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Carnapping - Ordered, Stolen and Sold

When designer Robert Meering returns from vacation, he discovers the company he worked for unexpectedly went bankrupt so he decides to visit his old boss. His former employer Banninger liquidated the company and claims that all designs of Robert are his. When Robert's Porsche gets stolen by two thieves, he manages to track them down. When they tell him about 40 Porsche's in a dealer shop garage owned by Banninger things change and suddenly get very interesting.

Carnapping - Ordered, Stolen and Sold

6.9 1980
Kemilau Cinta di Langit Jingga

Structured as a film within a film, Rhoma Irama and his girlfriend, Aida, are hired to make a film by Leo and his right hand, Richard. While Rhoma has several shows in the same city, Leo pursues his criminal activities. For him, moviemaking is a camoulflage for his crimes. Richard, who is still in love with Aida, tries to separate Rhoma from the girl. While filming a scene, Rhoma is stabbed for real. While Rhoma is in hospital, Imron, a Rhoma impersonator is introduced. Then a scenario is written for Richard to get Aida. Later, Rhoma impersonates Imron and pulls Imron’s girlfriend Nina out from prostitution. Finally, Rhoma is able to solve the whole drama and Aida is back in his arms. Rhoma’s songs, which are his trademark and selling point, continue to be used.

Kemilau Cinta di Langit Jingga

NR 1985
Dia Ibuku

A widow, Rohani slogs as a paddy farmer and rubber tapper to raise her two children, Jamal and Jamil. Rohani’s husband is betrayed by Kudin who makes false allegations against him which result in him being sentenced to prison. On the day he is released, he was killed in a road accident. Jamal goes to Australia while Jamil to Kuala Lumpur to pursue his study. After completing his studies, Jamal returns home and in love with Rozi, Kudin’s daughter. Rohani visits Jamal who now lives in Kuala Lumpur and Jamal brings his mother to Rozi’s home. There, she meets Kudin and an argument ensues, Kudin accuses Rohani of being a whore. This causes Jamal to hate his mother and he leaves the house. As tension between them builds up, Rahani takes ill.

Dia Ibuku

NR 1980
Ixe

“Ixe (written X and pronounced EEKS – as it is pronounced in French –, like a scream, a wound) is an imploded, crucified film. Made to be projected on four screens at once, X is drawn and quartered. At the four points of the compass, at the four ends of the cross, War, Sex, Religion and Drugs, the double exposures, the colliding glimpses the eye barely recognizes, the skilful repetitions of themes, remind us that Sex is also the war of bodies, and the pope, the Drug of the people. And the story of this young man, shooting up in order to experience all the horror of the world in front of his TV set, reminds us that the heroin orgy is indeed the subjective locus of the monsters of the modern unconscious.” - Guy Hocquenghem

Ixe

5.4 1980
A Hobo's Christmas

A hobo played by Barnard Hughes decides it's time to go home. Drifting from place to place, Hughes finds himself in his hometown of Salt Lake City at Christmas time. Here he hopes to close old wounds and be reunited with his unforgiving son played by Gerald McRaney, and get to know the grandchildren he has never met. McRaney, still resenting the fact that Hughes ran out on his family 25 years earlier, gives his father only one day with his grandkids; after that, he's expected to leave and never come back. All the while Hughes' friends warn him that his son and the past are memories that are best left alone, and should leave, but he has to find out for himself.

A Hobo's Christmas

6.0 1987
The Age of the Earth

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

The Age of the Earth

6.0 1980
Joshilaay

Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.

Joshilaay

6.0 1989
Byon Gang-soi (Garujigi)

Gang-soi is a mean scoundrel who travels up north. Ong-nyo, a woman destined to be widowed, is run out of her village and travels south. Gang-soi and Ong-nyo meet in Chongseok-gwan, a midpoint between Hwang-hae province and Gaeseong, and they get together. As they wander the lands, Ong-nyo works hard while Gang-soi does nothing. They settle down in Mt. Jiri. But when Gang-soi brings back a totem pole while looking for wood and when he tries to start a fire with it, he incurs its wrath and dies. Thus their relationship comes to a tragic end.

Byon Gang-soi (Garujigi)

5.0 1988
Scars of the Sun

In a night painted with raw, incendiary desire, the story follows Shuhei as he slips from a morbid funeral into a world pulsing with illicit passions. At the seductive bar "EDEN," sultry whispers and heady intoxication set the stage for heated encounters—moments charged with forbidden attraction. An awkward, yet intensely charged reunion with his estranged brother in a steamy hotel room sparks a domino effect of erotic interludes, igniting wild nights at a pulsating disco and secret rendezvous at a coastal villa. Here, simmering rivalries and envious longings flare into explosive encounters, culminating in a searing, tumultuous climax where the boundaries between lust and violence vanish in a frenzy of physical, unrestrained ecstasy.

Scars of the Sun

NR 1981
The Inventor

In this interesting World War I drama, Bruno Ganz gives a compelling performance as Jakob, an obsessive inventor who lives in a Swiss village. He receives unconditional support from his friend Otti (Walo Luond), but that is about all; the other villagers do not tolerate Jakob's eccentricities very well, and regard him as a crackpot. He perserveres in spite of this obstacle and finally invents a viable carriage that does not run on wheels but on a tread. Unfortunately for Jakob, the military have already come up with the same invention: the tank. The discovery finally breaks him, and he is quickly shuttled off to an asylum.

The Inventor

6.4 1980
The 2 Lives of Mattia Pascal

Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.

The 2 Lives of Mattia Pascal

5.8 1985
Kanei Command Performance

During the reign of Shogun Iemitsu, a great martial arts tournament was held to determine whether or not Iemitsu was to remain in power or cede it to his uncle, Yornobu, the 10th son of Ieyasu. Among the contestants were many expert swordsmen who have become well-known to this day. Warriors such as Yagyu Jubei (Kaga Takeshi), and Miyamoto Musashi (Matsukata Hiroki) headed up the slate. This was to be the all-star samurai match of the century. An amazing TV movie with non-stop action as Yagyu Jubei must save an emissary of the Ming and reach Edo in time to fight the crucial match.

Kanei Command Performance

NR 1983
Terrifying Tales

Terrifying Tales contains three independently-produced shorts running about 20 minutes apiece. Only one of the three; Paul Bunnell's "Final Destination: Unknown" (copyrighted 1989), is actually horror. The other two; Armand Garabidian's "Ten Seconds to Countdown" (copyrighted 1986) and Ephraim Schwartz's "Creatures of Habit" (also 1986), are, respectively, science fiction and drama with only slight mystery components. The three used here are connected only in that they were shorts made by UCLA graduate students. Sadly, none of them is very good. The opening title screens and closing credits have been left intact for each.

Terrifying Tales

4.3 1989