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Seduction

The story of two women, a mother and her daughter, who during the Cristero War set traps for government soldiers passing by their house, using seduction that was never consummated. The idea was to deceive the soldiers by making them feel safe, then hand them over, almost with their hands tied, to the Cristero guerrillas. But then one of the women, the daughter, truly falls in love with one of the soldiers, allows herself to be seduced by him, and then tries to save him, only to be killed, in the circumstances, by the soldier himself.

Seduction

6.4 1981
They Were Actors

The plot of the film is based on real events of the Great Patriotic War. When the Nazis occupied Crimea, the actors of the drama theater of the city of Simferopol entered the underground group Sokol. The activities of the underground members were diverse: they put up leaflets with information from Soviet Information Bureau, compiled maps showing the strategic objects of the enemy, and supplied the partisans with medicines. On April 10, 1944, 3 days before the liberation of Simferopol, the underground members died from enemy bullets — they were shot on the outskirts of the city.

They Were Actors

9.0 1981
Stratagem

The story played by civilian players is laid in a Transdanubian village, where on the initiative of the municipality doctor the local inhabitants wish to build a social welfare home as volunteers, with the support of the local co-operative and the state farm. Having first consented to the plan, the leadership of the county starts opposing the project because of the plan to build a social welfare home called the City of the Happy Aged to be established by the county. Both parties take the field for their ideas and the battle starts.

Stratagem

NR 1980
A Mother's Baby

With the theme song, Indonesia Tanah Pusaka, the film’s melodrama takes on a nationalistic undertone. Hendrik Maulana, a staff officer in the Netherlands’ Indonesian Embassy, and his half-Dutch wife Nona, return to Indonesia. Hendrik is aware that he has to work hard in his country to support his family. So he trains as an air traffic controller before he returns home. However, there is still the cultural clash and his children have to adjust to school and their hometown. Then Eka, their second child, who is always the scapegoat of the family, runs away. Eka is attracted to an orphan ice seller who can support himself. He joins him selling the ice until he is stricken with typhus. His friend then breaks the news to Hendrik and Nona. Both parents rally with their three children, to complete the family again.

A Mother's Baby

NR 1980
Domek u lesa

Every one of us has certainly been in a situation for which he or she is not prepared and is not able to orient him or herself immediately and correctly. And the hero of our story also finds out in a rather unpleasant way that it leads to a number of misunderstandings and bitter mistakes... Jaroslav Falta (J. Abrhám), a nondescript clerk, cannot resist the pressure of several people interested in buying his aunt's house after the hospitalization of his wealthy aunt (A. Hegerlíková). He is charmed and won over by the charm of a colleague from work - Alenka (J. Asterová) - after departure of his girlfriend on a business trip.

Domek u lesa

5.0 1985
Packin' It In

In quest of a wholesome place to live: at first the Webbers laugh at their neighbors when they leave L.A. for the mountains of Oregon. But when they recognize the same symptoms in their family that made the neighbors leave, they follow them. However their new domicile is a bit more apart from the civilization than expected. Even then it's not a paradise: their neighbors are weird, the next shop is miles away and their house lacks even the most basic comfort. How long will it take until they're packin' it in again?

Packin' It In

7.5 1983
Tracks in the Snow

The full title of this Dutch film is Pervola: Tracks in the Snow. A stockbroker moves away from his home village of Pervola and puts his two sons in charge of his business. Older brother Hein (Bram van der Vlugt) cheats younger brother Simon (Gerard Thoolen) out of his share, claiming that Simon was disinherited because he is homosexual. Hein grows powerful, while Simon seems to weaken with each passing day. Flash-forward several years: the dying stockbroker calls his sons to his side. Faithful Simon agrees to dad's wishes that he be buried in Pervola, but Hein doesn't want to go to the trouble of transporting the body; he finally agrees to help Simon, out of fear that his brother will learn of his long-ago treachery. While arduously journeying to Pervola with the father's body strapped to a sled, Hein inadvertently confesses; Simon, however, is of strong enough moral fibre to forgive his brother.

Tracks in the Snow

8.5 1985
Mournful Unconcern

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

Mournful Unconcern

4.5 1987
King of America

Hot-tempered Greek immigrant Andreas arrives in America in 1915. He finds work on a railroad, but soon gives his corrupt foreman Mekakis a savage beating. Making his way west across the country, Andreas eventually comes upon another railroad looking for workers. It turns out Mekakis has gone westward, too. He offers Andreas the only job suitable for him, a "mountain mover" on the suicide squad: He must grapple down the face of a cliff, position sticks of dynamite and then climb back up again before the lit fuses reach the explosive.

King of America

9.0 1982