Discover Movies

16,617 Matches Found

Boregowda Bengalurige Banda

Boregowda Bengalurige Banda is a 1970 Indian Kannada-language film written and directed by B. A. Arasu Kumar, and produced by S. Shivashankarappa, Kalleshappa, Devaramuni Shanmukappa, H. M. Jayanna and S. D. Umapathi under the banner Sri Mallikarjuna Enterprises. It stars Rajesh and Leelavathi; B. Vijayalakshmi and Srinath feature in supporting roles. The title of the film is based on an adage which describes the predicament of a small town man struck by the glamour and glitz of the city.

Boregowda Bengalurige Banda

6.0 1970
Aai Mala Maaf Kar

Raghunath and Sita’s lives unravel when their younger son Amol commits a crime, forcing Raghunath to take the blame and serve a prison sentence. Sita sacrifices everything—including selling her kidney—to send her elder son Atul to America, only to be abandoned out of shame. After Raghunath dies in jail, Sita is left alone, surviving through menial work. Years later, as Amol seeks a wealthy marriage, Sita gives up her home for his future, still waiting for the son who never returned.

Aai Mala Maaf Kar

NR 2006
Ranga Khush

Widower Sultan Singh lives a poor lifestyle in a village in central India along with his son, Karma and daughter, Devi. The region of about 50 villages is being terrorized by a bandit named Ranga and there are only 50 Policemen, who are unable to apprehend him. After Sultan's death Karma decides to teach the villagers to defend themselves but is typecast as a rebel, arrested by the Police, and held in a cell. Ranga abducts a young lad, names him Ranga, and trains him to be a bandit. After Ranga passes away, the younger Ranga, mesmerized by the evil Ginnibai, takes over. Ranga abducts Devi, forces her to marry him to sire children who he will train to become Rangas of the future, as well as look after several abducted young children who he also plans to train and turn them also into future Rangas - and there is no mortal on Earth who can stop him.

Ranga Khush

NR 1975
Dil Tera Diwana

Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?

Dil Tera Diwana

6.5 1962
The Light of Asia

Living an indolent life in a luxurious palace, Prince Gautama (Rai) is insulated by his family from the harshness of the world outside. But he is destined to learn greater truths: shocked to discover the pain and suffering of so many in his kingdom, he abandons his privileged existence, and his wife Gopa (Seeta Devi), to become a wandering teacher, eventually finding enlightenment and founding Buddhism. Featuring superimposed images and deep-focus shots that were highly impressive for the time, Light of Asia astutely combines a deeply felt spirituality with the surefire attraction of Indian exotica, which helped make it a considerable success in Europe.

The Light of Asia

6.5 1925
Navrang

Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

Navrang

5.4 1959