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The Net

The aging writer Aurelio Morelli is disillusioned: although the critics like his books, they are barely read. He develops hatred on youth and their depraved moral. One night he goes with a callgirl - and kills her. The police doesn't have a clue, only the unscrupulous sensational journalist Bossi suspects him. Instead of naming him to the police, he persuades Morelli to write about the murder for his paper. Morelli uses the occasion to write his memoirs, in which he confesses lots of other crimes before this last one...

The Net

6.3 1975
Men Know How to Love

A delicious and understated countryman, Anna, leaves for the capital to study. He's hitchhiking on the motorway, and a business car, with a medical practitioner, stops to get it. The driver, named Fanis, is doing this job very much to take care of his seriously ill mother. Fanis gives her a place in his house to stay and, over time, falls in love with her, but family situations force Anna to abandon her studies. She returns to the village and marries her fellow villager, the Bargaining Barnabas. This, above all, has sent her father to the grave for unbearable debts. After his death and his mother, Fanis comes to the village and tries to persuade the girl to follow him to Athens, which is done with the mediator's help from the pope. Fanis promises to finish his studies and become the doctor of the village, to marry Anna naturally and to have children.

Men Know How to Love

5.4 1971
Beggars and Proud Ones

Hadjis, a philosophy professor in his thirties, put his spiritual concepts into practice when he left Europe to settle in a working-class district of Tunis, where he lived in destitution. Together with two followers of his philosophy, a medical student and a poet, they form a close-knit, wise cenacle. Unfortunately, Hadjis strangles a prostitute while on a hashish binge. The police put an officer in charge of the investigation, and he soon tracked down the murderer. But, converted by the three friends to their philosophy, he ends his investigation and leaves the police to join them.

Beggars and Proud Ones

8.0 1972
Meine Schwester Tilli

Hannes, 22, and his girlfriend Tanja have to realize that there are things in their relationship that have an unfavourable effect on their togetherness; now they try to find out why their love should not last. Tilli, Hannes' 16-year-old sister, and her boyfriend Robert, on the other hand, just look sadly at the rest of their remaining pocket money and wish they could get rid of their money worries. But for Tilli's family with their seven children, who live in a district town in the GDR, it's not that easy. However, the extended family's life is not disrupted by problems, rather it is strengthened and the family's cohesion is intact.

Meine Schwester Tilli

NR 1972
The Olive Tree of Boul'hivet

Belkacem, a young unemployed man living in the Saharan village of Boulhilet, is entrusted by Bouacha, an old dervish who came from nowhere, with the secret of the olive tree, the only lush tree and true mystery in this stone desert. After water supply works, modern life bursts into the village. Belkacem, ill-prepared for this situation, confuses dream and reality. Believing he has killed his rival who loves his beloved, he flees the village after donning the clothes of the dervish, whose gait he now imitates.

The Olive Tree of Boul'hivet

10.0 1978
Double Dare

Martin Ellis (Alan Dobie) is a blocked screenwriter who invites Helen, an actress (Kika Markham), to a hotel in central London to discuss an idea for a play he is writing with her in mind. As they discuss the play, Martin discovers that a businessman and an escort named Carol are sat at a nearby table and appear to be speaking lines from the as yet unwritten piece. Martin becomes anxious at what will eventually become of the girl, already knowing that the play will not have a happy resolution

Double Dare

NR 1976
The Eighth Day

Children as real human individuals with the difficulties this involves. Anna and Peiter are 11 years old. Peiter's parents are divorced. Only for one week a year does he live with his father, on the same island as Anna. The children have been friends for years. But this year (because of beginning puberty?) they have difficulty in getting in real touch. Day after day they fail. - Outside a café Peiter boasts that he can do everything. Anna tells him to fetch the thing she is thinking of. He goes inside, asks a guest to rise and brings his chair to Anna. This was indeed the right thing, and this chair will re-appear in other scenes. Another day Peiter boasts that he is not afraid of being locked up in a desolate tower for a few hours. Anna closes the lock on the outside. But her parents prevent her from going out again and Peiter remained alone in the tower for the entire night. -Finally all seven days have gone and the gap that prevented full contact is still not closed.

The Eighth Day

3.0 1979
A Story of a Man Who Filled 552% of the Quota

A movie quintessential to Wiszniewski's artistic output. Its protagonist, Bernard Budgol, is a miner and a legendary leader of socialist labour in the 40s and 50s. Structured around a dissonance and contradiction, the film is reminiscent of a broken mirror. Budgol's utterances do not for a cohesive whole, but come into conflict with one another. His wife, children and fellow miners tend to be critical of him while the protagonist himself feels compelled to defend his legend and the rightousness of his own conduct. (FILMAFFINITY)

A Story of a Man Who Filled 552% of the Quota

6.0 1973
Aaron Loves Angela

Aaron and Angela, two young adults living in the Harlem ghetto of New York City, are deeply in love with each other. The only thing standing in the way of their love is their families. Aaron is black, while Angela is Puerto Rican, and neither family wants one of their own to associate with the others. As the pair rebel against the prejudices of their families, they soon find the conflict spreading out to their friends and neighbors, until the hatred threatens to spiral out of control.

Aaron Loves Angela

5.4 1975