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Japan, 1590. Following the death of Oda Nobunaga and Toyotomi Hideyoshi's seizure of power, the mysterious warlord Tenmaō and his fierce warriors terrorize the inhabitants of the Kantō Plain.

Minugishi Ayumi is a student of Asahina High School, and the lone member of its Track and Field club. She seems hard to speak to, and despite being a good, quiet student, not many people care to know much about her.

After finishing his sentence, Ryosuke Ogiwara, who left the prison gate, got into a car that was sent by his wife's cell and Kenmochi detective of the Metropolitan Police Department, but the real Kenmochi detective arrived a few minutes later. The corpse of the bunch went up in the moat near Akasaka, and the Metropolitan Police Department's Investigation Division 1 was colored.

A pair of Tokyo policewomen who pack their own brand of "deadly weapons" do some serious undercover work as they take on the toughest cases the department has to offer in this steamy mix of cop action and softcore drama.

A MOVIE IN THE 8mm Film. By Akiyoshi Imazeki

"Tsukigaoka Gakuen" is a collection of inferior boycotts, fights, and bullying. One teacher, Mizuki Okochi, came to the cave of the problem children. A long time ago, Mizuki, who was scared of "Minagaroshi's red-flying feathers" and the bad guys, challenged the students who were fighting the fight with Taiman's education that was full of body, but the principal and the daughter of the PTA chairman Ayumi's black I am involved in a plot... Rina Kato wipes out the image so far and rampages!

A headstrong young man seeks to join the Shinsengumi, but while his determination impresses his superiors, questions begin to arise as to his true identity and intentions.

An older brother who can't fit into society, a father who has given up on his future, and a younger sister who is tied to the house. This is the story of the small steps these three people take. The Great East Japan Earthquake suddenly changed the peaceful daily life of the people of Fukushima. Many people lost their homes and jobs due to not only the earthquake and tsunami, but also the nuclear accident, and left Fukushima. This is the story of a family living in the aftermath three years later, in Fukushima, where deep scars remain.

A film adaptation of the novel of the same title written by Hiroshi Hatayama (畑山博).

In an incredible interplanetary adventure, three young boxers learn how to enhance their individual powers by connecting to each other and to the legendary fighters that came before.

Hyper-realistic, comic drama about a group of workers in a small Japanese vending-machine factory. The young men gossip in their grubby canteen about women and each other. In order to drive out the boredom, they play soccer on the colourless industrial site. The relationships do not entirely run smoothly: ‘senior’ employee Takahashi enjoys making his colleague Yoda feel every day that he is at the bottom of the ladder. Yoda barely reacts. In the meantime, Sakata, a cheerful kid, tries in vain to make friends with the taciturn Yoda. This ensemble film shows in a dryly comic way the everyday lives of these so very normal Japanese kids, who still have one foot in childhood, but need to make choices as adults. The director himself plays the lead of the charming Sakata, who closely observes his colleagues. As he does in the role of filmmaker: his clear gaze soon reveals how it all fits together.

Tenth film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin.

A 16-year-old high school student Midori Matsumoto was found dead on the banks of the Tama River. The only clue is shoe marks on rubber soles. From the interview of witnesses, it became clear that Midori was walking with a guy last night. In addition, it turned out that Midori was close to a college student Kimoto, and a high school student Miyazaki. According to his friends, Miyazaki had an alibi, but Kimoto did not. A unique work in which the problems of teenage sex are considered from the point of view of the murder of a girl. The 21nd work from the popular series "Keishicho Monogatari", which documents the activities of the First Investigation Division of the Capital Police Department.

College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”

15th in the 17 film Daiei "Woman Gambler" series

Probable Pink movie from Koji Wakamatsu.

This is a story about the emotional connection between a young man with no clear purpose and a middle-aged man who abandoned his wife, children, and hometown but is hiding his pain inside.

A history drama portraying the confrontation between the indigenous Ainu people living on Japan’s northernmost main island—then called “Ezo” and now known as “Hokkaido”—and the “sisam”, the Ainu word for ethnic Japanese.

A female college student who grew up in a wealthy family, and a younger half-sister who doesn't even know who she is. She is a young and mature mother-in-law. A variety of dazzling, sexy, and slightly sentimental stories set under the scorching midsummer sun, centered around a mysterious and strange man who enters their lives. A unique experience unfolds in a seaside town.

