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Ungratefulness

Chuk Tai-ming elopes to Hong Kong with Shum Tsui-hung in defiance of his father but soon succumbs to harsh conditions and ill health. Shum becomes a courtesan to fulfil Tai-ming's last wish of funding his younger brother Chi-ming's studies in Australia, while creating the false impression that she is a rich widow. Chi-ming returns in summer and a chance encounter in the nightclub evolves into a budding romance. Tormented by a love doomed from the start, Shum pretends to despise the poor suitor. The rejection is taken hard by Chi-ming, who snubs the woman in public. Shum plunges into despair, taking gravely ill. Her lawyer Lee Chung-ling finally breaks the silence, making Chi-ming attuned to the woman's unspoken suffering after she's been laid to rest.

Ungratefulness

10.0 1965
Katerina Izmailova

Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994.

Katerina Izmailova

4.6 1966
In the Name of the Revolution

1918. After the death of the mother, the father decides to take the children to Moscow to see a distant relative. On the way, the guys experience a raid by a White Guard gang on a train, the death of their father, and meet the homeless child Yashka, who brings a plan to Lenin - how to destroy all the bourgeoisie and all the counter-propaganda in one day. The boys become involved in revolutionary events, and ahead is Moscow, a chance meeting and conversation with Lenin and Dzerzhinsky, the fight against counter-revolution...

In the Name of the Revolution

9.0 1964
Trique, gamin de Paris

An old Montmartre building with countless tenants: on the seventh floor, a Russian painter, Igor, lives in his art and dreams, whose paintings express kindness and indulgence; two floors below, a poor cabaret singer, Seraphita, poses for her neighbor when she feels too lonely and abandoned; further down, the Prunelle family lives, where the father and mother, inveterate drunks, indulge in drink and give their eleven-year-old son. Tique, who seems to have become indifferent, the spectacle of atrocious domestic scenes. By the time the film begins, Father Prunelle, drunker than ever, has chased Tique's mother away with insults...

Trique, gamin de Paris

7.0 1962
Everyone Dies Alone

In wartime Berlin, a factory foreman, Otto Quangel and his wife, Anna learn that their only son, Paul, has been killed in action in France. In their grief, the couple decide to take action against the Nazi regime. They create their own form of resistance, writing postcards urging people to resist Hitler and the Nazis and quietly distributing the postcards around Berlin. Various people enter the picture, showing the fear and distrust of the times. People, such as the actor Harteisen, find the cards and race to turn them in, lest they be found with them and come under suspicion. The police and the Gestapo are baffled for over a year, but finally find the source of the cards. The Volksgerichtshof sentences the Quangels to death.

Everyone Dies Alone

7.0 1962
Eroe vagabondo

Noah earns his living as a plastic flower seller and despite his crushes and hardships, his sweet and dreamy character pushes him to go forward, as well as the love for a girl to whom he usually gives a flower every week . One day he discovers that his loved one has lost her life and begins to wander aimlessly, eventually becoming a hero after saving a clown from certain death but at the same time remains a slave to interest games by shady individuals. When he attends the representation of Romeo and Juliet, he finds in the female protagonist the features of the girl he loved.

Eroe vagabondo

7.0 1966
Hermitage

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

Hermitage

7.2 1968
Time Stood Still

Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley to spend Christmas vacation with his family he is temporarily replaced with an adolescent boy. The other man is both annoyed and intrigued by the boy and his habits: he listens to loud music, sleeps too long in the mornings and doesn't drink any alcohol. They barely speak to one another in the first couple of days. But when an avalanche cuts their small hut from electricity they slowly start growing more fond of each other.

Time Stood Still

7.1 1960
They Live Nearby

Once upon a time, young scientists Kalitin and Danilov were friends, but a quarrel separated them. The circumstances of the quarrel remained unclear to everyone until the end. But everyone thought they were right. Years have passed. Professor Kalitin’s son, working under his leadership, moves to the institute headed by Danilov. Kalitin learns about this decision of Igor on the day of the arrival of his friend and colleague Vasin. On this occasion, old friends gather at the professor’s house, including Luzgin, Kalitin’s boss. Reflections on his life help the professor understand his son’s choice, oppose the unprincipled careerist Luzgin and make peace with Danilov.

They Live Nearby

9.0 1968
Money and Women

Shehata is a committed employee in a private hospital. He lives with his daughter Nemat and his wife. One day Hussein proposes to his daughter, but the problem is that Shehata is unable to prepare his daughter, which prompts him to ask for an advance from the company. After management refuses, one of the bribed employees takes advantage of the opportunity and offers Shehata received a sum of money in exchange for a trust receipt, which he quickly used against him, especially after Shehata discovered that an incident of embezzlement had occurred.

Money and Women

10.0 1960
One Among Many: Episode 2

The evolution of Chimed, the main character, is shown by the evolution of a servant man who was enslaved by foreign merchants and scorned by local rich people, who found his freedom with the revolution and then strives to work for his country. The feature of the film is that the behavior of the common man is formed along with the process of the revolution, and it clearly shows how a boy from the pastoral people not only learns to read and write by benefiting from science, but also works with all his strength to educate the people's children and grows into a leading intellectual.

One Among Many: Episode 2

NR 1962
Pantalaskas

An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.

Pantalaskas

10.0 1960