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Nostalgia

Russian poet Andrei Gorchakov journeys through Italy with his interpreter Eugenia to research the life of an 18th-century Russian composer who once lived abroad. Isolated and consumed by an unrelenting longing for his homeland, Andrei becomes drawn to Domenico, a radical mystic obsessed with spiritual redemption. Through austere imagery and extended temporal rhythms, Tarkovsky examines exile, memory, and the profound melancholy of being unable to belong fully to either place or language.

Nostalgia

7.8 1983
Nobody's Son

The script centres on Mathilda and Thomas, married for over 15 years. They’ve always dreamed of having children, but their efforts were only met with failures. After having adopted Mapring, a 4-year-old boy from Thailand, their life takes a tragic turn when Mathilda dies in an accident. Thomas then finds himself alone with a child he hadn’t really wanted. Devastated by this loss and incapable of forming a bond with Mapring, he decides to go look for the child’s biological family. Accompanied by Chaan, a local guide, Thomas starts on a trying journey through Thailand. Over time, father and son start to tame each other and create bonds… However, a crucial question remains: what will Thomas do when he finds Mapring’s biological family?

Nobody's Son

7.0 2026
Madam

Ma-nim (Kim Jeong-ah-II) becomes a widow after her husband dies from sickness and she arrives at Bukgando to get remarried. Her new husband is a handsome and wealthy man but he is killed by a Japanese even before she spends a night with him. Ma-nim is alone in the big house once again. Everyone by her husband's side leaves and only the grandfather and slave named Bau are left behind. One day, Ma-nim notices that Bau has a way of staring at her and she is overcome by a strange feeling. She'd to oppress her desires as a woman because of her two short marriages and strict identity. Bau had never made love with a woman before but she didn't mind his gaze on her. The two of them start a forbidden love behind grandfather's back...

Madam

5.6 2015
One Eight Seven

When a Brooklyn high school student writes the police code for homicide, 187, inside a textbook owned by teacher Trevor Garfield, Garfield feels threatened. The principal dismisses the incident, but the same student stabs Trevor soon after. Fifteen months later, a physically and emotionally scarred Trevor relocates to California and takes up substitute teaching. To his dismay, his new school is as full of dangerously undisciplined students as his old one—including four Latin Americans and a European American claiming membership in tagging gang K.O.S. (Kappin' Off Suckers)—driving him over the edge.

One Eight Seven

6.7 1997
Les Marchands

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

Les Marchands

NR 2013
Female Teacher: Dirty Afternoon

A teacher, Sakiko Kurata, receives a phone call regarding one of her former students. Young Sueko is accused of being a prostitute and has requested Sakiko’s help. This minx seduces random strangers for sex, but does not ask for payment. Sakiko has moved to another town and barely remembers Sueko, but there’s something about her that awakens painful memories of her own secretive past. What is that strange paint thinner smell on Sueko? Who is the man in the nylon ski mask that violently assaulted Sakiko many years ago? In her search for answers, Sakiko discovers that her past may have inadvertently destroyed another family’s future.

Female Teacher: Dirty Afternoon

5.9 1981