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Venus Peter

Produced for Scottish television, Venus Peter was financed by the Orkney Islands Council. The title character is transformed into a "sea child" when he is baptized with salt water. Though his family tries hard to accustom him to life on land, Peter (Gordon R. Strachan) yearns to go to sea -- or, at the very least, to escape his cloistered community. He finds a kindred spirit in Princess Paloma (Juliet Cadzow), the village "looney," who, alas, is eventually carted away to an institution. Briefly fascinated by poetry and music, thanks to his lovely teacher Miss Balsibie (Sinead Cusack), Peter is disillusioned when he finds his teacher in the arms of her lover (and out of her clothing). The final blow to Peter's idealism comes when his grandfather's ship is repossessed. Despite the bleakness of his surroundings and his seemingly dead-end existence, however, Peter never completely lets go of his dreams, and the film ends on a positive note.

Venus Peter

5.3 1989
Memoirs of a Survivor

Based on the acclaimed novel by Doris Lessing, this dystopian science fiction tale concerns a woman struggling to make her way in a post-apocalyptic society. D (Julie Christie) is living in a city that's at the point of collapse following a catastrophic nuclear war; lawlessness and violence rule the day, and gangs of brutal youth roam the streets. With the help of her teenage companion Emily (Leonie Mellinger), D tries to make her way, and in order to cope, she often escapes into a fantasy world in which she lives in genteel Victorian surroundings in the 19th century.

Memoirs of a Survivor

4.2 1981
The Shooting of Thomas Hurndall

After Tom Hurndall is shot in the head in Gaza, his parents Anthony and Jocelyn arrive in Israel wanting to know how it could have happened. They expect sympathy and cooperation from the Israeli authorities, but are instead met with an official explanation that fails to tally with any eye-witness accounts, and a wall of silence. When an Israeli army report attempts to whitewash the incident, the Hurndalls decide the only way to establish the truth is to launch their own investigation into the shooting, a process which brings them face to face with both the Open-Fire regulations of the Israeli army in Gaza, and the soldier who pulled the trigger.

The Shooting of Thomas Hurndall

6.1 2008
Phyllis

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Phyllis

NR 2011
Shooting for Socrates

Set in Belfast against the backdrop of the 1986 World Cup, Shooting for Socrates tells the story of a momentous time in Northern Ireland's football history through the eyes of players, fans and the media. The film also follows the lives of passionate football supporter Arthur and his son Tommy from East Belfast. The lead up to a momentous day in the life of a young boy (his 10th birthday) mirrors the build up to the big day for the Northern Ireland football team as they play the greatest match of their lives.

Shooting for Socrates

6.8 2014