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Trouble in Tahiti

Leonard Bernstein was on his honeymoon in 1951 when he began composing his one-act opera, Trouble in Tahiti, a candid portrait of the troubled marriage of a young suburban couple. Written between his biggest Broadway successes— On the Town in 1944 and Candide and West Side Story in 1956 and 1957, respectively— Trouble in Tahiti draws upon popular songs styles to deliver an uncompromising critique of post-war American materialism. Beneath the couple's marital discord is a profound longing for love and intimacy. Their spiritual emptiness, in contrast to a veneer of happy consumerism, creates the heart of the drama and is emphasized by sudden stylistic shifts in the music.

Trouble in Tahiti

9.0 2001
The Beacon

Joshua Nyaga travels to the countryside from London to spend a summer’s weekend with his girlfriend Cass’ family for the first time. Transplanted as a young boy from the violence of the Ugandan civil war to the concrete jungle of London, Joshua has never experienced the privilege that Cass’ family enjoys. Surrounded by the sea and lush natural landscape, the farm is an oasis, brimming with idealistic notions and lively debate amongst Cass’ father, stepmother and their longtime friend of the family, Michael. But Joshua’s warm welcome is short lived, when a sudden act of violent racism at a local summer concert shatters the peace forcing Joshua and those around him to confront the uncomfortable truth of their differences.

The Beacon

NR N/A
100 Days

The film centers on a pair of young lovers; Bapiste is more than ready to have sex with his girlfriend Josette, but she refuses, arguing that when they are married they can have all the sex they would like. Meanwhile, powerful Hutu leaders have had enough of Tutsi rebels and call on all Hutus to kill their Tutsi neighbors. As chaos breaks out, the Tutsis flee and the lovers are separated. Josette and her family find solace in a Catholic church run by a sadistic priest. The Catholic Church, the state, and the French army look the other way as bloodshed ensues. Josette is taken as a "wife" by the priest and repeatedly raped. When the Belgian army sent in to protect the church is called away on an emergency, the Hutus attack and massacre hundreds of women and children. Josette miraculously survives, but she is only a husk of the woman that she was. As the Tutsis regroup, they exact terrible revenge.

100 Days

4.8 2001
Like Father

The last pits have closed, the redundancy money has been spent and a family is in crisis. 70 year old pigeon man Arthur Elliott is losing his allotment to the local authority’s coastal redevelopment scheme. Working as a trumpeter, teacher, club singer and club act agent, his son, 40 year old ex-miner Joe can just about scrape a living, but his marriage is breaking up. 10 year old Michael is left to grapple with his own realities as coalfield culture begins to disintegrate. Three generations struggle to come to terms with the past and find the ties that still bind them; three worlds unfold against the rich and extraordinary backdrop of East Durham.

Like Father

8.0 2001
Crimes at the Dark House

In this lurid melodrama, Tod Slaughter plays a villain who murders the wealthy Sir Percival Glyde in the gold fields of Australia and assumes his identity in order to inherit Glyde's estate in England. On arriving in England, "Sir Percival" schemes to marry an heiress for her money, and, with the connivance of the cunning Dr. Isidor Fosco, embarks on a killing spree of all who suspect him to be an imposter and would get in the way of his plans to stay Lord of the Manor.

Crimes at the Dark House

6.3 1940