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The Set

Paul Lawrence is a working class man who dates Cara, sells shirts at a Sydney department store, and dreams of attending art school. Cara leaves for London and Paul becomes the protege of designer Marie Rosefield. Through this he enters the 'set', the world of Sydney art society. Rosefield is friends with Mark Broniski, an artist who commissions Paul to design a set for British stage director, John L. Fredericks. Paul is helped by art student Tony Brown, who is dating Paul's cousin, Kim Sylvester. Paul and Tony begin a homosexual affair. Kim's mother Peggy has an affair with Boronoski.

The Set

5.0 1970
Ben and Benedict

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Ben and Benedict

6.0 1977
The Other Bedroom

Marcos, an important businessman working in Madrid, is wealthy, ambitious and has political aspirations. On top of it, he has a beautiful wife, Diana. Their married life, however, is marred by the fact that, after years of married life, they do not have children. At the last minute Diana backs down from adopting a Vietnamese orphan. She is determined to have a biological child. However, Marcos is sterile and has kept this a secret from his wife. When he tells her the truth, Diana reveals that she already knew it having recently consulted a gynecologist who determined that she can conceive.

The Other Bedroom

4.6 1976
Invisible Adversaries

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

Invisible Adversaries

6.7 1977
Trees Die Standing

An elderly millionaire woman spends her last days longing to see her grandson and his fiancée. Her acquaintances attempt to fulfill her wish, but news arrives that her grandson has died in a plane crash. Knowing that she has never seen her grandson since he was a child, the elderly woman chooses a young mechanic as her heir and introduces a young woman as his fiancée. The elderly woman experiences some improvement in her condition, but during a real accident, she becomes aware of the truth. Meanwhile, her grandson arrives and reveals that he was not on that plane. The elderly woman confesses that she knew the truth all along but still wants the young mechanic and the girl who is now truly his fiancée to remain in her family.

Trees Die Standing

NR 1971
Dosť dobrí chlapi

A group of drivers paid according to their performance are struggling with hard work in a large quarry, somewhere where foxes say good night. A new worker, Marek Orban, joins the team of foreman Peter Hotka, known as Maco. Deep down, he is a deeply moral person, although he was given a suspended sentence for bodily harm. He beat up his wife's lover, to whom he must also pay compensation. Marek hides this from the other members of the group because he is ashamed. Maco, out of friendship with Marko, attributes non-existent trucks to the group, which, of course, backfires. However, the team eventually shows its strength and works off the undeserved reward.

Dosť dobrí chlapi

8.0 1972
Herr Puntila und sein Knecht Matti

The play tells the story of the chronic drunkard and landowner Puntila. When he is drunk, he is virtually free of himself; he develops immense strength in these phases and can really be a human being. Then he wants to fraternize with his chauffeur Matti, wants to give him a forest and a sawmill, and even wants to give him his daughter as his wife. Puntila could accomplish many, many more good deeds in his frenzy, but when he returns to a sober state, Puntila reveals himself to be the "black sheep" of his capitalist class and an insignificant person. His classmate reads him the riot act and shows him the limits of this species, which Puntila can never break. GDR television showed the play in a production by the Berliner Ensemble.

Herr Puntila und sein Knecht Matti

NR 1979
Dreamer

The dream began 20 years ago, when a young pinsetter watched a star bowler win a championship. Now, Harold (Dreamer) Nuttingham has a chance to attain his dream — to win the Tournament of Champions and buy his own lanes. But what price will he pay? The woman he loves sees only that his dream re-locates her to second place in his life; Harry White, his friend and mentor pushes him to become the champion Harry wanted to be — and never was. Torn between ambition and love, Dreamer fights to have both.

Dreamer

6.3 1979
Land of Sorrows

This foreign, English-subtitled film dramatizes the effect of the Vietnam War on a single South Vietnamese family, the inner conflict of decisions by each member of the family whether to remain in Vietnam or leave with the imminent advance and fall of Hue and eventual fall of Vietnam. Dat Kho, who's cast includes the beloved Vietnamese inconic anti-war songwriter/poet/artist Trinh Cong Son (1939-2001) who posthumously won the World Peace Music Award in 2004, is a story of the love of family, love of homeland, love of the culture and language of Vietnam and the ethereal love of the ingenue daughter for her fiance, foiled by the antagonistic forces of the ever-present war. A thought-provoking film.

Land of Sorrows

7.0 1973
What a Flash!

The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi

What a Flash!

4.7 1972
The Dagger

Abbas, known as "Abbas Chakhan," is a driver’s apprentice who is alone and has a stutter, constantly weaving tall tales. One night, he accidentally meets Banafsheh, who has ended up in a notorious neighborhood in search of her dreams, yet she is still determined to free herself from that place and have a home of her own. Abbas promises Banafsheh that he will help her. After she learns that Abbas has been imprisoned due to a small debt, she borrows money from a loan shark named Mohammad, known as "Mohammad the Dagger," to free Abbas.

The Dagger

4.9 1972