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Red Plum Pavilion

Li is a beautiful young woman who is engaged to a handsome scholar, Pei Shunqing. However, a rich evil man, Jia Sidao, is attracted by Li's beauty and wants to take Li as his concubine. Pei and Li then come to discuss the matter and decide to flee, but they are kidnapped by Jia's men before they can escape. Jia threatens to kill Pei, and Li finally yields but requests to see Pei for the last time. During their short conversation Li tries to persuade Pei to leave, but he insists that he will not leave without her. Li tells him that she has promised to be Jia’s concubine. Pei has to depart, angry and disappointed. Later, Li tries to kill Jia with his sword before their wedding but she is stabbed to death instead. Li's ghost then returns to avenge Jia and his men by burning them until only ashes remain.

Red Plum Pavilion

7.0 1968
Mahiru no yūkai

A suspense drama directed by Mitsuo Wakasugi. Students, gangsters and other young people who couldn't make money were gathering and negotiating at a coffee shop about this. They were told that if you kidnap a child from a rich family, search for him/her, their family would give you about 50,000 yen if you could send the child back.A woman named Motoko disappeared in the midst of evil, but no one noticed it. Shortly after, Kaneda and Chii appeared in a quiet residential area and took a girl about five years old from the Ohara family....

Mahiru no yūkai

NR 1961
The Thirteenth Chamber

Twelve-year old Kosta, a little boy of an overactive imagination, makes friends with equally sensitive eleven-year old Blanka. Fantasy leads the two children to the forgotten attic in the house of Blanka's parents. For them, this is the forbidden "thirteenth chamber," and to Kosta, an old glass vase becomes a magic ball with the help of which he can play his favorite play "on fate". The children observe the adults and unconsciously sense that something has gone wrong in Blanka's family. Her dad is a physician and her mother is not happy with him, still recollecting her former wooer Petr who left for India upon his graduation.

The Thirteenth Chamber

6.5 1969
Man Wants to Live

Professor Chardin has just killed a man. Before calling the police to turn himself in, he burns some leaves and a notebook in the fireplace. Secret agents in the street with listening devices flee when the police arrive. The professor refuses to be defended by a lawyer and to explain himself, but his friend Professor Carter and his wife come to his support and he agrees to explain his crime of inventing the H-bomb, the secret of which was stolen from him by his collaborator Rossi at the very moment when he had given up his research, convinced by Albert Einstein's pacifist plea and other personal circumstances.

Man Wants to Live

10.0 1961
The Day the Tree Blooms

Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

The Day the Tree Blooms

8.0 1961
Quixote

Co-founder of Canyon Cinema and the San Francisco Cinematheque and one of the godparents of experimental film, Bruce Baillie (1931-2020) has forged a singular path in his visionary explorations of the world, his exquisite treatment of light and fragmented storytelling influencing successive generations of like-minded filmmakers. Shot on a cross-country journey during 1964 and 1965, is the Baillie film most in need of rediscovery. Joining the ranks of Bob Dylan, Robert Frank and Jack Kerouac in chronicling a tumultuous period in American history from the road, Baillie sets out "to show how in the conquest of our environment in the New World, Americans have isolated themselves from nature and from one another."

Quixote

5.4 1965