In 19th-century Japan, a young swordsmith is determined to make the best sword possible after an inferior one he made indirectly led to the death of his guardian.

Horror V-Cinema based on the Wonder Swan game Terrors 2, in which new nurse Nami is assigned to a patient, Saga, who draws pictures that predict the future...

Kumazou, a "cleaner" for hire, encounters a woman attempting to commit suicide with her two young siblings one night. Kumazou gives them all the money he has and saves them from jumping off a bridge. The next morning, he wakes up to find that the woman and her sons have invaded his home and settled in…

Near the end of the shogunate in Japan, Katsura Shogoro and his fellow samurai from the southwestern domain of Choshu enter the dojo of Saito Yakuro, the famed Shindo Munen Ryu swordsmen of Renpeikan in Edo. Katsura is initially not welcomed by the other, senior dojo followers. Undeterred, he focuses on improving his skill not only in swordsmanship but also learning how to repel the foreign British and American ships that threaten their domain.

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

Kakizaki Yuji’s period film is not like the jidaigeki films we are used to. While it deals with themes of seppuku, duty, and loyalty to one’s masters and the shogun, we see very little in terms of action. Instead, the film focuses on the inner thoughts and struggles of the protagonist—who is ordered to perform a ritual suicide—his wife, and their entire household, all leading up to the final moment.

A unique depiction of the awakening of male and female sexuality in youth.

Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri's mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri's brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri's, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, "I want to see you." Because she blames herself for her brother's death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app's users begin to die.

A high school teacher runs afoul of a vindictive female student and is terrorized by a stalking rapist. But despite her fright she finds her body passionately responding with each new attack.

A Japanese stage actor in Yokohama is terminally ill, and is determined to end his life, but doesn’t know to have inherited a large sum of money from Switzerland.

An erotic drama depicting the struggles of a widow who brings good fortune, devoted to her late husband and putting all her energy into everything she does. Set in the sex industry, where people with their own problems gather, this heartwarming film depicts men and women who do not lose hope but live their lives to the fullest, even when they are tormented by the pain of loss. Seiko (Ogawa Mami), whose husband, a truck driver, died in an accident, works as a phone club hostess for her childhood friend Takimoto (Yamamoto Ryuji), a company that deals with all things sexual. She frequently clashes with Manda (Jimmy Tsuchida), who works at a rival company, but when she learns that Manda has also lost his wife in an accident, she feels a sense of kinship with him.

Kotani Zenzaemon, a ronin who has a side job making brushes in a tenement house in the back alley, is watching Omine, who lives with him, from Kichizo, a resident of the same tenement house and a boatman. is asked to Kichizo and Mine have eloped and got married, but she feels empty in her boring daily life, and she wants to take a break by crossing the bridge over the river. On the other hand, Kichizo forbids him from crossing the bridge, fearing that his whereabouts will be known to others. Zenzaemon superimposes the appearance of these two people on the appearance of his former self and his wife, whom he killed himself.

Ninomiya Kinjirou is a biopic follows the life of the eponymous character, an 18th century peasant boy who worked to rescue over 600 poor villages and hamlets from financial ruin by developing new economic policies.

One cold midnight, Kenji was riding on a bicycle on trail in the woods...running away from his own life. When he saw a lady casting "Ushikoku" spell in the woods, a sleepless night begins. To cast 'Ushikoku' spell, the one must nail a doll down to a tree in the midnight shrine. If the spellcaster be seen castiing spell, he or she must kill the witness to complete the spell... On the way running away from the lady through the midnight city, he finds out that no one helps him, his old friends, police, nobody. And soon, everyone starts chasing him, being a part of the spell. Kenji decides to fight. Not for his life, but for his girl with sickness inside her.

The inventor of a ground-breaking glue, Sanada, becomes rich thanks to his discovery a high executive in his company. Because of this promotion, his world is changing completely : his wife behaves like never before, considering she's now rich and has the right to do whatever she wants, even having an affair. (Also occasionally known in English as “Overflow”)

The story of an orphanage, the children who live in it, and the beat-up old Nissan Sunny 1200 which provides a trio of boys with a means of escape from their bleak everyday lives.

