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We 3

Three young people arrive from different parts of the country to go to college in Sao Paulo. On their first day there, a strange and intense attraction unites them. Together, they rent an apartment and begin living together, in close quarters. Sharing kisses and fond embraces. They exchange words of endearment with the naturalness of ordering a sandwich at a diner. They threaten to break up and the next moment they are all laughing together again. College days however soon come to an end and, with each having different paths to trail, separation is imminent. And consequently, their gestures, words and attitudes take on a new weight. Touching each other now takes on a new significance. Words of love are weighed down by consequences.

We 3

5.2 2011
The Storytellers

A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.

The Storytellers

7.2 2003
Empty Days

"Empty Days" tells the story of a day in the life of Jean and Fabiana, a couple of young boyfriends who try to reinvent their lives in a small town in the Brazilian interior. They are in their senior year of high school and live the old dilemma: either we leave this city or we stay here and continue the history of our parents. At the end of this day Jean commits suicide and Fabiana disappears. Two years later, Daniel and Alanis, another couple of young boyfriends, try to understand how everything happened.

Empty Days

4.1 2018
Bread and People

Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.

Bread and People

8.0 2020
Black Goddess

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Black Goddess

10.0 1978