film from Toei.

Torawakamaru, the Koga Ninja

7.7 1957
The Clown

Once a famous Ziegfeld star, Dodo Delwyn is reduced to playing clowns in burlesque and amusement parks as a result of his drinking. His son Little Dink idolizes Dodo and faithfully believes in a comeback. He persuades "Uncle" Goldie, Dodo's agent in the good old days, to find a booking for Dodo. He can't, and Dink is sent to live with his remarried-and-wealthy mother, Paula. The unhappy Dink runs back to his father. His welcome return gives Dodo the courage needed to try a knockabout TV show offered by Goldie

The Clown

5.6 1953
Stain on the Snow

"La neige était sale" is based on a novel and play by the phenomenally prolific Georges Simenon. Upon learning that his mother was a prostitute, Frank (Daniel Gélin) dejectedly vows that he, too, will live a life of debauchery. Part of his self-degradation program is to kill someone, and since the story takes place during the Nazi occupation of France, he chooses a German officer as his victim. His steady descent into psychosis and depravity becomes his ultimate undoing.

Stain on the Snow

6.3 1954