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The Slammer

This French prison drama focuses on a penitentiary inmate known as the Mute, who either cannot or will not speak, even though he can apparently hear well enough. When the Mute's cellmate escapes, both the Warden and the Chief Guard try to get him to tell what he knows about the disappearance -- the Guard through violence, the Warden by transferring him to a new cell with four other prisoners and cutting off TV privileges to the inmates until the Mute spills the beans. One of the Mute's new roommates is a white collar criminal who has just landed in prison and is not dealing well with the pressures of life behind bars, but his skills with computers make him a very usefully ally among the prisoners. Meanwhile, Flic, a self-important police detective, is investigating the escape of the Mute's cellmate and is not happy with the low level of cooperation among the prison's population.

The Slammer

10.0 2000
Red Kiss

1952, Paris. Nadia, a Red Diaper baby, has a sister, Polish parents, and at 15 is an active Communist. When cops beat her during an anti-American demonstration, she's rescued by a "Match" photographer. As the friendship becomes a love affair and her slogans are tested by new knowledge and emotion, some of the Red youth want to expel her. When she goes with Stéphane to a seaside photo shoot, her father goes to the police. Stéphane faces charges, so leaving to cover the war in Indochina looks appealing. In a parallel story, Nadia's mother meets again her prewar lover, released from Siberia, who challenges the French Reds with very real scars and word of Stalin's anti-Semitism.

Red Kiss

5.5 1985
Maudits

In the eighth month of her pregnancy, which she is struggling to fully accept, Lucile discovers that her paternal grandmother is not dead, as she had always been told, but is alive and well in a small village in the Morvan region. Does this secret hide a terrible curse that would strike all the boys in the family and threaten Lucile's child? Or does it hide other family secrets? Against the advice of her loved ones, Lucile leaves for Morvan, determined to face the ghosts of her past...

Maudits

6.0 2025
In the Land of Darkness

In 1912 Jasset turned from fantasy and spectacle to realism in making the first of two Zola adaptations, as part of Éclair's new series of social dramas. For Au pays des ténèbres, based on Germinal, he took his crew to Charleroi in Belgium to film in authentic locations, and although he updated the story to the present, he went to great lengths to recreate in the studio the detail of the actual mining galleries, exploiting the ability of film to be a recorder of contemporary reality.

In the Land of Darkness

6.0 1912
Handigang

Sam, 17, is in High School, almost like any kid his age... His only difference is his wheelchair. He grew up with his mother, Nina. The arrival of Vincent, a new kid in school, will change a lot of things for Sam. He will make Sam realize the injustice surrounding him and his group of friends: Lila (with Asperger syndrome) and Tom (death). Together, they 'll create a gang to denounce the lack of consideration they endure every day. Far from feeling like victims, they hope to raise awareness by striking hard.

Handigang

6.0 2022
La Crèche des hommes

Mohamed holds the wall in the suburb. For almost thirty years, he has been there, always in the same entrance to a building, with the same friends. It's boredom, unemployment. Dreams are extinguished. However, around them, it circulates, it lives. It also succeeds. Women, they work and pass without even seeing them. And there are more and more strollers. Dozens of strollers. Even the younger generation is already parents. What if that was "the solution", the way out of a universe without a future? No one takes Mohamed seriously. And yet! By opening, against the general opinion, a "wild" nursery, by offering working women to keep their babies, Mohamed and his friends will offer themselves a future, a job, respect for all ... and who knows , maybe, love!

La Crèche des hommes

3.0 2014
Our War

Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.

Our War

8.0 2025
Notre Histoire

Vincent tells the story of Jean, a character who is a part of him, without being him. In this story Jean meets Stacey. Among the echoes of today's society the professional and private relationship of a filmmaker and an actress at work is growing. Notre Histoire is a modern tragi-comedy, a love letter to a woman, a tribute to a neighborhood victim of terrorism, a self-portrait, a social criticism, the description of a relationship between a filmmaker and an actress, in the center of which desire and urgency to work mix.

Notre Histoire

NR 2022
Shadow Play

Ada and Lise are both costume designers, the first is around 20, the other around 30. Both are working hard on their break through. There are also jobs for the movies. This is where Lise meets producer Alphonse, who is nearly 20 years older than she. Because he is unhappy with his girlfriend a secret relationship evolves. Ada has problems as well, but she's not the only one. There are also the young Emma and Nina, as well as Yves and Guido - enough people to get into complicated relationship entanglements.

Shadow Play

7.3 1996
Madame Claude

Based on a true story. Madame Claude, a well connected Parisienne with dark past, runs a network of high-class call girls. She sends her girls to any place in the world to satisfy sexual desires of wealthy and powerful men. Claude's manipulations also involve big business and politics. Meanwhile, photographer David Evans is trying to clear his own criminal record by providing the authorities with pictures of Claude's girls with important clients in compromising positions. But powerful men can do anything to keep their secrets...

Madame Claude

4.9 1977
School of Life

Paris 1930. Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a sovereign and wild region. The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.

School of Life

7.3 2017