Masako, the daughter of an impoverished itinerant tinsmith, wins a grammar school composition contest with an essay about her neighborhood. The much publicized essay ends up causing the family problems and their chronic money troubles threaten Masako's further education.

Two people who love each other are separated due to a certain incident. Two years later, the man has become an assassin. A story about an encounter between a fallen couple, a strip troupe, and a human smuggling ring.

Post-war Yokosuka, Kanagawa Prefecture. Adults who are swayed by the US military stationed in the country and swayed by US intentions cannot afford to care about children who should be protected. The war orphans, who had no choice but to survive on their own, were used to shining shoes for American soldiers, picking up cigarettes, and sometimes committing crimes. However, at some point, they came across a "cleaning" job. They work hard instead of committing crimes and earn money by being appreciated by people. The orphans begin to regain their smiles through experiences that make them feel like they should be alive. The children started to have a modest dream of "renting a house and living" with their own earnings, but they were attacked by an even harsher reality...

A virgin, a married woman, a career woman, and the progress is made by combining the abnormal sex of each of them. This is Rumi Tama's first work in 1983, which can be called the Japanese version of the Decameron, and is a female writer who has made a point of creating enjoyable pornographic entertainment without logic.

The story is centered around the devastating experiences of two villagers, Osaki Shuichi, and his cousin, Nishimiura Kinue, when they leave their hometown for the metropolis of Tokyo. They are in love with each other, but Kinue is expected to marry the lawyer Kanda Seiji. In consequence, Shukichi leaves for Tokyo, where he becomes tutor to the son of the rich Iwaki family. The heartbroken Kinue also makes her way to the capital, where she becomes a bar hostess.

Christmas Special following the series.

A short story during Jim's adventure at sea. He encounters a man at a bar who told a tail about a one-legged man. Thinking it's Silver who the man is referring too, Jim later asked him for details. The man told Jim that, near the coast Maratoran, Silver left the ship they were on went to the island on a small boat. Jim, who couldn't go at the time, left for Maratoran six years later. He met Silver's wife and son there.

This film is based on a collection of letters written by Motomura Hiroshi, a surviving relative of a mother and child murdered in Hikari City, and his wife while he was still alive. A moving story that vividly depicts the happy days from when the two first met until the day of the murder, and their encounter with the new life they were blessed with.

The fourth instalment of LDH Pictures, Cinema Fighters project. This time with all the main characters of the six short stories being portrayed by the members of Generations from Exile Tribe.

The long-awaited Hakkenshi arrive at Takita Castle, which is saddened by successive defeats.

A young woman named Miyuki returns to her hometown, camera in hand, after a difficult breakup. As she walks and takes photographs, she meets a variety of people and begins to realize she doesn’t have to go through this painful time in her life all alone.

The lives and loves of several people all intersect in the Golden Gai, a labyrinth of alleys and bars located in central Tokyo.

Eight men and women were gathered. But there were seven people arriving.

Amiko isn't like other children. Her endless energy makes her an outcast at school and gets her in trouble at home. When a painful family loss disrupts her seemingly idyllic seaside life, her sense of isolation intensifies, yet it doesn't stop Amiko from inviting people into her world.

Tomoko Ashimura types on a computer her memory of her late husband Goro, but Tomoko Ashimura succumbs to a disease. On behalf of Tomoko Ashimura, her grandchild Osamu collects Tomoko’s memoirs. He learns about the love between his grandparents for the past 50 years and the difficult life they faced during and after the Pacific War.

The land redevelopment near Kyoto Station drew Himuro (Yasukaze Motomiya) and Tamura (Yoshiyuki Yamaguchi) to the scene. Amidst the chaos, Kenjiro (Kenta Satoi), the local residents' association head and Reiko’s (Reira Arai) father, was shot dead. A distraught Reiko accused the Kyowakai, leading to Himuro and Tamura being separately questioned by the police. Meanwhile, Minami (Rin Asuka), who was like a sister to Reiko, struggled with mixed emotions. In Kanto, Okada (Yuki Matsumura), the newly released Okada Union president, saw this as a chance to crush the Kyowakai, sending shockwaves through the Marugami-kai. However, Mita intervened. Within the Kyowakai, Kawatani also ordered restraint against the Marugami-kai, but tensions continued to rise…