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Cave

Santi, a 17-year-old boy, plays football with his friends at the entrance of the village while Marco, his childhood friend, returns after a two year absence. The last summer Marco was in town, Santi began to feel something towards him. But while living in that cave, the best thing for him to do was to forget about it and focus on building his life based on tradition. The return of Marco throws Santi off, who had finally managed to forget him. Under the conservative gaze of all the people, he will have to fight against his feelings as he considers his identity for the first time.

Cave

NR 2022
Fragments of Love

Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.

Fragments of Love

5.5 2016
Double Feature

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Double Feature

5.5 1984
Waiting for the Messiah

In 1999, Argentina's peso craters. Ariel, a young man from Buenos Aires' Jewish community, deals with his mother's fatal illness, finds a job as a night shift surveillance camera monitor, and wonders when he'll discover sex. Santamaria, middle aged, loses his bank job and is dismissed by his wife; he finds stolen wallets in dumpsters to return to their owners. Ariel tells Santamaria's story to a TV reporter who profiles lives on the street. She's Laura, in a relationship with another woman, but perhaps available. Ariel desires Laura, while Santamaria courts Elsa, a washroom attendant who's husband is in prison. Christmas and Hanukkah approach; can anyone connect?

Waiting for the Messiah

4.9 2000
Loca juventud

Johnny Durán, who is seventeen years old and son of a multimillionaire, arrives to Madrid for hollidays. In the capital he become friend of a group of boys and girls with whom he shares great moments; but soon he realice that they are a clan of thugs and decides to distance themselves. He also meets Paula, daugther of an italian family that is travelling, and they both feel atracted by each other. Since then, started happening a serie of unexpected events which the guy will have to solve with tenacity and responsibility.

Loca juventud

6.5 1965
Ardara

Macià decides to visit Ireland following a route that his parents did 20 years ago. Bruna and María seek a place to escape and disconnect. Their trips intersect in Ardara, Donegal County, where they share the last summer days. A summer that ends abruptly where Europe ends. ARDARA reconstructs their journey through what the people who saw them tell us. The film is the portrait of all three and that of the people who knew them. A story that reflects on the very fact of telling stories.

Ardara

8.0 2019
Emilia

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

Emilia

1.0 2020
Besame

The shepherd boy Besame is lucky, with the help of the old maestro he becomes a student at the conservatory and begins to learn to play the flute. But the governor and other envious people lock Besame in a correctional cell to learn the ruthless rules of life. Here he is tortured, deprived of music, accustomed to money, and turned into a strong animal. Besame's metamorphosis frightens even the bullies, but the maestro saves the young man again - the sound of the flute washes away all the filth from Besame, returning love and freedom.

Besame

10.0 1989
To Our Friends

An intimate documentary exploring friendship, resilience, and love among a group of young people in Madrid. Through a cinéma vérité approach, the film captures their struggles, aspirations, and moments of joy amid economic uncertainty. A central thread follows Sara, who falls in love with another woman, navigating the excitement and vulnerability of new love. Her journey of self-discovery unfolds organically, adding depth to the film’s broader themes of identity and connection. With its raw, unscripted storytelling, To Our Friends offers a poignant look at contemporary urban life and the enduring bonds that sustain us.

To Our Friends

NR 2025
The Consul of Sodom

Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.

The Consul of Sodom

5.6 2009
Pasionaria

One night, after saying her boyfriend goodbye, Adriana has to go to the chemist’s to buy some medicine to her mother. On the way she is assaulted by the Marquess del Olmo and two mates who bring her to a brothel where they perpetrate the rape. With the father of Adriana claiming damages, the Marquess just offers him money because he asserts that she went there of her free will. The father rejects the money but he believes in the infamy of the Marquess and, wounded his honour, throws Adriana out. It is at the home of her old dance teacher that Adriana finds solace. Some months later, now a genuine artist, she leaves Spain for the distant shores of America. Under the name of Tórtola Valencia, Adriana becomes a famous dancer.

Pasionaria

5.5 1915