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Yodha

Suraj Singh is addicted to drugs and as a result witnessed his girlfriend being raped in front of his eyes with him being helpless, from here on he vows to put an end to all drug dealers and started to work as a hit man for an underworld don, Daaga also known as Justice Dharmesh Agnihotri. He also meets and make enemy with a lawyer, Karan Srivastav, who is looking for the murderer of his father, journalist Chandrakant. As time proceeds, Suraj and Karan would frequently get into brawls in front of the society to the extent that each of them will now do anything to kill the other. Unknown to both that one person is responsible for there lives being upside down and he is under the veil of respectability - non other than Justice Dharmesh Agnihotri alias Dagga.

Yodha

4.8 1991
Anthony

Set along the coastal shores of Jaffna, the story follows a fisherman and his family whose lives are inseparably tied to the sea. As he struggles to balance his responsibilities toward his profession and his family, a tender love story unfolds, shaping his choices and testing his values. Daily life within the fishing community its hardships, traditions, and unspoken bonds, forms the backdrop of the narrative. When personal desires begin to clash with family expectations, the protagonist is forced to confront sacrifice, loyalty, and the true meaning of love. Through moments of romance, conflict, and emotional depth, the film reveals the strength of family ties and the resilience of a community that survives by trusting the sea and each other.

Anthony

NR 2026
Ghya Chang Fou

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Ghya Chang Fou

8.5 2017
Boond

The story revolves around that timeless and controversial concept of power. The story is a powerful and graphic representation of power and its ability to corrupt.The story is a powerful rendition of our own secret fantasy of possessing power and being the harbinger of divine justice. The story is a moving description of our helplessness in the face of awareness of the illusion of power. The story is one that is told over and over again everywhere and yet is still waiting to be told.

Boond

NR 2009