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'GIVE IT UP!'

Loosely based on Franz Kafka’s short story, 'GIVE IT UP!' is a live-action animation odyssey through the confusion of life in the modern world. The narrative follows a lone salesman trapped in a timeless city, increasingly lost in his feverish dreams. Desperate, he races towards a train station as his last hope of escaping the city, encountering divine light, winding roads and the forces of bureaucracy. This deeply personal and referential work preserves Kafka’s absurd humour and pays homage to Weimar cinema of the 1920s, but also elevates the text to an existential meditation on authority, purpose and human helplessness.

'GIVE IT UP!'

10.0 2025
The Man who Crossed Hitler

In the summer of 1931, with Germany on the brink of economic collapse, and the city of Berlin turning into a paramilitary war-zone, audacious young prosecutor Hans Litten (Stoppard) chose to summon a star witness to a trial of Nazi thugs. In spite of the risk to his own safety and against the advice of those who love him, Litten forced rising political star Adolf Hitler (Hart) to make a sensational appearance in the witness stand of Berlin's central criminal court. Litten aimed to expose the true character of Hitler and his politics to the German public, to reveal his hypocrisy and his violent ambitions, and in doing so, halt the electoral success of the Nazi Party. In a humiliating and hostile cross-examination, Hitler was forced to account for his political beliefs, his contempt for the law and his desire to destroy German democracy. For a brief moment, Hitler's political future was genuinely in the balance.

The Man who Crossed Hitler

6.5 2011
See It Say It

Mo is a hopeful Arab actor in his struggle-filled youth, residing in London with his wife Dounya. Dounya believes Mo should pursue stable work rather than taping for leading acting roles, unattainable for actors of color. Unexpectedly, Mo's agent Steven rings, offering a sudden audition that carries life-altering potential. During his journey to the audition, a misunderstanding arises when a biased woman onboard misconstrues Mo's actions as prayer and suspects a forgotten bag. In a swift turn, Mo's world descends into a Kafkaesque nightmare of terror.

See It Say It

9.0 2024
Owen Wingrave

Margaret Williams directs this 2001 production of adaptation of Benjamin Britten's television opera based on a short story by Henry James. Performers featured include Gerald Finley, Peter Savidge and Josephine Barstow. The conductor is Kent Nagano. As pertinent now as then, OWEN WINGRAVE was composed by Benjamin Britten at the height of the Vietnam War. The opera poses the question: Is pacifism an act of cowardice? Or rather a desire to escape from the spiral of war and create world peace? To what extent do we determine our own futures? Should we let past events inform the decisions we make? Britten’s characters grapple with timeless issues in this gripping psychodrama.

Owen Wingrave

7.0 2001
Near Wild Heaven

Following the death of her mother, terminally ill Aubrey tracks down her estranged father, Doug, an Irish-folk musician playing in a pub. After revealing the recent death of her mother, she convinces him to take her to scatter the ashes, offering him £200 for his time. After noticing a flyer for a music competition in Aberdeen, Doug spots an opportunity to make some money and agrees, relaying that the ashes be scattered in Cruden Bay, just outside of Aberdeen. As the two travel north to Scotland, Aubrey battles with her illness and Doug's stubborn behaviour, but the pair gradually find themselves becoming closer. This unravels when Aubrey finds the competition flyer, revealing the true reason for being in Aberdeenshire. A fierce argument breaks out and Aubrey storms down to the beach to scatter her mothers ashes alone. Doug follows her and stands looking on as the ashes are poured into the sea.

Near Wild Heaven

NR 2019
Scott and Sid

From their first encounter as teenagers in high school, Scott and Sid seem unlikely friends. Scott is a shambolic dreamer, intent on carving out his own path in life and holding up a metaphorical middle finger to anyone who tries to stop him. He is a quintessential troubled teen: on his fifth high school by the age of fifteen, alienated from his peers, crippled by recurring nightmares and disliked by his own foster parents. Sid, on the other hand, wants nothing more than to be liked. An unconfident, awkward recluse through circumstance, Sid's impoverished and dysfunctional background leave him no time for friends and no money for hobbies.

Scott and Sid

6.4 2018