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I Have You Under My Skin

Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.

I Have You Under My Skin

3.0 1990
Katie Fforde - Das Meer in dir

Marie Franklin has erased all memories of her past. She wants nothing and no one to remind her of the great loss she suffered a few years ago. However, she refuses to accept that she is not only harming herself, but also her son Thomas. Marie's headstrong neighbor, Judge Wilbert Scony, doesn't like the situation at all. Compassion must have its limits, grief must come to an end. But Wilbert seems to be alone in this opinion. It is only when Thomas gets into serious trouble and is in danger of losing not only his scholarship but also his freedom that Marie begins to wake up. Like a lioness, she fights to make up for her son's mistake and avert worse.

Katie Fforde - Das Meer in dir

5.8 2014
Emilia Galotti

The Prince of Guastalla falls in love with the young citizen Emilia Galotti, who is soon to marry Count Appiani. In order to win Emilia, the prince tries to send the count on an "honorable" journey on his behalf with the help of his chamberlain Marinelli. However, after the Count refuses this offer, Marinelli decides to have the wedding carriage robbed on his own initiative in order to have Emilia abducted to the Prince's nearby pleasure palace. But he has not thought of the prince's mistress, Countess Orsina, and Emilia's shaken father Odoardo, both of whom soon arrive at the castle, one to meet the prince, the other to look after his daughter...

Emilia Galotti

5.5 1958
Die Nacht von Lissabon

After fleeing from Nazi Germany, Josef and Helen Schwarz arrive in Portugal's capital in 1942, where a ship to America awaits them. But on the evening before the ship departs, Helen dies in the hotel. She had concealed the cancer from her husband so as not to burden their last days together. Deeply affected and disillusioned, Josef is drawn to the port of Lisbon. There he meets a penniless exile to whom he is willing to give the ship's tickets and visas, which have now become worthless to him, if he accompanies him that night and listens to his story.

Die Nacht von Lissabon

3.7 1971
Die gefesselte Phantasie

Vienna – "I am a light-hearted creature, a child with a thousand whims": this is how the allegorical title character introduces herself in Ferdinand Raimund's magical play "Die gefesselte Phantasie" (The Bound Imagination). The Raimundspiele Gutenstein theater company has put the play on its summer program. The production was presented at a press conference in Vienna on Wednesday. Ernst Wolfram Marboe, artistic director and director of the Raimundspiele, promised a production in keeping with previous tradition: "We are building on positive experiences." The witty motto for the next season: "Broad and clever – Raimundzeit!" The acting ensemble consists mainly of performers from previous years. It was emphasized that the bare-breasted lady on the cover of the brochure is not the leading actress Rita Nikodim.

Die gefesselte Phantasie

NR 2006
Paganini

The brilliant violinist Paganini was not only in demand in the concert hall, but also with women. When the jealous duke of Toscana suspects that Paganini is having an affair with his wife, he sics his henchmen on the musician. Paganini flees and finds refuge with a theatrical troupe. The artiste Bella falls in love with the violinist and helps him flee into the duchy of Napoleon’s sister, Anna Elisa. When she, in turn, hears him play, she summons him to her castle and it’s not long before she forgets all affairs of state because of Paganini.

Paganini

9.0 1934
Mother and Child

Consul Petersen and his wife are desperate, because they lost their only child and can’t have another. At the same time, the maid Anna is expecting a child, whose father, Jurgen, works in a sawmill. When both of them lose their jobs, they fear they won’t be able to feed the newborn. Thus, they strike a deal with the Petersens, which works for both couples: Anna and Jurgen will receive a farm from the Petersens, free and clear; and the two will allow the Petersens to adopt the child. Anna and Jurgen marry and are quite happy; but when the child is finally born, Anna doesn’t wish to surrender him and flees with the child into the Wattenmeer.

Mother and Child

5.6 1934
The Bridegroom, the Actress, and the Pimp

Three sequences are linked together in this short film by Straub; the first sequence is a long tracking shot from a car of prostitutes plying their trade on the night-time streets of Germany; the second is a staged play, cut down to 10 minutes by Straub and photographed in a single take; the final sequence covers the marriage of James and Lilith, and Lilith’s subsequent execution of her pimp, played by Rainer Werner Fassbinder. "The film is a look entirely at Western decadence" - Jean-Marie Straub.

The Bridegroom, the Actress, and the Pimp

4.5 1968
Alabama (2000 Light Years)

"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders

Alabama (2000 Light Years)

6.3 1969
Vaterherz

Everything seems to be going according to plan for graduate engineer Oliver Berger. He has only just landed a lucrative contract for his employer when he is already entrusted with the next major project. He willingly puts up with constant trips abroad and working through weekends. Meanwhile, his wife Lena and his ten-year-old son Moritz wait for him at his apartment in Erfurt or at the weekend house. Berger has never worried that his marriage might suffer as a result of his job. So he is all the more stunned when Lena leaves him at the drop of a hat. Suddenly, Berger is a single father.

Vaterherz

6.3 2007
Und wieder 48

In 1948, students from Berlin University take part in the filming of a movie about the 1848 revolution as extras. A dispute arises between Else and Heinz, who tends to dismiss the revolution as a comical affair. Two fiercely opposing camps form at the university. But Heinz begins to reflect, and reading about a young student who lost his life in the turbulent days a hundred years earlier slowly changes his attitude. The conclusion of the filming at the Wartburg also reunites him with Else.

Und wieder 48

7.0 1948