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Marquis de Sade’s Prosperities of Vice

A decadent count in 1920′s Japan becomes obsessed with the life and works of the Marquis de Sade. He creates a theatre to show plays adapted from the notorious writer’s novels and recruits thieves, prostitutes and low lives to act out his fantasies on stage for the delectation of his rich, jaded friends. In search of new sensations the nobleman orders one of the actors, on pain of death, to make love to the nobleman’s wife while he watches. Unfortunately, this incursion of real life into his fantasy world will have dire consequences for the count and his divinely decadent coterie.

Marquis de Sade’s Prosperities of Vice

4.6 1988
Angelo My Love

Angelo My Love delves into the little understood and fascinating world of New York Roma. Using real Romanis playing fictional versions of themselves. This critically acclaimed film explores the lifestyle, rites, myths and passions of the tight-knit urban subculture. Twelve year-old Angelo Evans is the street-wise. Charmingly precocious son of a fortune teller. When the boy accuses a sleazy Romani, Steve "Patalay" Tsigonoff, and his foul-mouthed wife, Millie, of stealing an ancestral ring, he chases them to Canada. Angelo wants the ring for his future bride, Patricia, and nearly disgraces the family to get it back. Along the way, Duvall presents an extraordinary slice of Romani life, highlighting there music and tribal customs, a wedding and a "kris" - the Romani court of justice. His film has a spontaneity and exuberance that make it a one-of-a-kind experience.

Angelo My Love

6.3 1983
The Eternal Light

Lithuanian countryside in the 1950s. People live with mixed memories of an independent Lithuania, no one believes in the myths of a future Soviet Lithuania, but everyone clings tenaciously, out of inner inertia, to the opportunities offered by even the smallest personal farm. This is a film that subtly tells the story of love and the beginnings of a peaceful life in the countryside: the surveyor is tormented by Pranė, who has fallen in love with him unrequitedly, Amilia, who has fallen in love with Zigmas, but is married to the surveyor, Anicetas, the village philosopher, Bernasius, knows it all: if there is an eternal darkness, there is also an eternal light...

The Eternal Light

9.0 1989
Menschenfrauen

Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.

Menschenfrauen

7.0 1980
Terirem

The mute wife (Olia Lazaridou) of a shadow-theater player (Antonis Kafetzopoulos) is suffering from cancer. An old woman, guided by her visions, discovers a Byzantine religious icon buried in a field. Her nephew sells the find to a thief, who then murders the old woman, without knowing that she had told the village priest about the holy icon she found. Two priests arrive in the village together with the puppeteer and his ailing wife, and there the wife sees a vision of the icon and where it was located in the field, which leads to the discovery of the bones of a saint. The wife sleeps on the spot where the holy relics were discovered and, upon awaking the following morning, regains her speech.

Terirem

10.0 1987
Bandits

On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?

Bandits

5.9 1987
Forbidden Dreams

Leo Popper is a happy family man living in rural Bohemia in the years preceding the Nazi invasion. Out of economic necessity he moves with his family to the big city and becomes an enterprising vacuum cleaner salesman. There he embarks on a series of adulterous adventures, has encounters with boxing pros and famous portrait artists, and schemes to purchase the perfect pond to fulfill his passion for fishing. When the Nazis gain control, the comedy turns sour - he loses his lake, his job, and finally, his family.

Forbidden Dreams

7.4 1987