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Die Scheinheiligen

The starting point is the small (and real) town of Daxenbrunn, which has the misfortune of being located right on the highway to Salzburg. But Mayor Matthias and his friend and district administrator Dr. Seigis see the seemingly unfavorable geographical location as an opportunity to fill the empty coffers -- "Hendl, mehr sog I ned". A highway grill is supposed to redevelop the area, but in addition to the building permit, the land is also needed, and this is defended to the death by the old and stubborn farmer's wife Magdalena (great: Maria Singer) with weapons (!). Events come thick and fast when, almost simultaneously and independently of each other, art carver Johannes and asylum seeker Theophile turn up in the sleepy village and turn the local order upside down with their unflinching attitude.

Die Scheinheiligen

5.5 2001
Dällebach Kari

Karl Tellenbach, called "Dällebach Kari", was one of Bern’s legendary characters at the beginning of the 20th century. Born with a strong hare lip which left him disfigured and gave his voice a peculiarl nasal tone, he devoted his entire life trying to get people to laugh with him instead of at him. Ultimately, his despairing at ever becoming accepted as a fellow man coupled with unrequited love made his life tragic, culminating in his suicide at age 54. His jokes are still well known today.

Dällebach Kari

6.6 1970
Comrades

King Frederick II and his leading advisors hesitate too long in the eyes of some officers, so Major von Schill decides to strike out on his own. He hoped that his brave move would be the catalyst for the great war of liberation. But von Schill's troops were soon defeated by a superior force of Dutch-Danish troops. The king takes a public stand against von Schill's actions and eleven of his officers are shot by summary execution on Napoleon's orders. However, one of them, Lieutenant Heinrich von Wedell, escapes death and is sentenced to forced labor for life. When Wedell's brother Karl, who opposed von Schill's unauthorized actions, learns of Heinrich's fate, he decides to help him in a risky way...

Comrades

9.0 1941
Der Templer

A Knight Templar returns home from the Crusades in the Promised Land and has lost his faith in God due to his experiences fighting the infidels. When he passes a small village, a young woman is to be burned as a witch there at the same time. The crusader does not think twice, frees the mysterious beauty at the risk of his life and is seriously injured on the run. In the woods, the herbalist takes care of his injuries and nurses the Templar back to health. For her help, however, the mysterious woman demands a very high price...

Der Templer

7.0 2002
Woman's Love – Woman's Suffering

The famous American pianist, Hans Martenrood, is playing for the first time in Europe. A young boy is waiting for him in his hotel room after the concert with a letter from his mother, Marie, which explains, that Hans is the father of the boy and that she believes he would be better off being with his father. A short time later, Marie is found in a hotel room, critically wounded by two gunshots. Detective During is put to work on the case. He arrests a suspect, who is identified by the maid and porter as being Marie’s last visitor. At first, the man says nothing; but then he tells the detective Marie’s story.

Woman's Love – Woman's Suffering

9.0 1937
Das weite Land

Hofreiter, who has a relationship with Natter's wife Adele, confronts Natter after the latter launches a newspaper advertisement linking the suicide of an admirer of Hofreiter's wife to Hofreiter himself. In his tried and tested manner, Hofreiter challenges his vis-a-vis to a duel, but contrary to all etiquette, Natter refuses and exposes Hofreiter's system of vain notions of honor by confronting him with "genuine feeling". Natter: "I am hopelessly in love with my wife. That happens, dear Hofreiter. Nothing helps. That's just the way it is." His revenge is of a different nature, because he gets out of Hofreiter's narcissistic game and disavows his deceptive maneuvers and strategies of shifting blame.

Das weite Land

7.0 1970
Faust

In 1957 Gustaf Gründgens staged a new production of Goethe's Faust in which he once again played Mephisto, a part he had played since 1932. The brilliant production was a huge success and ran for a couple of years. In 1959 Peter Gorski captured the performance on film in his directorial film debut. Basically it is a registration of the production, but Gorksi did manage to accentuate the details of the acting by using enough medium and close-up shots which give a view on the acting you normally would not able to see in a theater.

Faust

7.3 1960