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Who's Responsible?

The first Iraqi film influenced by the Italian neorealism film movement, characterized by stories set amongst the poor and the working class. The plot revolves around a devoted husband deeply in love with his ailing wife, rushing her to the hospital in the late hours of the night. Seeking urgent medical attention, he pleads with the on-call doctor to treat her. However, faced with a negative response from the doctor, the husband, overcome with anger and desperation, unleashes a furious attack, tragically leading to the doctor's demise.

Who's Responsible?

NR 1957
The White Hands

"The White Hands" - 'I came to film in my capacity of poet, wanting to see whether I could express myself in pictures rather that in words-create a film poem. Not a traditional piece of lyric but something that suggests and hints and transmits its content even though it may not be comprehensible in a logic sense'. This is how Rut Hillarp described her film interpretation of the legend of Tristan and Isolde. She borrowed this classical theme from her collection of poetry The False Farewell. The White Hands is an attempted surrealistic visualization of a poem, using symbolic image sequences

The White Hands

7.0 1950
Alcoholism

The film portrays alcoholism as a mental health problem and as an illness that can respond to treatment. Demonstrates that the causes of this illness are imbedded personality difficulties often relating back to the early formative years of the victim’s childhood. The film discusses different forms of alcoholism and the different treatment required for each type. The role of Alcoholics Anonymous is covered and a plea made for increased public facilities for the treatment of alcoholics.

Alcoholism

NR 1951
Why We Respect the Law

Kent steals some wood from a lumber yard for some construction work on a baseball field. Afterwards he feels guilty about it, and goes to see a lawyer for advice on what to do. The lawyer gives him a speech about how disrespect for the law can lead to even worse crimes than stealing. After Kent shows the proper amount of contrition, the lawyer cuts a deal with the lumber company to have Kent work off the value of the wood he stole, teaching Kent a valuable lesson: while all that high-falutin' talk about respect for the law may be important, having the money to afford a slick lawyer who can keep you out of jail is much more important.

Why We Respect the Law

9.0 1950