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While the student elections are approaching in a high school, two parties have their election speeches.

Claudio, a boy whose days unfold passively and repetitively in a cold and apathetic world, is in a long-distance relationship with Alessia, the only person he seems to be able to connect with. A harmless interaction with Maria, a girl he meets by chance, will trigger a panic attack and bring to light an uncomfortable truth he's been hiding.

The film is a reflection on the medieval folk tradition of "benandanti" ("good walkers"), who believed they had special powers to fight witches, ogres and demons threatening harvests and children. Who are the "benandanti" of today and who are the witches and ogres of our times? Can these assigned roles be put into question? The film analyses three stories, trying to recover the sense of truth and the truth of the sense, starting from the relations between individuals and the respect that every statement of the human race deserves.

The discomfort of civilization: a young man dreams of a harmonious alternativa in nature.

An Italian short.

Andrea Nastri is a successful entrepreneur who founded a company that deals with a very particular market: making people relive lived experiences through sophisticated projection technology. Andrea lost his father as a child, so this technology represents a way for him to be able to relive him. This process being very invasive is also much criticized by the press and newspapers. Pushed by the desire to make his father's hologram more real, Andrea will push himself beyond all limits, abusing the technology and immersing himself in a world where the line between real and projection is blurred. Only by accepting the truth will Andrea be able to rid himself of his fears.

The story of Sapho is laid in the Grecian era and Sapho is depicted as a wealthy woman of that period who has a host of admirers and a still greater host of maid servants who worship her.

In a small town in southern Italy, a mother's vow saves her daughter from certain death. For this grace received, the child will be forced to wear the dress of the Saint who made her awaken.

Valerio is abruptly left by his girlfriend without a clear explanation. Before disappearing, she leaves behind a cryptic note with an enigmatic message. Desperate for answers, Valerio turns to his friend Lorenzo, as the two of them attempt to unravel the mystery behind her sudden departure.

Ilaria is an eighteen years old student while Frida is an eighty years old partisan, they meet eachother for some videointerviews that will have an unexpected transformative power on both of them.

Poland. A young writer is doing research for his new book, when his brother returns home early with a mysterious box - an unforeseen event that will force the boy to come to terms with himself and his family.

Alice, a beautiful dressmaker, musing on her hard lot, falls asleep and dreams that she wins the heart of a wealthy admirer, who lavishes his wealth upon her. Through an accident, her face becomes terribly disfigured, and her lover abandons her. She awakens as her sweetheart, a poor but honest workman, calls, and realizes that his loyal heart is worth more than all the riches in the world.

The sea is the thin border between what we are and what we are forced to be.

Every Saturday a bunch of youths use to meet at a disco in Milano. Among them soon love and passion explode between a dance contest and another.

Everything is perfect: the table, the good manners, the polite smiles. Antonio doesn't want to be there, but he has to. The evening, however, is destined to derail into a grotesque spiral.

Young Camilla questions her artistic talent and skill in a lonely afternoon after school.

Italy, 1959. A ten-year-old boy called Guido enters a Catholic seminary, fascinated by the idea of becoming a priest. He quickly understands that in order to be a good seminarian he has to submit to an ascetic and unnatural training, consisting in mortification of the flesh, obsession with sin and repression of one's sexual instincts and desires. Guido finds himself up against a deeply hierarchical system, where strict observance of rules and blind obedience to superiors are taught. A system in which thinking for oneself is forbidden.

Learn about the exciting game of chess in this fun and adventurous story.

Through the narrative of a fictional political crime during the Years of Lead, Despite the Facts investigates the interplay between fiction and documentary. Structured around a fictionalized interview with a real former member of the Italian extra-parliamentary radical left, the work highlights the subtle boundary between fiction, reality, and a constructivist approach to history. The piece employs both the language of documentary as well as cinematic language, probing how narratives are constructed and showing that the “fact” itself is ultimately inaccessible, existing only as a construction. The project was conceived for both single- and two-channel formats, comprising a single-channel screening version and a two-channel installation version. The project was realised with the support of Injuve (Spanish Government), Community of Madrid, Cripta747 (Turin), and Torino Film Commission.

During the lockdown caused by covid, four mafiosi are invited to a secret meeting to find a solution to the problems caused by the imposed closures.

Marco has been in prison for 20 years for murder. It is the day of his release, the day he can be reborn. But the only feeling he can feel is the fear of being free again. Sometimes it only takes a few seconds to change lives.

A Donatello award nominated short feature about how to deal with a family abandonment.

Gorizia, 1930. Through the gaze of the cameraman of the Fascist Afterwork Club (OND) we see the regime’s marches and the celebration. By imagining the voice of his thoughts, we delve into his insecurities and his surrender to a silent dissent. The images remain, continuing to tell of a time that has yet to pass.

“Alba Costante” is an experimental short film, written and directed by Martina Bigoni. -A visual poem, which explores the concept of arising in the origin-.

a father talks to himself about his son

A man at the station is heading towards a new journey, here he has an unexpected encounter.

What do we have left when we are deprived of everything? Depression and anxiety disorders leave us with a constant fear of being lost. The struggle against ourselves and for ourselves leaves no survivors, but sometimes it is enough to look at ourselves through the eyes of those who love us to try to get out of it.

"Solo No" is a film with which the author, Lucilla Mininno, through the two protagonists, and everything that surrounds them, addresses the theme of making Art today, of the extreme resistance that artists of all ages and past and of every field, from theater, to cinema, to contemporary art. The theater that contains the work and acts as its setting is a place of the soul, the essence of the art the author wants to talk about.

Between emotional and psychological conflicts the lives of some young people will be turned upside down and intertwined by the cruelties that fate will reserve for them during their growth.

To redeem his soul, the ghost of a killer is sent to lead a neglected teenage girl to save a group of street children from the abuse of a criminal organization.

In a century where humanity has lost its way and boundaries no longer exist, a mother transforms her grief into a final act of hope and resistance.

A homeless man lives day by day on the same street corner, trying to make it feel like home. Haunted by the loss of his only daughter, what hurts the most is being invisible to the people who walk past him every day. Only a little girl is able to look him straight in the eyes, renewing in him beautiful memories faded by pain, which bring him back to a rediscovered humanity.

"Old Dixieland" is a film about the landscapes of childhood. The summer mirage of happiness returns, dissipating without reason or meaning.