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Marynia

Stanislaw Połaniecki comes to Krzemień, the family estate of the Pławicki family, demanding the return of a loan taken 20 years ago as collateral for a mortgage. There he meets Marynia, Plawicki's daughter, and the seed of affection is born between them. Emilia, who befriends both of them, persuades Połaniecki to propose to Marynia. However, it turns out that the maiden's father does not have the money to repay the debt. Upset, Stach leaves without saying goodbye. Krzemień's mortgage debt is sold to a friend, who buys the property. Plawicki and his daughter leave for Warsaw.

Marynia

6.0 1984
Sweet Inquest on Violence

After a businessman is captured by kidnappers, his rescue seems incumbent on a group of filmmakers, rather than a lackluster police force -- a premise that is matched by the rest of this movie. The kidnapping victim rambles on philosophically with his captors, who end up leaving him alone -- thereby providing him with a chance to escape. As he makes a break for it, he is literally hounded by some guard dogs. Then there are also some interviews with people who know one of the kidnappers, though it is not clear why. Neither the victim, nor the kidnappers, nor the filmmakers can compete with the canines, the only protagonists who add some bite to the action.

Sweet Inquest on Violence

5.9 1982
Stesso sangue

After the death of their parents and to escape a forced and inevitable separation, Bruno, twenty-four, and his sister Irene, fourteen, flee the city. The two orphans live by wandering and committing petty thefts and robberies, almost for fun. The agreement between the two is not perfect, because there is someone who would like to go back. But the game will become more and more serious and will lead them to death. A small example of independent and courageous Italian cinema. The structure is that of a road movie (the place crossed in this case is Molise), but the directors focus above all on the humanity of the characters, lingering on their faces.

Stesso sangue

9.0 1988