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The Married Couples

The story revolves around the problems of married people in (Egypt) from the economic and social aspects, where the poor young man (Masoud) falls in love with the aristocratic girl (Lina), and marries her despite her father's refusal. The simple poor life experience with her husband, whom she loves, her father tries to pressure her by various means, including threatening to deprive her of the inheritance, but she is determined to stay with her husband, Masoud asks Lina to move with her to her father's villa in order to get out of the difficult life he lives in rented home.

The Married Couples

8.6 1976
Ace Eli and Rodger of the Skies

The story of Ace Eli Walford, a 1920s stunt flyer who barnstorms around the country, taking his eleven-year-old son Rodger with him as he goes from town to town. The place is rural Kansas, and the time is midsummer in the early nineteen-twenties, not long after World War I. Eli (Cliff Robertson), a barn storming pilot who has the emotional make-up of an 11-year-old, and Rodger (Eric Shea), his 11-year-old son who possesses the wisdom of the ancients, set off to see the world, which means flying all the way to San Willow. To Eli, San Willow seems to be as fabled as Xanadu and quite as remote. In essence, "Ace Eli and Rodger of the Skies" is about the adventures of Rodger and Eli getting from nowhere to nowhere. Eli, a killer with the ladies at first, always leaves them unsatisfied. He seems to have a sex problem. Rodger spends a lot of his time getting his dad out of scrapes. He also drinks, smokes and goes to sleep at night crying for his deceased mom.

Ace Eli and Rodger of the Skies

5.1 1973
Giliap

In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called W), the female waiter Anna, and "the count", a self-invented nickname by a man cleaning plates. The count is skilled in making others do what he wants. Half a dozen of the personnel assist in a poorly planned and failed attempt to liberate a man whom the police move from one arrest to another. The event involves stealing a motorcycle and threatening policemen with a gun. Anna strongly tries to make contact with W. Finally it turns out that she need his help to break her sexual relation to the count, a relation that from her part is not motivated by positive feelings. W rejects her attempts. And then Anna has suddenly gone. She has got a pleasant job in another town. And then W's feelings awaken.

Giliap

5.5 1975
The Time of Your Life

William Saroyan's Pulitzer Prize-winning play revolves around the denizens of a San Francisco bar in 1939. Lonely, lovelorn, weary or cynical, the characters drift in and out of the bar and each other's lives, giving voice to Saroyan's philosophies as they randomly comment about the impending world war, the beauty of art, and traditional notions of good and evil. At least one of the relationships stands a chance of enduring: a brawny innocent named Tom is falling in love with a vulnerable young prostitute named Kitty. Saroyan himself is heard reciting the play's prologue.

The Time of Your Life

10.0 1976
Jiwa Remaja

Hairi or Harry supported his mother and his younger brother from various jobs. He never work long enough each time because he always fight with his employers. His good friend, Joy worked as a mechanic. Hairi falls in love with Anita the daughter of a wealthy family. Yuosf, Anita’s brother disliked Hairi because of his background. Fight ensue between them which later killed Joy. Hairi wants to avenge Joy’s death. In a party at Anita’s house, Hairi shot Yusof with a gun he found and became a fugitive. Anita pleads for Hairi to surrender himself but failed.

Jiwa Remaja

NR 1975
Babruvahana

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Babruvahana

7.6 1977