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One Night More

One Night More is a story of inner-city romance set in modern day London and how two people can meet and change each others lives to make them think differently about themselves and how change is an inevitable thing and also a constant. We explore the complex, albeit brief, relationship between Rose, an aspiring photographer, who meets Khrisna - a dancer. The film gives an unique, negative and perhaps melancholy perspective on love and attraction and how people at the end of the day just might not be attracted to one another, and must simply learn how to move on to the next thing, whatever that might entail. The story isn't trying to say anything big or new in regards to romance other than subverting 'the teenage ideal' of being in a relationship which sees no lasting potential just for the sake of fitting in.

One Night More

NR 2017
Apollo 11

As a child, Yu Xin loved riding in her father Zheming's taxi—the Apollo 11—feeling like she was on a space voyage through the city. After her father's death, Yu Xin discovers that he adopted a boy named Lin Si Liang. Driven by curiosity, Yu Xin decides to drive the Apollo 11 on one last space mission. When she reaches a desolate wasteland resembling the lunar surface, a strange boy's voice suddenly comes through her father's old radio. Just as the moon always shows the same face to the Earth, Yu Xin sees a different side of home.

Apollo 11

NR 2017
The Hammer in the Head

By becoming aware of an idea that is new to us, we talk about it all the time. And beyond that, all the subjects that we approach, we approach them through this new prism. We are going as far as proselytism - essentially to convince ourselves. We repeat the same words, slightly reformulated, until we are convinced. It is a way of swallowing our conditioning to this idea, while hinting that we are already sure. In politics or in love. We repeat ourselves. We repeat ourselves. We repeat ourselves.

The Hammer in the Head

NR 2017
Envisage

Follow a normal day in the life of three abnormal people to see what it's like to walk in another person's shoes for a day. Shot entirely in subjective camera, the audience will experience a day in the life of these three characters by hearing their internal monologue, dialog, and by seeing what they see as they go about their daily business. Since the movie is all about perception, all three characters lives intertwine in a scene that each character perceives completely different, leaving the audience to decide for themselves what really happened on this normal day. Each characters lives twist and turn as the movie progresses into a fun, yet different, cinematic adventure.

Envisage

6.0 2017
The Labyrinth 1.0

The Labyrinth 1.0 is a poetic film essay that cites writer and poet Brad Johnson’s poem “The Labyrinth,” published in the anthology Milking Black Bull (1995). Sourcing 16-mm surveillance footage, 16-mm 1970s tearoom porn, and structuralist film footage shot in North Philadelphia, the work visually explores the concept of the labyrinth space as a site for cruising and gesture-based desire. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

The Labyrinth 1.0

6.0 2017