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Django und die Tradition - Politisches Protokoll der DK

In late 1968, the last SDS delegates' conference was held in Hanover. It had already been postponed by the Berlin Action Council in Frankfurt in September after the famous tomato throwing by the women. Now attempts are made once again to develop common criteria for the supra-regional context of the SDS, for an SDS whose organizational structures have been overturned by the revolt itself. Factions emerge, the Frankfurt Women's Council distributes its leaflet "Free the socialist eminences from their bourgeois tails", the wave of lawsuits looms. Joscha Schmierer as Django criticizes the student "shitty milieu that is out to satisfy immediate needs. Christian Semler calls for a strong central office. "Of course, I don't have a central office in mind, like the German Communist Party had a central office before '33". After all, the anti-authoritarians in the North region are attacking.

Django und die Tradition - Politisches Protokoll der DK

NR 1968
Looking Back

Young script-writer Frantisek (Petr Cepek) is hired to write a film script based on the successful novel Looking Back. He meets with the novel's female author, a University professor and writer named Olga Machová (Jirina Trebická), approximately ten-years-older than him. In the beginning, they do not understand each other at all. Frantisek is a skeptic experiencing a moral crisis, unsatisfied with both his work and his private life - he lives separated from his wife and has no deeper feelings for his numerous lovers. He even gets drunk from time to time and breaks the public peace. Olga is lonesome, too, but considers her life fulfilled.

Looking Back

8.0 1969
La parole est au témoin

Mustapha, a cab driver in Paris, charges a customer in a hurry, without realizing that he is in a hurry to escape his pursuers after robbing a jewelry store. The next day, reading the newspapers, Mustapha becomes aware of the role he has played in this affair, and would gladly assist the police if a fortuitous incident didn't make him fear the criminals' vengeance. It's a cruel dilemma in which he is both suspected by some and threatened by others. Weak but honest, he manages to get out of this predicament at the risk of his life!

La parole est au témoin

10.0 1963
Musik ist Trumpf

The young musician Ralph Osterwalder, born in Bern in 1922, is tired of working in a big band. He dreams of a small, flexible ensemble. In 1944, he founded his own combo in a hotel room. In 1949, fierce disputes arose. The newly founded Hazy Osterwald Sextet, featuring Sunny Lang, Dennis Armitage, Curti Prina, Werner Dies, and Johnny Ward, soon made international music history. Fast-paced, catchy music, interspersed with humorous show interludes, became the band's unmistakable trademark.

Musik ist Trumpf

5.0 1961
Ambulance

In this haunting short fiction film, a group of Jewish children and their teacher are herded into an ambulance by Nazis; the vehicle, ordinarily representing comfort and safety, becomes the group’s death chamber. Morgenstern’s presentation of the incident serves as a metaphor for the horror of the Holocaust, and provides a powerful trigger for discussion of the disturbing issues raised by the film. The figure of the children's’ teacher specifically parallels Janusz Korcak (1879-1942), a famous Jewish educator who ran an orphanage in the Warsaw ghetto and died with his young charges at Treblinka.

Ambulance

6.5 1961